The '60s were a time of great optimism and hope. There was a buzz - everybody could be successful.

From an actor's point of view, you never really like to hope that anything will go beyond the pilot. I'd always say to my agent every time I filmed a pilot, 'Great! Well, I'll see you at pilot season.'

The great thing about acting is that, until you're dead, you can do it. There are aspects to it that as time goes on you hope you get better at, and there are a lot of things that I'm excited to explore.

One of the things you get to do as a writer is that you get to learn new stuff all the time, and I hope that I'm a better writer when I'm 70 than I was when I was 30. That's one of the great things about a literary career.

If you like dark movies or light movies, 'The Empire Strikes Back' is one of the great movies of all time. It's probably the greatest movie of all time. 'A New Hope' is a superb movie. It's probably the second-greatest movie of all time, but 'The Empire Strikes Back' is better.

I got my Equity card right out of NYU grad school in 2000, doing 'The Great White Hope' at Arena Stage. I played Jack Jefferson. It was an amazing part to walk into, to carry that responsibility for that amount of time. The challenges and the breadth of that role were pretty amazing.

In San Francisco, I found Warren Levinson, who had set up a program to study Rous Sarcoma Virus, an archetype for what we now call retroviruses. At the time, the replication of retroviruses was one of the great puzzles of animal virology. Levinson, Levintow and I joined forces in the hope of solving that puzzle.

When I write a play, and we read it for the first time, the great fear is that everybody is going to say, 'You're a bum and you can't write. This stinks.' and throw the script in the garbage. The great hope is that they're all going to lift me up on their shoulders and carry me to the streets, singing, 'He's a genius, he's a genius!'

I had two jobs coming out of school: I did a play, 'The Great White Hope.' I played the boxer Jack Johnson. And I was the lead in this indie film. Then I moved to Los Angeles because New York was cold and it was really too quiet for me at that time. I was out of school; I was hungry. The auditions were trickling in, and I was antsy and ready to go.

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