The music business doesn't take up that much of my time. I probably should put a little more energy into it.

I just feel like this guy who's visiting the music business over the weekend. Every time I write a song, I feel like it's never going to happen again.

I have to take time occasionally to get away from the pressures of this business. If I don't, I think I would get stale, and that would show in my music.

I was having a nice anonymous little time as a writer. I really was on the writer path. I was sort of minding my own business. I loved making a living in music.

There are a lot of things that are part of the music business that I'm very bad at. Organization, being on time - the stuff you need in order to function in the regular world.

A song like 'Shooting Star' - the thought process behind writing that song was that I looked around and thought, 'Wow, there's a lot of people dying at that time in the music business.'

I've been around the music business for a long time now, and I've had a lot of chances to do movies. But I didn't really want to do any until I found stuff that started to hit me in the right place.

When Nas and AZ send you a track, you know it is serious business. Same with Styles P and Jadakiss - then it is serious business. But when you get a trap music track, you know it's time to dumb it down.

The music is fun. The big difference performing it live is that we might get a little more heated, not as subdued, we'll stretch things out more. It's how you stay fresh after such a long time in the business.

The stores and the things like that, the business side of things came out at the point when, I'd say probably in the early '70s, it looked like the year of the singer-songwriter was over, 'cause music changed in our time and the spotlight was out.

I feel like sometimes I get even more goofy onstage than I am offstage. I'm not trying to make the music less than what it is. Even if it's hard for me and I have to think about a lot of details, it's none of the audience's business. I don't want them to feel that I'm having a hard time.

I had a band with David Gates. There was just a lot of opportunity at that time. But I left for Los Angeles the week after I graduated high school, and I actually left to try to get into the advertising business. That was really why I went out to L.A. My music career was almost an accident.

The '60s was a magical time in the music business. So much creativity and talent. I think a lot of it came from the fact that we had grown up before rock n' roll. We listened to all the great songwriters and big bands, songs with great lyrics and melodies. I think that really influenced everybody.

In the music business, to survive for so long, you have to be able to cut off from your emotions sometimes. And being a father, you're faced with that situation. I know that my father was, with me. I understand why he had to be distant, because to rip yourself away, time after time, is almost more devastating.

The business has changed dramatically from what it was even just a few years ago. Music isn't even distributed the same way anymore. Even CDs are becoming a thing of the past. The Internet has made it easier to get my music out to anyone who wants it, but at the same time, I feel like we're losing the mystique.

I knew from the time I was 6 or 7 that music was something I had to do. Growing up, my parents did everything they knew how to do to support me. My dad was always kinda my roadie; he drove me from gig to gig. But I got my own gigs. I was this 12-year-old kid, shuffling business cards, calling people, telling them I wanted to play.

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