Quotes of All Topics . Occasions . Authors
Every time somebody calls me out or tries to start something, it's motivation.
The hardest part for me is to finish a track. I start new projects all the time.
Each film I make changes me in some way. When I start the picture I'm one person and by the time I finish I'm another.
I start laughing every time because the media talks to me like I'm finishing my career and I only have one year left and time is running out.
Netflix was my sixth start-up, and that point I decided I didn't have it in me to start another company. At least that's what I thought at the time.
I'm not a big believer in the idea of genre - I'm a fan of any writer who can pull me into compelling characters and stories - but I can't imagine I'll start writing domestic dramas any time soon.
Before I ever start a job that I'm really excited about, I usually have some sleepless nights or weeks or months. But that anticipation for a person like me... I don't do so well with a lot of time off.
The problem with being a writer/director: unless you're really disciplined, you start adding projects, and you have to make time to make them. Because you have to write them... no one else is writing them for me.
I start writing with only the vaguest idea about who my characters are and what is going to happen, and the characters and plot come into existence as I go. I've tried doing it the other way, but for me, outlining is a waste of time because I never follow the outline.
I'm no longer the young woman I was playing before, and I'm in a profession where that continuum that is me is irrelevant to most people - they're meeting me for the first time, seeing me for the first time, and they're seeing an old woman, so that's what I've got to start being.
Writing is a very intimate thing, especially when you write lyrics and sing them in front of someone for the first time. It's like a really embarrassing situation. To me, singing is almost like crying, and you have to really know someone before you can start crying in front of them.
If you come on the set of 'Sleepy Hollow,' and you go, 'So, is this a 'Once Upon a Time' spinoff?' That's right when we start slappin' people. It's right then. Now if you came on the set, and you were like, 'I like this show. It kinda reminds me of 'Supernatural,'' that gets you a high five.
I met Paul Kossoff for the first time when I was playing in the back of a pub room in Finsbury Park in London in 1967. It was kind of a blues thing going on, and he came up and said, 'I'd like to have a jam.' So he came up and jammed with me, and I just loved his playing right from the start.
I would sit on the street corners in my hometown of Indianola, Mississippi, and I would play. And, generally, I would start playing gospel songs. People would come by on the street - you live in Time Square, you know how they do it - they would bunch up. And they would always compliment me on gospel tunes, but they would tip me when I played blues.