The creative process for me doesn't work as well without an image of an audience in mind.

I have to pay attention to work on the weekends and always have my iPhone with me, but I don't mind.

I found out that I couldn't have a nervous breakdown. I tried a couple of times, but it just didn't work out. My mind, my body wouldn't let me.

It was a competitive household. If I wanted to win at something, I had to work for it. It made me understand I could do anything I put my mind to.

Everyone's different, but it was fun for me to work with Garth Hudson. He's from 'The Band.' They are a massive influence, that was a big thrill. He's completely out of his mind.

My toughest opponent is me. My mind has a tendency to wander during bouts. I tend to focus on things other than the bout. I have to work at staying motivated, getting my head right.

Maybe one day, I will go to Pakistan and meet these fans who like me and my work. At the end of the day, we are all the same, and meeting my fans there is something that I have on my mind.

Theories, for me, are just about freeing your mind. It doesn't mean the theory is going to work like a scientific theory works. It's about freeing your mind and making you think a different way.

When you get old and play every day like I did, it's hard. Hard on your body. You start to get sore. You gain weight. But that makes me work harder, be stronger in my mind, and show I can still play.

Listen, I've been pretty fortunate. And if I've been underrated, it's actually been something I've been able to work with; I can surprise people. It sets me up to exceed expectations, so I don't mind.

Language for me narrates the pictures in my mind. When I work on designing livestock equipment I can test run that equipment in my head like 3-D virtual reality. In fact, when I was in college I used to think that everybody was able to do that.

I've learned that I get blocked when my subconscious mind is telling me that I've taken the work in a wrong direction, and that once I start listening to what my subconscious is trying to tell me, I can work out the problem and get moving again.

At 90, I'm still working a couple of dates a month. My mind is very sharp on the stage, so why not? This may sound corny, but I do it because people - young and old - still come to see me, and they're very enthusiastic about my work. They treat me like the Godfather.

Every bad joke, every endorsement deal, all of the things that a typical host would normally get creamed for, people don't mind, because they know I don't cheat when it comes to the work I actually try. I'm a lab rat. I'm a perpetual apprentice. The joke is on me if there is one.

I've learned that if I only put my mind to one thing that I can get tunnel vision. Then I may not be as open to other opportunities because I'm so focused on one thing. I think what's worked better for me personally is I have three goals every day: be nice, work hard, and make friends.

Seeing the work of directors like Romeo Castellucci, Ivo van Hove, Thomas Ostermeier, and Simon McBurney and Theatre de Complicite, was, and continues to be, hugely important to me. To my mind, these are artists who are forging new languages of performance and storytelling, and their constant reinvention is very inspiring.

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