You go overseas and people are oppressed and scared and worried but we're not like that... we're more like my films and how people come out at the end of seeing them - they feel good.

Personally, I really enjoy sci-fi. I watch it, I read comic books, and I play video games. I love this kind of world, so to be able to work in it is a dream. I enjoy it. It's all good.

We had forgotten the art of using silence to convey emotions in our films and that's what you seem to have mastered. You've used silence to great advantage in the film. It's brilliant.

We must have song and dance in our lives; we've had it ever since the inception of cinema in India. Our stories are very social-based, very human-based. We are a very emotional nation.

If you're in a motion-capture studio, you have spherical, reflective markers, which are picked up by cameras that emit infrared - it reflects it, and then the cameras pick up the data.

If you want to make movies you need to think on a micro-micro level and figure out how to make them for nothing with people who really care about your movie and really want to make it.

I think I'm close to lot of people in Bollywood, but I believe in evil eye, and I feel when I talk about friendships and relationships in public something somewhere goes wrong with it.

The mood was terrible. You could see it in everybody's eyes. The body language was just defeated. When they put me in I was hoping I could give us some energy and try to bring us back.

When you get pure joy out of 'being' rather than 'doing' or 'seeing,' that's when you realize how big and unexplainable some things are and being a dad is one of those very few things.

When you get pure joy out of 'being' rather than 'doing' or 'seeing', that's when you realize how big and unexplainable some things are and being a dad is one of those very few things.

When you see weakness in a hero, you are doing something to his identity. You take something away from the kids, the next generation; you steal away giving them anything to look up to.

My father was a GP; my mother was a teacher and amateur actress. My father was a bit of a storyteller, but the acting influence must have been from her - yes, put it down to my mother.

You never compete with the people in your crew; you have your own team. Competition is only with those people whose film is releasing alongside on Friday and never with one's own team.

If it's really so wonderful that both partners have to work to make a living to pay for their house, for health insurance, someone is obviously going to get the short end of the stick.

My mother had me when she was 15. My father died before I was born. So my mother was a teenage widow, and she used herself as her greatest example so I wouldn't end up in her position.

In Mexico, theater is very underground, so if you're a theater actor it's very difficult to make a living. But it's also a very beautiful pathway to knowledge and to an open education.

I was into punk rock back when I was in high school. I used to go around to dive venues and take photographs. But now it’s been just much more about the country stuff and soulful folk.

I was into punk rock back when I was in high school. I used to go around to dive venues and take photographs. But now it's been just much more about the country stuff and soulful folk.

You know, I was a huge fan of comedy and movies and TV growing up, and I was able to memorize and mimic a lot of things, not realizing that that meant I probably wanted to be an actor.

Usually action films have a formula: good guy gets in trouble, his wife dies, friends have problems, so he goes to the mountain, learns martial arts, comes back, and kills the bad guy.

I stepped into the martial arts movie market when I was only 16. I think I have proved my ability in this field and it won't make sense for me to continue for another five or 10 years.

In today's politics, it would be good to have politicians who are more upfront about what they felt and actually not trying to bend with every breeze. They're infuriating, all of them.

If people are talking about my weight cut all the time and are telling me how skinny I like, you have to respect the audience. You also have to respect all of the fighters who do this.

The only acting I knew when I was a boy came from Lochgelly. With a double bill, people would live their lives in the cinema. You would even see babies being breastfed in the audience.

I'm not a singer, so I reproduce a little bit what I see on television and what I listen to on the radio. I don't have self-control, really, so I didn't want to sing like Mariah Carey.

I'm so disappointed in the frat parties at Columbia. I'm like an English boy going to an American college. I'm thinking cheerleaders, I'm thinking kegs. That's not what's on the cards.

I said, 'Ooh, Dad, I want the yellow ones.' He said, 'Where?' I said, 'Right there, Dad. I want the yellow ones.' Everybody goes, 'Those are green'. That's how I knew I was colorblind.

Directors are not worried about casting beautiful women, but they are not sure that they want to cast great-looking men. My looks have prevented people from seeing my work objectively.

Things that I consider bad qualities, I always try and figure out where they are coming from. I don't consider ambition to be a bad one. It's served me very well in my life. Very well.

When I started on 'The West Wing,' that was at a time when this was still a stigma, because movie stars didn't do TV. Now, every movie star is desperate to find their 'True Detective.'

I had to wear that suit, so I put in my required time in the gym. But I'm not one of those actors who romanticizes his trials working out and brags that he can bench press a panda now.

I went to L.A. and got an acting coach for one day. Then I went in to audition and I smashed it. You have to take risks, and one thing I know about people: your presence is everything.

Psychiatry is a pseudoscience.... You don't know the history of psychiatry. I do...Matt, Matt, Matt, Matt, Matt, Matt, you don't even -you're glib. You don't even know what Ritalin is.

I am passionate about cinema in general. Eventually, I am making films for people to watch and enjoy, but somewhere, I have to be satisfied, too. I want to be happy after doing a film.

I am constantly asked, 'What's the difference between acting in the theater and acting in film?' The only answer I can give is the space - you adapt to the space. But acting is acting.

I understand that I'm able to connect with people; I have an emotional bonding with people. My strength lies in my ability to tell stories and to touch people's hearts and to move them.

It's very important to me to love what I do. It was important to me to find a career that I truly enjoy. You can find something that sort of excites you, that's half the battle of life.

Burroughs was never really that pleased with the way popular culture and society treated his character. He tried to make a few movies of his own as a result, but they weren't very good.

It used to be that a son could look at the father, and pretty much know what life was gonna be like as an adult. There was confidence in that, and comfort in that, and frustration also.

There are so many interpretations that this film [The Lobster] could be approached from. But Yorgos [Lanthimos] is so specifically minded, he's so clinical in his direction of the film.

I mean, we are tribal by nature, and sometimes success and material wealth can divide and separate - it's not a new philosophy I'm sharing - more than hardship, hardship tends to unify.

My looks aren't something that come dazzlingly through in everything I do. I can be made to look one way or the other fairly easily... I am still not recognised on the street that much.

I turned down the first script offered to me, and the second. I lay on my back one day under an umbrella, in the garden, reading the third, and wondered why I had turned down the first.

My films have a bold interpretation. They are unapologetic about showing intimacy. Going by the number of people who come to watch my films, this is what our target audience yearns for.

My background was producing and writing and performing in television when I started out, and I really missed that, that whole creative process that comes from sort of 'me' storytelling.

I was little there were times I wanted my parents to be normal. I wanted them to have a religion. I wanted them to have a job, like the parents of every other kid I went to school with.

After 'The Room' premiered in 2003 - which went exactly as it does in 'The Disaster Artist' - I didn't think it was going to go anywhere. It wasn't a film I wanted to share with people.

I do not go to the gym. I do not train. I am not that careful about what I eat. I cannot give you any advice about keeping fit. The best advice I can give is choose your parents wisely.

I have the ordinary experience of being anonymous when I'm in an airplane talking to air-traffic control, and they don't know who they're talking to. I have a lot of common experiences.

People will have an altered idea of who you are unless they really take time to get to know you, which of course they don't. They just get what they see, and they take that to the bank.

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