Wolverine is a world-weary old warrior. His rage issue notwithstanding, I see him as someone with the tortured soul of a poet, but one who has seen too many friends and lovers die. Even with that, he has grown into a leader and a true hero.

This one looks good,” said Chong over breakfast the next morning. Benny read out loud from the paper. “‘Pit Thrower.’ What’s that?” “I don’t know,” Chong said with a mouth full of toast. “I think it has something to do with barbecuing.” It didn’t.

Write the best book you can, the one that demands to be written, no matter what genre it is. Even a trend the trades tell you has gone stale can be revitalized by a superb piece of writing. It'll never be revitalized by someone jumping on a trend bandwagon.

When I first encountered the 'Sigma Force' novels - long before I became friends with Jim Rollins - a bookseller told me that these stories were about 'geeks with guns.' While not entirely accurate, that's pretty close to the mark, and that really speaks to me.

My first book deal was actually for a textbook - 'Judo and You' - that I wrote while teaching at Temple University. A scout for Kendall-Hunt came looking for someone to write the book, and even though it wasn't a course I was teaching there, I agreed to write it.

I have been an Avengers fan since the middle 1960s. I grew up with them, and I've imagined a hundred different versions of an Avengers movie. I think I even have a script I wrote back in eighth grade, 'Avengers vs. the Mole Man.' Truly dreadful, but a work of love.

Get your butt in a chair and write. If it comes out weak or bad or clunky or ordinary, then accept that this happens to everyone. Everyone. Get it down, get it done, and fix it in the rewrite. Just like everyone from Stephen King to J. K. Rowling to Chuck Palahniuk does.

He knew that these creatures were dead, that they were reanimated echoes who wore the disguise of the people they had once been, but Tom's words rang in his mind. They used to be people. How could he strike them? How could he hurt them? Children, women, old people. Lost souls.

Often it was the most unlikely people who found within themselves a spark of something greater. It was probably always there, but most people are never tested, and they go through their whole lives without ever knowing that when things are at their worst, they are at their best.

When we look at the flowers, we suddenly forget so many important things. We forget that all flowers die. We forget that winter will come again. We forget that nothing really endures and that, like the flowers that die at the end of the growing season, we'll join them in the cold ground.

I wrote a novel, Ghost Road Rules, and as soon as it was done and polished, I began reaching out to agents. I ignored the frequent advice to 'shoot low and try for a low-level agent because they're the only ones that will take a flyer on a new author.' That sounded like bad advice to me.

I write every day. Most weekdays, I write about ten hours a day. That doesn't mean eight hours of surfing the Net or watching videos on YouTube. I park my butt in a chair and write... I learned that writer's block is a myth created by people who don't have, or understand, a writing process.

When I was in middle school, the librarian there was secretary for a couple of groups of professional writers. She introduced me to Ray Bradbury and Richard Matheson, and I became very friendly with them over a period of two years. Both of them were very generous with their time, guidance and advice.

Nix still held Benny's hand, and her grip tightened to an almost crushing force, grinding his hand bones together. It hurt, but Benny would rather have cut that hand off than take it back at that moment. If it would help Nix through this, he'd give her a pair of pliers and a vise so she could do a proper job.

Courage is tricky, oily. Easy to drop, easy to misplace." "I thought that if you had courage you always had it.". . . "Lilah, nothing is always there. Not courage, not joy, not hate or hope or anything else. We find courage, lose it, sometimes misplace it for years, and sometimes live in its grace for a while.

One of the most delightful parts of being a writer is connecting with people via social media. I devote ten minutes out of every writing hour to Twitter, Facebook, Goodreads, LinkedIn, Pinterest, and other sites. I don't use assistants for that. It's me and all of my friends, fans, readers, and colleagues on the crazyboat.

My 'Rot & Ruin' series is a post-apocalyptic adventure for teens. My 'Joe Ledger' novels are science-based action thrillers for adults. My 'Dead of Night' stories are zombie tales for adults; my 'Pine Deep Trilogy' is classic horror for adults, and I've written nonfiction books on topics ranging from martial arts to folklore.

Making playlists can kill a whole afternoon for me. I like building very specific playlists for new writing projects. In a strange way, choosing certain songs is part of the process of plotting the book out. I pick songs that I think with resonate with characters, their personality quirks, relationship dynamics, action scenes, and so on.

My favorite monster has always been the zombie. They are so much fun. They can be scary, pathetic, sad, funny, tragic, even heroic. They are the most elastic monster because, even with all of that, they don't interfere with telling stories about the humans. They serve as threats and metaphors, but they allow the story to be about people.

No matter what choice you make, it doesn't define you. Not forever. People can make bad choices and change their minds and hearts and do good things later; just as people can make good choices and then turn around and walk a bad path. No choice we make lasts our whole life. If there's ever a choice you've made that you no longer agree with, you can make another choice.

His specialty was interrogation. Imagine it, gentlemen. Being strapped to a table so that you are entirely at the mercy of a monster such as this. A person who delights in your pain. A person to whom your screams are more delicious than a lover's whisper. A creature who knows how to keep you alive while he skillfully and meticulously deconstructs those things that define you as human?

There are moments that define a person's whole life. Moments in which everything they are and everything they may possibly become balance on a single decision. Life and death, hope and despair, victory and failure teeter precariously on the decision made at that moment. These are moments ungoverned by happenstance, untroubled by luck. These are the moments in which a person earns the right to live, or not.

...but it was death that changed. People are still people. Some good, some bad. Death changed, and we don't know what death really means anymore. Maybe that was the point. Maybe this is an object lesson about the arrogance of our assumptions. Hard to say. But the world? She didn't change. She healed. We stopped hurting her and she began to heal. You can see it all around. The whole world is a forest now. The air is fresher. More trees, more oxygen.

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