I always try to plan things out, but they never work out the way I expect.

I always interrupt work with other work, either in a small way or big way, so that's normal.

I have always enjoyed my work and have chosen only what I thought was interesting by way of a role.

I've never been a basketball prodigy. I've always had to work, earn my way. And that's the way I want it to be.

I didn't want to be a dancer. I just did it to work my way through college. But I was always an athlete and gymnast, so it came naturally.

I can't get very far away from Christianity, I can't get very far away from the angels and the saints. I work them in always, in some way.

I always considered Ray Harryhausen's work so fine that it was way out of my league: in terms of realism and naturalism, in terms of animal movement.

It's not like I want to be Prince Charming when I do dramas. But I think I've always shown such an image because that's just the way Korean dramas work.

I'm always impressed with the work of animators. You have to be able to draw the scenes in between movements. I'm impressed with the way they can do that - I don't think I could.

When you're young, you want things to happen right away. And sometimes that doesn't always develop in the way you want it to. But my thing was to continue to work, in whatever element I could.

There's so much you can do with bodyweight alone. The basics always come up for a reason: sit-ups, planks, push-ups. They'll always give you results. The way to take it up a notch is to compound the basics to work multiple muscle groups at once.

The way I work is, I always compose a shot list before I talk to anybody, including my DP. So I'll spend a couple months basically creating the movie in my head, so I have a very solid film in my head, where I know every shot, and I know what the transitions between scenes are.

What's interesting was with all the shows I did on Broadway, I was either the dance captain or the assistant choreographer - I sort of worked my way up to that kind of thing - and I always was interested in more than just the dancers and the numbers. I would always sneak into the room and watch the scene work.

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