I've always, in some way, incorporated sampling into my work.

I always try to plan things out, but they never work out the way I expect.

I always interrupt work with other work, either in a small way or big way, so that's normal.

I didn't want to be a dancer. I just did it to work my way through college. But I was always an athlete and gymnast, so it came naturally.

I can't get very far away from Christianity, I can't get very far away from the angels and the saints. I work them in always, in some way.

It's not like I want to be Prince Charming when I do dramas. But I think I've always shown such an image because that's just the way Korean dramas work.

I'm always impressed with the work of animators. You have to be able to draw the scenes in between movements. I'm impressed with the way they can do that - I don't think I could.

As an actor, you always think that whatever job you have is going to be your last. In some way, shape or form, you think you're going to screw it up and you're never going to work again.

I think my approach to a creative career was very entrepreneurial. Even though I'm a writer, I've always viewed my work much in the same way as a startup or marketer might view their work.

When you have an idea for a work and when you've finished your model for it, for the artist it's almost complete, in a way. But then bringing it to the finish is really something you do for the audience. It is always exciting.

The way I work is, I always compose a shot list before I talk to anybody, including my DP. So I'll spend a couple months basically creating the movie in my head, so I have a very solid film in my head, where I know every shot, and I know what the transitions between scenes are.

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