From the first time I played with Lester Flatt, I sensed an extreme amount of history around me.

I am what time, circumstance, history, have made of me, certainly, but I am also, much more than that. So are we all.

My first reaction every time I delve into an episode of history that I don't know very much about is... my first reaction is anger that my teachers never taught me about it.

In New York, I get people coming up to me because 'The History Boys' was such a hit on Broadway, and they show the film all the time on cable over there, so people recognise you.

So history is fertile territory for me and I think I could feel happy with any period of history, provided I had the right sources and the necessary time for the initial research.

In the neighborhood that I grew up in - in New York on Long Island - there were a lot of musicians. For some reason, that time in history in our town in New York, everybody played. So it was all around me.

It's something that you pick up at a history class in college, the idea that history and time is something to which we can't even hold a candle to. We, as human beings, are just a small element in the overarching sweep of narrative history. That really had a profound effect on me, that realization.

It has taken a lot of persuasion for me to take part in an official documentary about 'Only Fools and Horses.' But, as time has gone on, it seems to have been imprinted in television history, and I thought it was only right that I tried to give an accurate insight into how the show was put together.

A country that has really resonated with me and I was really impressed with was Israel. I found that the whole country had a very special atmosphere. I was there to perform, but it was one of the few places that I've visited over the years that I had some free time to explore, and I was hugely impressed by all the religious history there.

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