Quotes of All Topics . Occasions . Authors
We play many emotions in our careers, emotions that in real life we would perform just once. For example, my character has died in about 10 films, so you have to keep searching for different ways to do it!
Everybody thinks performance capture is about thrashing around and doing a lots of movement, but it's actually about being able to contain and think and be believed in a close-up, as much as anything else.
I like my films to have a certain amount of realism - something that's thought provoking and intelligently written. More than the amount on the pay cheque, I look for a level of respectability as an actor.
I've never traveled to promote anything I've been in. I've only been to about two or three premieres. The way I work, I do bits, and then I'm off to something else, whether it's theater or another project.
Only interested in himself and profiting from the war as an unscrupulous entrepreneur, and not in being a patriot: "I believe in Rhett Butler. He's the only cause I know. The rest doesn't mean much to me."
It doesn't have to happen for anybody at all, this acting game, so you have to count your blessings. If I am lucky that the right things have come along at the right time, I'm just going to ride that wave.
'Breaking Away' was a great experience. It's the kind of movie that engenders a lot of goodwill from people. It's a movie that they cherish. and I feel very welcomed and accepted by people because of that.
I took to it very quickly. I'm very imaginative anyway, and it just set off that part of my brain. It made me focus in on the actors a lot more. I didn't have the distraction of looking at my surroundings.
John Carpenter created the idea of Halloween, so his vision remains the most focused and intelligently directed of the series. The directors that have followed have kept the original intent of the concept.
I don't want awards. I am not saying this like it's a case of sour grapes. It isn't. I have been to a couple of award functions, and I soon realised that it doesn't give me the kick that it does to others.
I'd say I'm the opposite of someone that has the urge to stand in front of strangers and make them laugh, but the idea of getting up and telling a story and people finding it amusing always appealed to me.
When I was a kid, I would do stupid things on my bike. I'd jump any ramp, I'd jump over people, I'd jump over things - always crashing, never hurting myself badly but always wanting to take physical risks.
If both parents must work, I think it is more important that the mother has proximity to the child to therefore establish a childcare situation at the big corporations not once a day, but many times a day.
Little remnants from everywhere I've been are scattered around my home. I collect rocks in a weird way, with stones from around the world as mementos. I've also got three haranas, which are little guitars.
My character is meant to know nothing about rap, and not to like it very much, but I know about it, because my kids make me listen to it. There's some rap I do like very much. I like Eminem, Blackalicious.
I trust that the space for LGBT community in Singapore will continue to grow, and that we will eventually have equality and freedom, even as the world begins to recognise that LGBT rights are human rights.
When I wake up in the morning I want to feel hungry for life. Desire is what drives me. When I go to sleep, I feel I have experienced a small death, so that I can wake up in the morning renewed and reborn.
With 'Letters from Iwo Jima,' then 'Memories of Tomorrow,' I reached a sort of turning point in my acting. I had poured so much of myself into those movies that I really had no idea where to go from there.
I see the world from a very specific perspective. It is how I grew up. It is what I am proud of, and I vocalize it. And for those who have not experienced my experience, it is odd, and it's not mainstream.
I've put my friends and family through the wringer over the years, I have to say, by doing unspeakable things to people, not the least of which was pulling out poor George Clooney's fingernails in Syriana.
I run the Actor's Studio on the West Coast, and one of the things I say all the time to the people I teach - many of whom are acting teachers - is that an actor needs to make choices that make him present.
You have to prepare for the unexpected. You have to be able to react to things that don't necessarily happen every night, or aren't supposed to happen every night. And you have to react to it in character.
I have a huge fan following in Bellary, and when they met me, they told me about their problems. I have seen mining done without proper safety measures and not taking environmental protection into account.
I think often I learn the most from other people's mistakes. If I'm in the audience watching an actor and thinking, 'I don't believe you,' I spend the rest of the play working out why I don't believe them.
I literally knew nothing when I did that show ["Tony Flanagan"]. It was the first time I signed an autograph, it was the first time I got fan letters, it was the first time people screamed when I came out.
You can be deported back to Canada, absolutely, for a shockingly minor infraction. Little bar fight. Next thing you know you are back in Sascatchuan. Which I'm not from, thank God... But it did concern me.
I know there are actors we all want to beat up a little. I think it's important to do whatever it takes, and whatever it takes sometimes involves some physical or mental discipline. There's a lot at stake.
It's just a moment that doesn't feel 100-percent truthful, a kind of a square peg/round hole situation. Which is why the preproduction on a movie is so important, because you can't just push those through.
Obviously, in this day and age, with the TV shows, there are some really interesting ones. I'm not that interested in going and doing a network show, but like everybody else, trying to find something good.
In America, people really struggle with my name, so I don't have a nickname as such. I've had Sharlito, Sheldon, Charldo, really interesting variations on the name. Some of them can get it, but many can't.
I didn't really grow up watching a lot of films. I grew up in the middle of Texas in a very rural area, so we were always outside fishing or playing a sport - we were never in front of a TV watching films.
One day, we were doing a serious scene and fast talking like we do and we could not stop laughing and the director had to stop the production. We had to go to our trailer and calm down and do it all again.
I applied a lot of the same principles I used in hockey into my acting. I might have had some naive ambitions of making the NHL, but thank God, playing hockey gave me a good foundation for everything else.
I would love to work with Salman. We have a great tuning so if we work together, it will be great fun. But till the time we don't get a good script, a script that excites both of us, we can't work together.
Hoodwink is a product of his environment. He grew up in Belfast, he was part of the UDA and he fought for what he believed in - or was brainwashed into believing - because of the people that surrounded him.
In terms of animation, animators are actors as well. They are fantastic actors. They have to draw from how they feel emotionally about the beat of a scene that they're working on. They work collaboratively.
For me, the experience of making the show is very much like being in a novel. I enjoy getting the new script. I make a cup of tea and I read it the same way I would read a book, with the same amount of joy.
It's whether they have a vision and whether they're able to communicate it. The best director is just someone who gets over-excited about doing it - they don't even have to know much about camera or acting.
Jonathan Lynn is one of the last actors Orsen Welles used in a production. It was wonderful. He's very sharp, very sharp. It's funny I've been asked how weird it was to have a Brit do a church gospel movie.
People will be fascinated. We will think of each other in a far more homogeneous way, because we will know that there is something that is different from us. And when we say 'us,' it will mean as a species.
Recently, our cable went out. Without the TV, children are forced to draw and read; grown-ups are forced to talk to their wives. I call it a psychic pacifier: It washes over you. It helps you avoid reality.
When you play a character, you get to see the world through their eyes. Whether it's a fictional world or a real world, you do get to see somebody else's point of view, whether he's a good guy or a bad guy.
When I read a script, if I feel it's written with the idea of just bashing other people, then I shy away from it. Sometimes it's some guy coming out with his own hatred, and I don't need to be a part of it.
As an actress, you're living something through the duration of the play and its geography. I've always seen writing the same way. It's like somehow I'm moving through the terrain of the book as a performer.
I'm ambitious for is to not get caught 'acting'. I want to really feel the role and not let people see the process, or to let them stand back and admire it, because I think that does finally get in the way.
After doing films like 'Krrish,' 'Bang Bang,' and 'Mohenjo Daro,' 'Kaabil' is one film where you can't lie at all. You can't be a hero. You have to be real. You have to be yourself. So that was a challenge.
We've had such a close relationship with the fans. Through social networking and the internet, we have much more contact, and we did go to things like Comic-Con. So, I think people know most of our secrets.
Whether people choose to have same sex relationships or relationships outside the marriage - whatever happens between two consenting adults should be purely their business, not the state's or the society's.
All these portrayals we see of knights fighting must be absolute rubbish because knights in armour could literally have only had two or three blows and then they'd have had to sit down to have a cup of tea.
They were like little palaces: all rococo or art deco. You'd walk in off those hot streets into a nice, air-cooled theater, and you'd spend all day watching Cagney or Jimmy Stewart. It cost all of 17 cents.