Quotes of All Topics . Occasions . Authors
Grace! It's Christmas for goodness sake! Think about the baby Jesus. Up in that tower letting his hair down, so that the three wise men could climb up and spin the dreidel and see if there's six more weeks of winter!
That kind of woman who used to be there at the time is not here any longer. In 10 years, people disappear. But I fantasize still about those kinds of women, and that kind of life that doesn't really exist any longer.
Luxury is anything you don't need, right? I mean, you need food, water, clothing, shelter... but good wine, good food, beautiful interiors, nice clothes; those aren't necessities, they are luxuries - it's all luxury.
It's so weird how scary it is at the beginning of rehab, and then you bond with the people, and it's really an amazing experience. It is impossible to do it on your own, and it's good to ask for help when we need it.
The thing I most love and hate about fashion is that it changes all the time. But I don't think I or anyone else can singlehandedly get rid of hooker style. Popular taste isn't great by definition. It's just popular.
I do think that in order for a company to be interesting to the investment community, there needs to be a plan; there needs to be a bigger retail footprint. There needs to be this idea - DNA, lifestyle, words I hate.
I'm someone who came to Paris as a teenager, and I dreamed of coming back to Paris as a visitor. I never dreamed of having a job at the biggest luxury house in Paris and, you know, 15 odd years later, I'm still here.
In early days, I showed everything I made. There was no such thing as editing a collection. In the '80s, it got to the point where we'd have shows with a hundred looks. You'd want to order a pizza before it was over!
I don't think couture will die. But it should have no pretension that it will conquer the world. It's not something that will disappear because all you need is a thread and a needle to start making something couture.
My parents' names were Florian and Mabel Smith. My mother's maiden name was Dersam. They were of German heritage and were part of a family community with my grandparents and uncles and relatives. I was an only child.
He [my father] didn't have a basement workshop as such, but I know that he did build things, construct things, repair things. My mother, likewise, was sewing and doing activities that often take place in a household.
I am very happy at Givenchy and it is a moment in which I am bringing the game to the next level. I feel at home. It's as if it were my son. I don't know how to explain it. It would be very difficult for me to leave.
I've had this sensibility since I was a child. If there was a black boy in the school, I was the friend. If there was an effeminate guy, I was the friend. If there was somebody who was poor like me, I was the friend.
1968 was the beginning of the hippie movement in fashion. That movement made fashion change completely. It was not necessary to be always dressed up. You could be dressed the way you wanted - it was absolute freedom.
Consumers around the world always want something unexpected and exciting, and that's what drives me. I love the challenge of reinterpreting my designs in new ways each season to keep the "prep look" modern and fresh.
When I'm on the road for fashion shows, I love room service. I think it's one of the greatest things in the world. I usually like to keep it simple with soup, but my big indulgence is French fries or chicken fingers.
In fashion, the time is so short, and even with pre-collection, there are not only dresses, shoes, bags, and furs but now raincoats and T-shirts. It's just an endless amount of work that we have to produce in no time.
If you look back at the history of creativity in clothes - the French Revolution, the First World War and the Second World War - they have all been creative reinventions, the moment new forms of luxury come into play.
You can never forget the time you're living in because the past is the past and it will never come back. So to adjust your philosophy and creativity in fashion to the time you're living in is the most important thing.
Women I've known have always been quite strong and confident women. Sure, I've got some friends who aren't so overtly confident, or at least don't appear that way. But when you get to know them, they are very much so.
I think a beautiful dress on the wrong woman could mean nothing. It has to be the right woman and the right clothes. That's why you need that personal touch. I mean, that's why I went into this business to begin with.
No, and I never, ever eat in between the meals. I control it well enough and with no pills, and I sleep seven hours a night. I go to bed. I fall asleep, and I wake up seven hours later, and this is the most important.
It was a privilege to work with Ballantyne, an iconic brand possessing such a rich British heritage. Ballantyne has a great appreciation of style and craftsmanship which truly complements the Matthew Williamson brand.
I think that a woman wears so many hats, we have so many aspects to us that we're not just one thing. We represent so much within us and that kind of comes across for me as a designer through mixing prints and colors.
We are working women. Also, we have the problem of children, of men, to take care of our houses, so many things. I try to explain that in my clothes. They are clothes for everyday life. That is the real life of woman.
There are many war refugees and three times as many climate refugees. All of them are people who can no longer live where they were born. I hope we face reality in time to save ourselves. We will all be migrants soon.
I have often said that I wish I had invented blue jeans: the most spectacular, the most practical, the most relaxed and nonchalant. They have expression, modesty, sex appeal, simplicity - all I hope for in my clothes.
I love looking at vintage for inspiration; go see movies, art galleries, watch people on the street, you have to really keep your eyes open and see how you can reinterpret the old and make it modern and relevant again.
I wanted to be an empowered woman, and I became an empowered woman. And now I want to empower every woman. And I do it through my clothes, I do it through my words, I do it through my money, I do it through everything.
You can never forget the time you are living in because the past is the past and it will never come back. So to adjust your philosophy and creativity in fashion to the time you’re living in is the most important thing.
I am happiest in public, working in my world. Then I can be the star. That I can do. When I am not working, I am more guarded, set apart. It's not my life, that. I like interactions, but interaction that is not forced.
I get really frustrated when people say that a collection is not very 'Armani.' Iconic status can be like a pair of handcuffs, especially if, like me, you wish to continually stretch yourself creatively, as Warhol did.
I follow my inspiration to wherever it goes. I do want the fans to feel the fun and excitement about it, and I like for people to be able to make their own interpretations about my work. I don't like to overexplain it.
I've always seen myself as a small entity, and it will always stay like that. I'm not changing. But I think the big challenge for me taking on the Dior thing is to see how I can connect that to such a huge institution.
I went to my boss, and I said, 'Look, I'd like to design these ties because I think they could be new.' He said, 'The world isn't ready for Ralph Lauren.' I never forgot that because... I thought that was a compliment.
My great strength, which I very much believe in, is family. For me, family doesn't simply mean components of DNA. I mean family in the sense of siblings. My mom and my sisters are the energy and inspiration in my life.
To me, it is like a diabetic with insulin. If that diabetic stops taking insulin, they will die, and I believe that if I don't follow the 12-step programme, I will regress, and that could eventually be the death of me.
How obvious it is that color has its various connotations-hue, value, and intensity - and without the basic understanding of these three determining factors, we are somewhat limited in the proper use of color in rooms.
It is obvious that any rather non-color, monochromatic design is safe, easier, more generally restful and with life being the hurdy-gurdy that it is, more and more of us prefer and interior giving the maximum response.
Just because you're from a city ten miles outside of St. Paul. It doesn't mean you don't read magazines, or the incredible Internet, and what's going on in the world. I never, ever take a client, or women, for granted.
Why do people think that if you don't dress up, others will appreciate your beauty more - that style will somehow emanate from you? It's rubbish. If you dress up it helps your personality to emerge - if you choose well
I do sport at the gym a few times a week, but I hate it. Work is my only remedy. I feel so twisted and horrible in the morning, but then I go to the office and I start feeling better. Work is my Tylenol. Extra-strength.
I have never had anything to do with the kind of fashion that is influenced by the press or identified with the spirit of the season. My clients come for me; they come back each season for my spirit. That's the reality.
The print is devised so that I can cut the dresses on the bias, so they work around the body. It's not like a regular print that you buy and ends up being a vertical and a horizontal placement. It works around the body.
I saw this vision with a beautiful plastic bag in Kensington High Street, ... and then you didn't see the face because he had this blond thing [indicating a sweeping fringe across his face] that was, you know, too much!
I am shocked and deeply saddened by McQueen's death. He was a genius, and his talent was second to none. Like many others, I always cited him as a hugely inspirational leader of world fashion. He will be greatly missed.
My most recent project for The Sims Label (2011 – 2012) involved creating detailed Flash mockups exploring game play and UI designs for two potential online versions of The Sims 4 (The Sims Olympus and The Sims Icarus).
I have so much respect for John [Galliano]s technical skill and the fantasy, its just something that I dont find relevant now, especially when it restricts a woman, because in every other area they have so much freedom.
When I first started designing sportswear, I felt that women weren't represented in sports performance. I felt that men were dressed really well both technically and visually, and women were almost like an afterthought.
I do struggle because I’m attracted to beautiful things, yet at the same time I am actually very aware, in some sense, their lack of value and that the most important things in life are your connections to other people.