It was physically difficult, adjusting to wheelchair life, but I remember a great relief and happiness that I was finally getting somewhere, finding musicians to work with that were sympathetic.

It's taken folk a while to come around, hasn't it? Even the boys in the band weren't too sure about the whole art thing. They just wanted me to concentrate on the music. But they respect it now.

I got a reputation for being 'eclectic' or some damn thing like that, but to me, the different kinds of music I play are all the same stuff - good time music - and it is the only stuff I can do.

If this world is wearing thin And you're thinking of escape I'll go anywhere with you Just wrap me up in chains But if you try to go alone Don't think I'll understand Stay with me, stay with me.

I'm not sure if you can blame everything on the American way of life, but the United States are big. So, if you have a lot of people there, the percentage of stupid people is bound to be higher.

My driving career is low, but musically, it's all pretty high. It's a test of patience, takes forever, but I guess that's the nature of the thing of life. I'm glad to be living the musical life.

There's nothing like having some healthy competition. We really strive to think outside the box by taking the standard approach the then twisting it a little, all the while trying something new.

I ceased cleansing my body. Two weeks before the test I stopped eating food with nutritional value. A week before, I stopped going to the bathroom. I did it in my pants. My pants got crusted up.

Unfortunately, there are people in America, there are people in politics, there are people in positions of authority, who want to forcibly unarm, and force in to helplessness, American citizens.

There's a lot of people I know who have a lot of synthesisers and they don't really know anything about them, they know the specifications and everything, but they don't really get to know them.

If artists slowly learn how their business works, they'll have the ability to grow at any rate they can dream up, but they'll also have the ability to control the message whatever that might be.

I don't specifically sit down to write a Motley Crue song, so for me, that's how it works. The things that sound like they might be Crue, I put aside on my hard drive and keep them in that pile.

I try to do an hour of cardio on the days that I have off, and then I'll do 30 to 45 minutes on show days. That's the first thing I do when I wake up, I have breakfast and then I'll hit the gym.

You should never trust anything reported by the media. Their first priority is to spread propaganda; their second priority is to make money. They never really care if they tell the truth or not.

I'm a goof. I talk too much. I tell stories. I tell cheesy Dad jokes. I'm theatrical and I'll mix things up and I'll surprise people. Those are the things that I just do because that's who I am.

I'm not going to get into details, but every band has their moments when things are tough. Just logistically, tough on your body, stress levels, psychologically tough, relationships can be tough.

I think it's interesting being American, the expectations for an American guy, and the image that has to be projected. 'Oh, I can't wear pink,' that kind of stuff. There's none of that in Europe.

The thing is, my education was music. I knew I'd be playing music no matter what. That's all I thought about, I was obsessed with it. I'm still obsessed with it. It gets the best of me sometimes.

Love is all there is, it makes the world go 'round Love and only love, it can't be denied No matter what you think about it You just won't be able to do without it Take a tip from one who's tried

There's not even room enough to be anywhere/It's not dark yet, but it's getting there.../I was born here and I'll die here against my will/I know it looks like I'm moving, but I'm standing still.

City's just a jungle; more games to play Trapped in the heart of it, tryin' to get away I was raised in the country, I been workin' in the town I been in trouble ever since I set my suitcase down

I learned that I'm really good with perseverance. I'm stronger than I thought I was inside. I also learned that I don't give up easily and that I trust and believe that things are going to be OK.

It doesn't mean that I'm overly enthusiastic about much music. Except the people that really touch me. It has to touch me, it has to grab a hold of me, I'm not looking for anything in particular.

In the midst of creating, a person is raised to another level of consciousness that doesn't have that much to do with everyday thinking. It's as if you could imagine life before there were words.

It's fun, working with different people, everybody works differently. When I have time off from music, I want to make other music. That's what I do, that's what's fun, that's what makes me happy.

I'm a kid who grew up in an all African-American neighborhood and got into schools and aspired to just be me, and didn't worry about labels or anything. Just wanted to be a success at what I did.

I liked rock music, I kind of moved into that sphere, somehow thinking that somewhere along the line I'd be able to put the two together. And I suppose I very nearly did with the Ziggy character.

What I have is a malevolent curiosity. That's what drives my need to write and what probably leads me to look at things a little askew. I do tend to take a different perspective from most people.

If by saying that all men are born equal, you mean that they are equally born, it is true, but true in no other sense; birth, talent, labor, virtue, and providence, are forever making differences

I don't even know how people managed without the Internet years ago. Having to mail a cassette tape of your music to strangers over the course of months... I just can't imagine having to do that.

I can be very social, but often, it weighs down on me later that the social thing was a put-on. I feel like my way of dealing with not wanting to go out is, I just don't. I can't bring myself to.

Something happens when you become an elder rock & roller and you're still functioning. People start to give you awards and recognize achievements. It's the life achievement period of your career.

Unless you're doing some kind of God conscious thing and you know that He's the one who's really in charge, you're just building up a lot of karma and not really helping yourself or anybody else.

Why live in the darkness all your life? Why, if you are unhappy, if you are having a miserable time, why not just look at it? Why are you in the darkness? Look for the light. The light is within.

I'd like to think that all the old Beatle fans have grown up and they've got married and they've all got kids and they're all more responsible, but they still have a space in their hearts for us.

In those perfect moments you find beauty you never knew existed. You find yourself and you friends all over again, you find something to fight for, something to love. Something to show the world.

I only shoot on film. I like the quality, the grain and the imperfections. It offers me something much more rewarding than any digital camera can give me. I believe the extra expense is worth it.

In classical oil painting, there seemed to be a radical turn to seeing things as the camera sees them, with that technological modification. I began to have a tremendous problem with all of this.

Rush Limbaugh makes money getting simpleminded people to feel good about their intellectually undernourished brain spasms. He's very good at it, and I scarcely believe a fraction of what he says.

It's easy for me to play bad guys because it's a very linear acting. Bad guys aren't empathetic. Being a bad guy is great because you're not friendly and you don't have to do much with your face.

Before the Civil War, the Southern states were selling a lot of cotton to England and didn't seem to mind British occupation. By and large, the Revolutionary War wasn't at all great for business.

What I try to do is produce an atmosphere where musicians want to invest in what they do and give to the recording. I hire those musicians who I know will play something creative and interesting.

I'm really thankful to God, man. Like now, I'm really making a real comeback with my group. With or without a record, with or without a movie. And behind all the negative press behind this movie.

I do my best to make music spontaneously. It's very personal in a way. It's really a direct connection between me and anyone who's watching. I don't want to be in my own bubble. I'm reaching out.

I'm sure Sting's a lovely guy. It's just that nobody wants to be seen as that holier-than-thou thing. That over-earnestness is a bit of a problem with people in bands and celebrities or whatever.

The thing with Disney songs is they're very manipulative, very sentimental, but they do get you, you know - there's a kind of sadness to them and that kind of music doesn't really exist any more.

Our first record didn't come out on vinyl, so I think that might have had something to do with actually being in a position to make sure that it came out in vinyl this time. It sounds way better.

With acting, you have to become someone else. That's the fun part of it for me - to step outside of yourself and become a character. I guess being Jimmy Cliff is a little bit of a character, too.

My guitar style was developed during that 10-year period. That's me. That's the way I play, and I don't wish to play any other way. Our own individual identities are firmly stamped on this album.

The idea of a hypnotic riff as the prime mover of a piece of music has been around for a long time, whether you're talking about the Delta blues or music from Middle Eastern and African cultures.

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