There is no psychiatrist in the world like a puppy licking your face.

The world is philosophically booby-trapped; touch an interesting subject, and it just might blow up in your face. Some say it's better not to touch.

Everybody is going to face adversity at some point, definitely when you leave college and try to get into the real world so to speak and get your first job.

World Play is very '70s arena rock, very raw and in your face, and that's what we wanted. We recorded it in a very off-the-cuff manner and didn't really plan out how we were going to play. My solos are first takes.

If you are heartbroken and can't face the world, you need something with a fantastic plot. You won't be able to read anything boring because your attention span when you are heartbroken decreases by three-quarters.

You can be up there, talked about, appreciated all over the world, with people singing a lot of songs about you. But if you don't measure up and you are not really connected with your people... it will explode in your face, no question about it.

Perhaps you could say that mountaineers are driven by ego or our competitiveness, but there's a lot more to it than that. Whether it's a huge face in the Himalaya or some crag in the woods behind your house, exploration offers us a unique perspective on the world that you can't really find anywhere else.

If you have to tell a story without speaking, it's sort of like - I come from a dance background, so it's like a ballet where you have to tell a story with just your body. I think that's really interesting to have to tell a story with just your face and your mannerisms, and I'd like to tap into that world.

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