We never considered ourselves to be a good band or anything, we just thought we were playing for fun and we wanted to play music that sounded like Black Sabbath or Soundgarden or the music we were into at that time.

I'm a phallus in pigtails, and there's blood on my nose, and my tissue is rotting where the rats chew my bones. And my eye sockets empty, see nothing but pain, I keep having this brainstorm about twelve times a day.

The fact I have an education forms my lyrical style, I'm sure. I studied the social sciences, history, stuff like that. I have an interest in politics, which maybe works its way into the songs in small, subtle ways.

I was so young when I got so famous, and then I kind of put up a wall around myself. I didn't really want to show people any fragilities or fears; I was trying to be this tough person that I felt was expected of me.

I didn't know initially whether I'd like doing TV and whether I'd be able to work with other people. I've always done my own thing. I've never put myself into that situation, but it's the most fun I've had in years.

I just try to enjoy the moment and enjoy what's happening. I mean, I want to be conscious of what's going on around me, and be aware of if I can make a change and make things better, which I think is very important.

Actually, if I could deliberately sit down and write a pop hit, all my songs would be pop hits! Let's put it this way. I play what I like to hear. And sometimes I like to hear something poppy, and sometimes I don't.

I had actually been going to Hawaii for quite a while before I ever picked up the uke. I think with anything new you're going to get more enjoyment out of it if it comes to you quickly, and the uke facilitates that.

We went from an era when rock 'n' roll meant wearing a bustier as a woman and these spandex things and guys trying to portray someone that wasn't realistic. We are trying to make it seem real... relate to our lives.

I'm always the one sitting at the merch table and talking to everyone at the show - and I think it's because I have this deep fear that if I'm not approachable or I'm not there, people are going to think I'm a brat.

I was a kid who got picked on in school, and now the guys beating up those kids were wearing red caps and using my music to fuel that aggression. But if they listen to the lyrics, the aggression is targeted at them.

There is no true joy and compassion except through the difficult emotions - all we get without the experience of fear, anger, and sadness are cheap imitations of joy and compassion - pleasantness and sentimentality.

I would like to think that Ben and myself have begun a partnership that will take us into different areas of music that we can continue to write, enjoy and keep me involved with music other then what I do with RUSH.

I don't believe in telling all to the public, but I feel a certain gratitude to them for having provided me with a fine material base that enables me to do pretty much what I want, possibly, for the rest of my life.

If you're ever in a dark place, don't resort to violence. Talk to someone; whether it be a therapist, teacher, parent, or just someone you can trust. We all have our dark places and it's important that you get help.

I've been approached about doing some live performance collaborations with DJ's. That is something I'd be interested in getting into down the line, but I've worked very hard to distinguish myself as a laptop artist.

I sometimes get in the car [and] jump all around hunting for a sample, and then I can get really annoying if anyone's in the car with me. But if I'm actually listening to music, I have a pretty solid attention span.

I'll have periods when I write and periods when I don't. But you don't want it to become a discipline, really. If it becomes a discipline, it becomes a chore, and that's no good. To make art you need to be inspired.

Well If I could live my life again differently, there are things I would do and things I wouldn't do. Like drugs, I wouldn't deal with drugs and guns, I wouldn't deal with it, a whole lot of things, that's the truth

One of the things that was a blessing for me is my parents were music lovers. Neither of my parents played an instrument, but they were avid record buyers. And I grew up at every age listening to all kinds of music.

For me the music is not so much anger as much as it is of passion. And I've always associated that kind of intense emotional output with music just because the nature of the music that's attracted me as far as live.

The Ninja, as you know, operates by stealth. And so, case in point: I put out records... no one hears them! I make videos... (whispers) no one sees! I go on tour.... (whispers) no one knows! NINJA! I was never here!

To justify being listened to, I try to be as well informed as I can. Hence, the travel. Reading is good too. Reading gets you part way there, and I do read pretty voraciously for a guy who's trying to write so much.

Anything in this culture that stands still long enough eventually becomes okay if a person can derive an income from it. Eventually, pay-per-view public execution will happen, and it will be half-time entertainment.

I wanted to use a totally different part of my brain. It's quite scary at times. I went for learning to fly because it was most difficult of all. The insurance man just sat there and licked his lips when I told him.

I love playing small towns, but in Sweden, it's sometimes a little bit weird, because all small towns are just so close to bigger cities that people are not as grateful when you show up as they are in Odessa, Texas.

I'm not trying to clock scores in this lifetime, it's just that things are better now than they were like five, ten years ago. Music has gotten a lot better. There's a lot of people who are committed to - soulfully.

Everything that Traffic ever did, I'd give Steve a complete lyric, titled, written out with the verse, the bridge, the shape and rhyme and then Steve had to figure out how the meter of the words would fit musically.

One time I said: maybe I should burn a guitar tonight. You know smash a guitar or something like that. And they said: yeah, yeah! I said: you really think I should? They said: yeah, that'd be cool. I said: well, ok.

The most important thing that I can share with you is the personal knowledge that decisions are not irrevocable, that choices do come back, sometimes in different forms and in different ways, but they can be remade.

When my son got sick and he was in the hospital, and they took out his kidney when he was less than a year old, I definitely learned that each moment is really precious and I don't want to take anything for granted.

So we've done science songs. We've done historical songs. A lot of people would like us to do more historical songs. Our history record would probably be like the people's history of the United States, set to music.

There are a lot of people walking around with long hair now and some trendy middle class kids in pretty clothes. But nothing changed except that we all dressed up a bit, leaving the same bastards running everything.

A more interesting question is not 'Why did they break up?' but 'Would they have gotten back together?' ... There's always a chance we'd work together again, but I can't see us touring. I just see us making records.

One thing that has happened is a revolution in digital consumer recording, and overall, that's a great thing for art, but parallel to that there's been a revolution in boutique audio companies making excellent gear.

As a youngster I used to try to pick up any bits of wisdom about the guitar I could. It's not like now where you have books and books about every aspect of anything. Any little pearl of wisdom was welcome back then.

I doubted my creative spirit three years ago and God showed me a way to praise Him through song. It opened the door to a whole tapestry of images and concepts that were brand new for me and I continued on that path.

It's no longer unusual for real avant-garde composers to have been in a band, and for bands to be interested in a wide range of music. Look at how artists like Aphex Twin are influenced by Nancarrow and Stockhausen.

I feel like I've given up a lot of my fantasies. I just want to do things differently, and to a lot of people that's annoying. I like weird stuff. I always hoped if we had a big success it would be on our own terms.

My mission was always intended to be slightly outside the public eye, because that makes me appear more interesting than I really am. A lot of people don’t realise that merely by staying away, you can create a myth.

My mission was always intended to be slightly outside the public eye, because that makes me appear more interesting than I really am. A lot of people don't realise that merely by staying away, you can create a myth.

I can sustain the impetus over the long tours we do is by feeding off the energy that we get back from an audience. That's my fuel. All i've got is this burning energy, especially when i've got a guitar in my hands.

When I started writing music on the guitar, it started off very folky because of my limited ability to play. It was slow, soft melodies. But then, as I got better on the guitar, I started exploring different sounds.

When I heard my first rap song and figured out what that was, I kind've stuck to it. I always wanted to be a musician in general, an entertainer. I just started rapping. I never decided, 'Oh, I want to be a rapper.'

To me, the songs that I'm most thankful to have been a part of creating are the songs that are able to adapt and change over the years and that mean different things to you at different periods of time in your life.

You know, sexism in the punk scene - or just in rock and roll in general - is so easily demonstrated by the amount of women or queer people that you see on stage versus the amount of cis males that you see on stage.

People don't appreciate music any more. They don't adore it. They don't buy vinyl and just love it. They love their laptops like their best friend, but they don't love a record for its sound quality and its artwork.

You have to look at what 'Rumours' was, what drove the subject matter. You had two couples who were broken up or breaking up. And probably, you could say, success we had achieved was the catalyst for those breakups.

Through all aspects of society be it art, design, the financial markets, government, technology or communications we are witnessing unprecedented global transformation - the result of which is impossible to predict.

It isn’t hard to find a person whom I could fall in love with, to give her romance. But it’s hard to find such a person who would understand your view on life, accept who you really are and would truly care for you.

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