When I see four young kids in a band, I think, That looks really fun, no matter how shitty they are. You develop your own thing, and get excited about your band name. It's all so harmless.

A lot of people think that the music was responsible for a lot of changes in the Sixties, but I think the music came out of it. The music wouldn't have happened without the social changes.

When I was a child, kids used to make fun of me because I was blind. But I just became more curious, 'How can I climb this tree and get an apple for this girl?' That's what mattered to me.

We don't ever spread ourselves too thin. And sometimes it's a little bit to the chagrin of our fans; they don't get albums... I mean, The Beatles were doing two albums a year at one point.

My fans, they know my dad as Guitar Guy or whatever, and he's kind of just this shredder that plays on my records sometimes. But they don't know his ear and how rich his harmonic scope is.

My band and music are so intense they scare me, and I'm not afraid of anything. We love our music with everything we got and deliver the most inebriating fun concerts on earth every night.

I think you should ride the line between fatigue and chaos. The chaos keeps the energy level and spontaneity maximized, while fatigue is just over the edge, and you should try to avoid it.

For a long time I was trying to be poppier and younger. I didn't want to be on public radio or do any of that stuff for older people. Then I realized that that is exactly what I listen to.

I ultimately decided that I couldn't beat it more than three times a day, (I) was just too drained and chapped. That's what Radiohead is about. You're just drained and chapped, down there.

Most people can't tell now who wrote what. I like that blurring of identities within the band. because it becomes a unified thing that can't be related to other forms of historical poetry.

I have been in love already, but I don’t think I have ever really loved somebody. Love is a very rare and beautiful thing, but it can also be bitter if the other one doesn’t love you back.

Sometimes when you cut your bed tracks right off the bat, you don't really know where the vocal is landing and where the background vocals are, and other loops and stuff that are going on.

When you do a record like 'Talk,' and you're happy with it, and it reaches your ambitions and then doesn't sell as well as you wanted, it kind of takes the wind out of your sails a little.

The problem is that mainly the metal press has an interest in Burzum, and the rest of the world... probably hardly even know Burzum exists, and those who do shy away due to my fairly (:-))

It probably would be impossible for me to make music and not make it sound like Burzum. This is the music I make and the only music I am able to make, so I have no other options musically.

There are many Sheriff Arpaios. People who have taken to local city, county, and state governments across the county the idea that immigrants are the problem. That immigrants are to blame.

It's just so obscure to take a folk song in a different language and be a pretty well-respected English-speaking rock band and totally take a song and twist it around and have fun with it.

Having a kid made me realize, "I have to take care of this kid, but I can't have the luxury of dropping everything in the world and spending every waking moment with him. I've got to work."

It certainly is gravy every day above ground right now, after kicking that heroin habit. I've been given a second chance in life, and I don't want to let a minute go by without enjoying it.

I think New York is a good place to write in general because it's a grid. It's organized. You know where you are on the map. That centers you, and your imagination is perhaps freer to roam.

There's another thing that you don't want to take for granted, and that's the reality of there being an audience there each night. It's pretty amazing that that can happen around the world.

Back when I started, you could either be a folk singer, or you could be a disco diva, or you could be a secretary or maybe a disc jockey, but there was no room for anything alternative yet.

In recording, you're trying to make something work sonically - getting the right inflection on the right guitar sound - and maybe a part that would be musically great doesn't sound as cool.

When I lived in Paris, I would shop at antique shops and buy these huge coats because I was very cold. And then I started performing in them because I felt safe. I never stopped doing that.

With my portable recording system, I didn't feel like I was listening as a distant observer; rather, I had been sucked into a new space - becoming an integral part of the experience itself.

Rock 'n' roll is just entertainment, and the kids who like to identify their youthful high spirits with a solid beat are thus possibly avoiding other pursuits that could be harmful to them.

A guy walks up to me and asks, "What's Punk?". So I kick over a garbage can and say. "That's punk!". So he kicks over the garbage can and says, "That's Punk?", and I say, "No that's trendy!

Just seeing the things on TV and the things in front of you, the amount of information coming in, and the lack of information not coming in, how could you not help but write songs about it.

Being overly identified with [a certain period of time] becomes a noose around your neck, and people don't want you to grow up, they don't want you to change, they don't want you to evolve.

But whatever the Lord throws at me right now, I think I've been given more blessings than I ever deserved. If he wants to top it off with anything - boy, girl - I would love either of them.

There were only a few seats left in coach and Bob found himself seated next to a young female fan. 'I can't believe I'm sitting next to Bob Dylan!' she screamed.'Pinch yourself,' said Bob."

There's a combination of things [to survive the road trip]. Humor would be key. If everyone has relatively the same sense of humor, then that helps. And things in common, like food, eating.

The movie industry places such importance on first-week numbers-which means what to people, I don't know. It's very strange. They hope to sell tons of records the first week, and then what?

I love San Francisco and Brighton has something of San Francisco about it. It's by the sea, there's a big gay community, a feeling of people being there because they enjoy their life there.

In my teenage years I was put off the idea of a career in flying, because I'd convinced myself that you had to be a boffin with degrees in maths and physics, which were my weakest subjects.

I'm used to writing something, it becomes a record, it comes out. Then I go perform and I play it and I get this immediate feedback from the audience. So that's been the pattern of my life.

Elvis Presley wore a Star of David and a cross around his neck and, when someone asked him about it, he said, "It makes me think." I love that quote. It's simple. It's beautiful. It's true.

I sit around and play acoustic guitar - usually acoustic, sometimes electric, occasionally piano, but more often guitar, just trying to come up with tunes. Ideas kind of pop into your head.

The best way to get to know Africa is to go there and see what it is. To know somewhere that crazy and that magnificent, you have to spend some time among people, the rhythm of their lives.

I'm big on taking the lady out to dinner. We have some candlelight romance every now and then. And our whole family is within a 6-mile radius. It's disgustingly domestic. I'm big on Costco.

I think that the world is full of really, really good musicians, but that's not necessarily my motivation for having people involved. It's more how they contribute to the scene as a person.

I was recording stuff with my dad when I was like five, six years old. I played with him on tour. I'd gone with him to Japan in '91, played some gigs, did a couple shows at the Albert Hall.

I just block out the demons. I sing. I block them away. I put my pain into my music. I paint. I make my own videos. I direct myself. No one directs me anymore. I am in charge of my destiny.

I just have this deep kind of connection to reality of being like... in a way, I feel like a dock worker. I want to stay in connection with my dock-worker side, 'cause that's how I grew up.

I get really tired of hearing of all these old rockers whine and complain about how hard life on the road can be. Just stop if you don't like it. I don't think of it as work. I love it all.

At first it was difficult for me to draw. My right hand doesn't work anymore so I had to train myself to use my left hand. But I persevered. The first one I ended up finishing was the duck.

Looking deeper into African way of life, it wasn't religious; it was spiritual. When you go into spiritualism, spiritualism will teach you about virtues, how to be patient, humble and kind.

Conducting" is when you draw "designs" in the nowhere-with a stick, or with your hands-which are interpreted as "instructional messages" by guys wearing bow ties who wish they were fishing.

In many shamanic societies, people who complain of being disheartened... or depressed would be asked,... When did you stop dancing? ... This is because dancing is a universal healing salve.

Guitar gigs were everywhere in the '50s, and I started diddling around so I could keep working. Playing honky-tonk, simple stuff. I took a few gigs with an organ band that put me out front.

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