Tony Quotes - Page 7

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I thoroughly enjoyed working on Enemy of the State. Tony Scott is an important director, and has an amazing ability to express himself, and he doesn't do it in musical terms, he does it in emotional terms. I got along really well with him.

Peter Parker is sort of our ground-level view of this Marvel universe. You know what it's like to be in the penthouse with Tony Stark or have this god-like view like Thor, and I want to show what it's like for regular people in this world.

When I'm writing with Tony Iommi, for example, still it's very easy. We go in, and I know exactly what his style is. It's very distinctive, and you know exactly what he's looking for, and we know exactly where we're going from the first chord.

I think the Oscar is the big money award; that means you've made it in a money sense. The Tony has always represented - to me, and most actors that I've talked to - an artistic award. It means you're an artist and not just a popular performer.

Frank Sinatra did 'Born Free', Tony Bennett did 'Walkabout,' but you have no control over who does what, really. So you just hold yourself responsible for the stuff you do, and then get filthy rich on all this stuff that other people have done.

Grown-up politicians talk to each other across party lines. Over the last few weeks I have had lengthy conversations with Ed Miliband, David Miliband, with Tony Blair, with Peter Mandelson... talking about Europe, talking about political reform.

As far as people, I've always loved Tony Iommi's sound, just the grittiness that was in that era of metal where it wasn't too fuzzy, and you could still hear the guitar and the fingers, but it still had this chunky, meat-and-potatoes sound to it.

'Only Fools and Horses' was just one of those shows that could keep on going and going, that excited me. 'Hartbeat with Tony Hart' and 'Rolf's Cartoon Club' were my huge favourites, though. I used to love drawing and always sent work in to the show.

In World Cup qualifying in 1997, I will never forget Tony Adams and Sol Campbell: two very strong lions physically and mentally. Italy too had and has formidable defenders, but I have a great memory of those two. It was a pleasure to fight against them.

I certainly know all about the Jersey jokes that amuse the rest of the country. You've probably heard them. Our state bird is the mosquito. Our state tree is dead. It doesn't help that we are represented on television by Tony Soprano and 'Jersey Shore.'

I used to send Tony Romo texts throughout the season just to encourage him, just to wish him luck and just to tell him to get on his offensive line. I hated watching this young man get sacked as much as he did, especially when it came down to big games.

I picked Tony Bellew because he is the man that takes the biggest challenges. He is not the usual type of fighter that will come, see how hard it is, and quit. He will come to fight until the end. These are the kind of fights that the world wants to see.

My dad doesn't like to admit it, but he's the ultimate stage dad. He likes to see himself as my manager even though he's not. I tell him to calm down at least twice a week. The day of the Tony nominations, I honestly thought he was having a heart attack.

But let's be clear. We're talking about a country where there's no opposition. As leader he can ignore Parliament and - sorry that's Tony Blair isn't it? Um, so he doesn't even have to ask the country before he goes to war - sorry that's still Tony Blair.

I watch other wrestlers. I watch movies with Jackie Chan and Jet Li and Tony Jaa. Then there's breakdancing and Capoeira - just anything I see that looks awesome that I think I could adapt in the ring. Just your typical Kung Fu, breakdancing, Capoeira moves.

I used to do prank calls as these people and try to convince certain hoteliers that I was someone else. At the time, I used to do people like Tony Blair and William Hague. It was very good fun hearing people kind of thinking, 'Hmm, is that who I think it is?'

There's probably somebody out there who has been dying to be Tony Stark, their whole life, and it will never happen. And then, it comes to me because I happened to do 'Heroes.' I mean, I love it. I'm totally respectful of the position, but I wasn't pursuing it.

I think the thing's that perhaps sad really is that younger people haven't come in and I think it must have been absolutely fantastic to have worked in the 50's when you had all of the great Broadway composers and when West Side Story didn't win the Tony Award.

It always ended up that they said, 'Tony, are Frosted Flakes good?' And he would laugh and say, 'Good? Why, they're great.' And I said, 'Well, we've gotta do something with the word 'great' to make It explode. It has to really knock the packages off the shelves.'

I like to tell people that I have some of the biggest mentors in the world... they just don't know I exist. Dave Ramsey, Sara Blakely, Oprah, Tony Robbins, Brendon Burchard - I've learned everything I know from their wisdom through books, podcasts and conferences.

As a small guard, you need to understand how you impact the game and make sure you impact it in the way that you can showcase your talent on the floor and having that understanding of the game. Tony Bennett was a smaller guard, too. We all have different strengths.

My high-school coach Tony Reginelli was kind of famous for 'Reggie-isms,' kind of like 'Yogi-isms.' He always said if you want to be a good quarterback, when sprinting left you want to be amphibious and throw left-handed. I told him, 'You mean ambidextrous, coach?'

If you like Harry Hill, you'd really like Tony Law. He's a Canadian comic who's done a few appearances on 'Never Mind The Buzzcocks' and '8 out of 10 Cats.' Nobody else could do his stand-up; it's very idiosyncratic, very daft, very silly, but really well structured.

My guess is that good and bad parenting is spread fairly evenly across different social groups. But can you imagine Tony Blair lecturing the middle class on how to bring up their children? He is far more comfortable as a latter-day exponent of the Poor Law mentality.

In particular, Stewart Lee and Tony Law, people who could have been really critical, were really supportive of me, and I'll never forget that, and I want to be that person, so you have to work really hard to repress your natural jealousies and be one of those people.

There have been, in recent years, many Asian American pioneers in the public eye who've defied the condescendingly complimentary 'model minority' stereotype: actors like Lucy Liu, artists like Maya Lin, moguls like Zappos CEO Tony Hsieh. They are known, often admired.

In high school, my first thing ever was I played Tony in 'West Side Story' when I was about 17. I was a really shy kid, and I just, like, forced myself to learn how to sing this one month because I loved 'West Side Story' so much, and I somehow managed to get the role.

I taught a class about the Tony Awards at a summer theater camp the year after I graduated from high school. So, the first time I was nominated for 'Spring Awakening,' it felt like a surreal dream: it was every childhood dream I had come true. It felt like a fairy tale.

I used to imagine what it would be like to do what Jim Brown was doing. I used to imagine what it would be like to be like a Tony Dorsett. I used to imagine what it would be like to be like a Walter Payton. I was imagining Emmitt Smith doing exactly what they were doing.

Tony and I had a good on and off screen relationship, we are two very different people, but we did share a sense of humor, we now live in different parts of the world but when we find ourselves in the same place it is more or less as if there had been no years in between.

Tony Benn and I were very close, very close friends for 30, 40 years. We talked to each other a great deal, and we were great friends. And I was with him shortly before he died, talking about prospects of the world and prospects for peace. And I'm very sad that he's gone.

Tony, Stacy and Jay really looked at life completely different and that played into everything that they did, whether it was skating or with their friendships. And for the three of us, we had such a close relationship off screen, that it was so easy to have that on screen.

My hope that Thatcher would inadvertently bring about a new political revolution was well and truly bogus. All that sprang out of Thatcherism were extreme financialisation, the triumph of the shopping mall over the corner store, the fetishisation of housing and Tony Blair.

Stacy had this more fluid style. You meet him, he's just such a nice guy. Tony's an awesome guy too, but back then, he was a real aggressive kid and they were in such a different place. Stacy was so sensitive and at the same time so competitive when it came to his skating.

It's definitely weird, because pretty much everybody owns the Tony Hawk videogame. Just going over to people's houses and watching play me as I walk in - that's actually happened a few times and that's so weird. It's like, 'Dude, you're playing me right now.' It was too weird.

The people I idolized I saw once a year on the Tony Awards. I would buy the cassette tapes of the various Broadway shows and scour the photos inside the recording package. That's how I exposed myself to the arts - New York and professional theater felt like a very distant thing.

What I really want to do is create great roles for women. And I'm not talking Nicholas Sparks romance. I think women's roles have gotten ghettoized in these sort of places... I'm thinking women in action, comic books, or like the Tony Soprano of women. We need some complex roles.

Thankfully, the meat of the Tony telecast is the performances from the shows, so the awards show kind of creates itself around the season, and then I fill in based on the vibe of the season in general. I'm happy that there'll be so many legitimately good performances on the show.

Marvel heroes, at their core, are people who are damaged, are people that are trying to figure out who they are in life. And that doesn't matter whether or not they're X-Men characters or they're Matt Murdock or they're Tony Stark or they're Peter Parker... That's where it starts.

One thing I wanted to say in my Tony speech, which I didn't because I forgot what I was doing because I couldn't believe the view from where I was standing, was that I really, truly believe in an investment in young people in the arts. It is an investment in a more beautiful world.

If you think about it, now that Spider-Man is in the Marvel universe, that means that Peter Parker was probably, like, eight years old when he saw Tony on TV telling the world he's Iron Man. And when you start thinking about it as a whole world like that, it gets really fascinating.

When I first met Tony Blair in 1996, he was open and idealistic, keen to bring a breath of fresh air to government. But something happened - was it just the arrogance of power? - that narrowed Labour's vision from purposeful reform and investment, to peevish and petulant pragmatism.

I grew up with WWE and New Japan, but when I started traveling to Germany, I had the chance to train with people like Christian Eckstein and Tony St. Clair. They were two of the cornerstones of the German 'beer tent' wrestling era, when they'd have 30-day tournaments in the same town.

You'd have to go all the way back to 1972 to find a version of me who didn't care about theater, who didn't read Playbill and watch the Tony Awards, or get why Bob Fosse's choreography was so groundbreaking that all you need to say is 'Fosse hands' and theater people know what you mean.

Everything that I am and everything that I have, I owe to Arsenal, Arsene Wenger, Liam Brady, David Court, Bob Arber, Steve Bould, Neil Banfield, Mike Salmon, Tony Roberts, Gerry Peyton, Pat Rice, and many others. Words can't describe my gratitude to these people and love for this club.

Tony Blair was a good politician but not a good Prime Minister, and that's what we don't want to be. We don't want to be just people who are good at winning elections: we want to be good at governing. I think we benefit from having seen the mistakes that we think Tony Blair made in 1997.

When my marriage broke up... I had just put on 45 pounds for my 'Shall We Dance?' character. I had to eat 10,000 calories a day just to put on weight while training with Tony Dovolani. I basically stayed in bed for a six-month rotation of depression naps. Dance helped me lose the weight.

I'm probably the only one in the world you can name that's worked with Billie Holiday, Louie Armstrong, Ella, Duke, Miles, Dizzy, Ray Charles, Aretha, Michael Jackson, rappers. 'Fly Me to the Moon' was played on the moon by Buzz Aldrin. Sinatra. Paul Simon. Tony Bennett. I'm the only one.

Richard Branson once said: 'Tony's very good at selling bands and he's very good at making television programmes. But he'll never be great at either, until he decides which one he wants to do.' I entirely accept that. That doesn't matter to me very much. I like the irony of the two lives.

Tony Blair is one of the most significant world leaders of the modern era. He has a remarkable story to tell. His tenure as prime minister was marked by close relationships with Presidents Clinton and George W. Bush, and he enjoys a profile in this country that is rare among foreign leaders.

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