Quotes by Alfonso Gomez-Rejon - Page 1 | QuoteForever

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Horror allowed me to quickly switch gears.
Alfonso Gomez-Rejon /
Gears
Horror
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TV is all new to me because I came from features.
Alfonso Gomez-Rejon /
Features
Tvs
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As a director who loves the camera you learn a lot.
Alfonso Gomez-Rejon /
Cameras
Directors
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If you can make the day, you can do whatever you want.
Alfonso Gomez-Rejon /
Can Do
Do Whatever You Want
Want
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I've been clawing my way to directing since I was a kid.
Alfonso Gomez-Rejon /
Kids
My Way
Way
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As a fine artist I was drawn to composition and technique. I would count the cuts.
Alfonso Gomez-Rejon /
Artist
Cutting
Technique
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It becomes an extension of your imagination to make something tangible and concrete.
Alfonso Gomez-Rejon /
Imagination
Concrete
Tangible
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Ryan Murphy just gives new people a shot, and it takes a lot of confidence and generosity to do that.
Alfonso Gomez-Rejon /
Generosity
Giving
People
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To me film school was film history because there weren't a lot of books out there that I had access to.
Alfonso Gomez-Rejon /
Book
Film History
School
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There are the relationships you make. All of the friends I made in grad school are the closest ones that I have.
Alfonso Gomez-Rejon /
Grad
Made
School
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I just wanted to make movies, but I never though about, "How am I being perceived because of my culture or my skin?"
Alfonso Gomez-Rejon /
Culture
Skins
Wanted
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I'm a fan of musicals from great masters, and I was able to have an opportunity to express myself in musical numbers with Glee.
Alfonso Gomez-Rejon /
Opportunity
Musical
Numbers
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The fun of directing for me, other than working with the actors, is trying to extract those ideas that you have in your head and make them real.
Alfonso Gomez-Rejon /
Fun
Ideas
Real
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I love visual stylists like Bob Fosse and Vincente Minnelli and Michael Powell & Emeric Pressburger with The Red Shoes and The Tales of Hoffman.
Alfonso Gomez-Rejon /
Bob
Shoes
Stylist
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I don't set out to do something weird, but if you see something a certain way and it's a little left of center, and you can realize it, that's a real thrill.
Alfonso Gomez-Rejon /
Littles
Real
Thrill
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At some point, you have an opportunity to not be a first-time filmmaker anymore. You can embrace the genre and show the world how you can tell stories on a bigger scale.
Alfonso Gomez-Rejon /
Opportunity
Stories
World
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The Ryan Murphy television world has assistants who have become producers and writers and. If he trusts you and you have a unique way of seeing his world, he nurtures you.
Alfonso Gomez-Rejon /
Television
Unique
World
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I still think that being thrown in a very competitive environment where you really have to see what you are made of - certainly when you come out of nowhere - was good for me.
Alfonso Gomez-Rejon /
Environment
Made
Thinking
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If someone already knows you from being in the trenches with you on this TV schedules, and then you have a little bit more time, it's a treat for them, as well, because they can give you more.
Alfonso Gomez-Rejon /
Giving
Littles
Schedules
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It's a great asset to you, on your first film, to bring some people with you from the television world because they understand the speed that you have to work with to get your grand ideas down.
Alfonso Gomez-Rejon /
Ideas
People
Television
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NYU Film School was the way to learn about film, to be exposed to film, to go to repertory houses, to be exposed to New York and see films. I would go to the library and see one, two or three movies a day.
Alfonso Gomez-Rejon /
New York
Nyu
School
Two
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Musicals and horror films can be very non-verbal and very pure cinema with movement. The camera is justified in being a character. It can really move and tell a story, and literally direct you to look here or there.
Alfonso Gomez-Rejon /
Cameras
Character
Moving
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Being exposed to the Ryan Murphy machine, it is very much a personal extension of him. So, if I can learn from that and tell longer stories that are quite personal, and balance that out with features, then that would be the ultimate dream.
Alfonso Gomez-Rejon /
Dream
Balance
Would Be
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On some kind of unspoken, deep, deep level, I think we [with Ryan Murphy] have an aesthetic that we both understand or connect to. It's not that we see the world in the same way because we have very different points of view, but we're both visual stylists.
Alfonso Gomez-Rejon /
Different
Thinking
Views
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I was only driven to be the best and it was very disheartening sometimes that it took me so long to start getting my voice heard. That certainly started with television, but it was never because of where I came from, it was because people saw something in me.
Alfonso Gomez-Rejon /
Long
People
Voice
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I'm really grateful to Ryan Murphy for so much because he's fearless. He's so confident. He has a very unusual and unique way of seeing the world sometimes, and he's somehow able to translate that into entertainment for the masses, at the right time in pop culture.
Alfonso Gomez-Rejon /
Fearless
Grateful
Unique
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I started in the P.A. world and craft service and storyboard artist, with the eye on the prize of directing. When I was directing second unit on Babel, I ended up casting most of the unknown parts. In these weird circles, I was this guy who found these kids on the streets.
Alfonso Gomez-Rejon /
Kids
Artist
Eye
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I went out to Bali, and I cast all of these supporting roles. I love that stuff. I just love actors. And then, Ryan Murphy asked me to direct second unit for him on Eat Pray Love. I was already booked on something else, but I joined them later. And then, I wrote him a thank you email and I got no response. I was like, "Okay, that's it." We didn't interact much on set either.
Alfonso Gomez-Rejon /
Actors
Email
Roles
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