I don't know about you, but I call impromptu vomiting harm.

The ride does not require an explanation, just participants.

Suicide carried off many. Drink and the devil took care of the rest

Which is the most universal human characteristic: fear, or laziness?

Work and love these are the basics; waking life is a dream controlled.

The idea is to remain in a state of constant departure, while always arriving.

Our rest is formed by our waking life and our waking life is formed by our sorrows.

Art is thus materialized dream, separated from the ordinary consciousness of waking life

If the dream is a translation of waking life, waking life is also a translation of the dream.

It is obviously possible that what we call waking life may only be an unusual and persistent nightmare.

Our waking life's desire to shape the world to our convenience invites all manner of paradox and difficulty.

Either one does not dream, or one does so interestingly. One should learn to spend one's waking life in the same way: not at all, or interestingly.

What plethora of material goods can possibly atone for a waking life so humanly belittling, if not degrading, as the push-button tasks left to human performers?

Doing a story about my mundane, waking life, how much I don't like my job, or breaking up with someone, I don't think so. Those stories don't interest me that much as a general thing.

I do not believe that I am now dreaming, but I cannot prove that I am not. I am, however, quite certain that I am having certain experiences, whether they be those of a dream or those of waking life.

In sleep, fantasy takes the form of dreams. But in waking life, too, we continue to dream beneath the threshold of consciousness, especially when under the influence of repressed or other unconscious complexes.

Dreams and waking life are both the same kinds of things. The difference is that dreaming is perceiving free of external constraints, whereas perceiving otherwise is dreaming true. Meaning what you dream about actually happens.

Our dreams are firsthand creations, rather than residues of waking life. We have the capacity for infinite creativity; at least while dreaming, we partake of the power of the Spirit, the infinite Godhead that creates the cosmos.

Premie' re approximation: j'e cris pour de truire, en les de crivant avec pre cision, des monstres nocturnes qui menacent d'envahir ma vie e veille e. First general point: I write to destroy, by describing exactly the nocturnal monsters that threaten to invade my waking life.

I feel there's a power in theatre, but it's an indirect power. It's like the relationship of the sleeper to the unconscious. You discover things you can't afford to countenance in waking life. You can forget them, remember them a day later or not have any idea what they are about.

Anyway, you can't leave her like that. You can't do that to the woman. She doesn't deserve it; nobody does. You don't belong to her and she doesn't belong to you, but you're both part of each other; if she got up and left now and walked away and you never saw each other again for the rest of your lives, and you lived an ordinary waking life for another fifty years, even so on your deathbed you would still know she was part of you.

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