The movie feels to me like a real work of lovely art.

The thing about art for me is that you can go on theorising your work forever, because it's open to interpretation.

I don't create from a place of me making art for art's sake, but wanting my work to actually do stuff... tangible things.

When I sit down to begin penciling a page, most of the hard work for me is done. I can concentrate solely on my art from that point on, which is the fun part!

I was really grateful for the photography classes, the art classes, and the video classes. They would let me skip all my other classes and stay and work on my projects.

I continue to write essays about art. The visual is always part of my work, and it gives me immense pleasure to make up the words of art and create them verbally rather than build them.

When I work as an art director, I don't ask to see sketches from illustrators or photographers. I give them a basic idea, and then I say, 'Send it to me, it'll be fine' - I get out of the way.

The Pop art I wound up doing came to me purely from 'Mad' comics. I loved the idea of doing fun stuff. I met an art dealer who wanted to show the work - that was in January 1962 - and that was the beginning for me.

It occurred to me that every work of art is a synecdoche, there's no way around it. Every creative work that someone does can only represent an aspect of the whole of something. I can't think of an exception to that.

I have a Master's Degree in photography as a fine art, and I would call my work primarily conceptual. I don't carry cameras with me wherever I go. I get an idea of a subject matter I want to deal with and I pull out my cameras.

I have a list of ideas that I want to do for my art series, but I'm always trying to figure out what's going to work. Ever since I was in art school, I would read and get ideas. Sometimes the photograph sparks an idea in me, and I continue in that direction.

I'm not doing anything intentionally to stay in the public eye. I'm staying true to my art, like I always have. The press, for whatever reason, decided to zone in on what is very common banter for me. It got worked out through song - the same way I work everything out.

That is what I seek, to essay interesting and challenging characters, which develop me as an actor and at a personal level to work with people who inspire me to push my boundaries and work on interesting scripts which which turn into refined work of art and leave a mark on me and the audience.

Back in the day, I used to get really upset when people used to say that I didn't really make all my own things - like my art or my videos or whatever. I work really hard on everything, so it used to upset me when people would try to discredit me or say that I wouldn't have what I had without this person or that person.

Artistic qualities that once seemed undeniable don't seem so now. Sometimes these fluctuations are only fickleness of taste, momentary glitches in an artist's work, or an artist getting ahead of his audience (it took me ten years to catch up to Albert Oehlen). Other times, however, these problems mean there's something wrong with the art.

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