Go on, try weasel, try squirrel; it tastes like chicken, it tastes just like chicken! If it tastes just like chicken, why don't you gimme some damn chicken?

Theater mode is a different muscle. It's sort of the same acting muscle, but it's extended. Instead of a sprint with movies and television, it's a marathon.

I phoned my grandparents and my grandfather said 'We saw your movie.' 'Which one?' I said. He shouted 'Betty, what was the name of that movie I didn't like?

I'm actually very snobbish about directors. I have to say 'no' all the time. 'No' is the most powerful word in our business. You've got to protect yourself.

You cant be a casual observer of something humorous - you have to engage, you have to find it funny for the relationship between actor and audience to work.

Once we start shooting, it's in there. You're trying to get into a place where you rise to the work, rather than make it manageable or make it work for you.

I'm an obvious example of how everyone is spiraling out of control on the show and just trying to live life the best they can without destroying themselves.

I'm a straight white man - I have options, and I'm not blocked on a consistent basis when I wake up in the morning because of my race, sex, and orientation.

I've just had some of the worst situations with the most beautiful girls who I just could not stand talking to anymore. The physical only lasts for so long.

I had a lot of funky things as a kid. I had dinosaurs and comic book stuff. I was eccentric; imagination drove my decor. Dinosaurs, for sure, were in there!

I never think there's any competition between films. I root for everybody's films. I especially have a fond place in my heart for graphic novels and comics.

I like a little movie I did in the early nineties called 'Mortal Thoughts.' The part was hardly written, but I learned a lot making it. No one remembers it.

If you have a level of expectation in your life that you have to be a quote-unquote star, whatever that means, you might be setting yourself up for failure.

Valentino was apparently gay or bisexual. And his two lesbian wives. But without any question, he had sex with men. From choice. So he was one or the other.

I hope to see more programming, more shows, more actors of mixed ethnicity, more young kids of mixed ethnicity choosing to be in the entertainment industry.

For now, I'm just going to hang out with these two smoking hotties and fly privately around the world. It might be lonely up here, but I sure like the view.

I kind of like that romantic image of being in a rocker with my family gathered around, all these generations in one room, listening intently to my stories.

Nothing is worse than a beautiful girl fishing for compliments by saying how gross she is. On the flip side, I find genuine humility and modesty attractive.

I really try to spend as little time as possible on grooming. I think if you have a good moisturizer and a solid razor to clean up the beard, you're golden.

I am a stereotypical northeasterner. I'm always in a rush. I've attracted stares from out-of-towners when I've shoved past someone blocking the subway door.

I always just try to remind myself, like, at the end of the day, no matter how much pressure it is to be a TV show host, you still get to be a TV show host.

At the end of the day, you have a job to do, and if you don't do your job, you're going to get fired. You just have to kind of put your head down and do it.

My career has gone in such a way that I've gotten to learn that, when you're working with a great storyteller, you don't ask questions; you just trust them.

I want to do good work. I want the opportunity to work with good people, and the only way I'm gonna do that is to commit 110% - you get out what you put in.

In honesty, there are probably a lot of stories that can be told with Batman. I like the idea of him growing older and he can't quite do it as much anymore.

I live with four of my best friends - with my brother and three of my best friends - and we have a lot of fun; there's a really tight bunch of us in London.

I have brought a PS2 on set with me before. But games can be really addicting, and that's dangerous. So I tend to keep it fairly limited on a certain level.

I truly, truly believe that I was going in that direction and all of a sudden fate took me and put me here. It's like something else has other plans for me.

For everyone who thought I couldn’t do it… for everyone who thought I shouldn’t do it… for everyone who said, ‘It’s impossible’… see you at the finish line!

I think the fact that I was raised in show business, in New York City, in the '50s, that's affected my personality to the point that I'm a little different.

There's a lot of comedy in Intermission but it's got this depth. It's not comedy for comedy's sake - it's informed by something else. I like stuff like that

I felt like people really do their best work when they're having a really good time and feel safe to push the envelope and make a jackass out of themselves.

I couldn't tell you exactly what I like about golf. Just when you think you've got it mastered it lets you know you haven't. I'm just crazy enough to do it.

My mother knew how to read music and everything. But I just kinda learned off of records. And so, I was listening to records and I'd play 'em over and over.

I had an amazing experience with 'Third Watch'. I was so happy when 'The Game' came back because I never wanted it to end. And then with 'Burn Notice,' too.

If we stop exploring space, we're going to lose the same part of us that found vaccines and penicillin, the part that searches for cures to cancer and AIDS.

I really wanted to make something that was exciting for everybody, that everybody could enjoy, that was upbeat and positive and that everybody can dance to.

It's a challenge to turn a book series into a television series; you need to keep people on their toes, but you also want to be true to the source material.

Maybe it'll be like 'The Simpsons,' and everybody will remain unchanged. Maybe that's what 'Glee's about. Maybe this is kind of a stasis show. I don't know.

I have a theory about that, if you have to say something, if you have encourage for one second a prospective acting student - he should not go in to acting.

I've always had a 'Work hard, play hard' attitude to life - I still do - but sometimes you get involved in something that needs a calm, methodical approach.

Sometimes the only way you can feel good about yourself is by making someone else look bad. And I'm tired of making other people feel good about themselves.

My characters all start with rhythms and sounds. Once I hear the voice and get into the rhythm, the attitude and the physicality just come out on their own.

Stevie Wonder's 'Songs in the Key of Life' was on constant shuffle throughout my childhood. I remember my dad playing some stellar Max Roach albums as well.

I didn't want to do a zoo show. I didn't want to do a study of someone with mental illness. I just wanted to show someone who was trying to live their life.

It's all just venom to the soul and symptomatic of a larger issue: the idea of the shortcut. The result without the fight. The fight is the thing. The work.

If I can make a career for myself after Harry Potter, and it goes well, and is varied and with longevity, then that puts to bed the 'child actors argument'.

Wherever I am, it's a really good feeling to have that connection to people. I love to go out to talk to people and be with folks. I don't shy away from it.

The first horror film I remember seeing in the theatre was Halloween and from the first scene when the kid puts on the mask and it is his POV, I was hooked.

I've worked with a lot of real heavy hitters, and Quentin is maybe heads and shoulders, at least a forehead, above just about anybody I've ever worked with.

Share This Page