Quotes of All Topics . Occasions . Authors
It would take a lot of time and effort (to repair the computers). And they can't run (programs and games) kids are interested in today. They're not even on the Internet. We wouldn't be offering them much of a carrot.
I think when you're a child, you just cling to the basics, which is the basic story of Jesus and the crucifixion and hell and eternal punishment and the flames. This was all stuff that was - forget when you're young.
For the ones who had a notion, A notion deep inside, That it ain't no sin to be glad you're alive I wanna find one face that ain't looking through me I wanna find one place, I wanna spit in the face of these badlands
My only general rule was to steer away from things I played with the band over the past couple of tours. I was interested in re-shaping the Rising material for live shows, so people could hear the bare bones of that.
I find that it is useless to worry about things I can't control and I can't control how many people come out tonight. All I can do is focus on writing the best songs I can write and performing the best I can perform.
There's a thing that just as you go to sleep, if you keep your elbows elevated that you will never go below the dream stage. And I've used that quite a lot and it keeps me dreaming much longer than if I just relaxed.
There are half a dozen subjects that I return to time and time again, and that doesn't bother me. Because most of my favorite writers do that, to hunt down the same topic or theme from different directions each time.
I never took guitar lessons. I took classical piano lessons from the age of six when we lived in Holland. And when we moved to America, it was just the typical thing except I was really good at it; so was my brother.
If at noon you sit down and there's just silence or blank tape, in an hour if you have a song, that didn't exist an hour ago. Now it exists and it might exist for a long time. There's something empowering about that.
I've been writing and collecting songs on the ukulele for at least 10 years, so it was time to clear them out of the apartment building and make room for some new occupants.I need to make room for the bassoon record.
One thing you might suggest to a young band is don't get involved in any kind of long-term contract because everything changes on a bimonthly basis: The way people hear music and access it, the way it is distributed.
I got a funny feeling like something was real wrong... Looked at her shoes and her feets was real long! Then it hit me, Oh please God no, Don't let this ho turn out to be a John Doe... He pulled a fast one on me, yo!
I've taken a lot of time to build up the name Flavor Flav, but this could come tumbling down in 30 seconds. If you want to keep what you worked for hard all your life, then you got to do the right thing in your life.
I've got quite a vivid imagination and I'm easily overwhelmed by sensations and things that are beautiful or scary. I don't think I've ever seen a ghost - I think I'm probably haunted by my own ghosts than real ones.
I'm just a black hole for stuff. No one should ever hand me anything, because I get so easily distracted. I'll be like, 'Oh, look, something shiny!' I'm glad I never learned how to drive. I would be really dangerous.
I love what I'm doing most of the time, but it's hard work. People only see your albums in the charts. They see us at award shows and after-show parties. They don't know about your doubts, the hard work that goes in.
I have such an extreme attitude about work, where I can just completely be derelict of my responsibilities and then when I am not derelict, I am completely indulged in it. I swing pretty wildly from the two extremes.
Experience is the main reason why we're here, I think, in the world to gain experience and from our experience we gain knowledge. Oh, I think so, anyway. Knowledge and if we get any knowledge then we gain liberation.
We don't belong here, but in the spiritual sky: As l'm fated for the material world, Get frustrated in the material world, Senses never gratified, Only swelling like a tide, That could drown me in the material world.
I just want to keep living on and enjoying food! Even though I'm gaining weight, I want to record if the Lord wants me to still record, and I just want to do my work on the road as long as I got those fans out there.
When I would play pop music at underground shows, it was offensive to some people. I wasn't doing it to piss people off: I just didn't believe in those strong divisions that you're supposed to listen to this or that.
The whole drive of western culture, the part of it which is serious, is towards an extreme objectification. It's carried to the point where the human subject is treated almost as if it's dirt in the works of a watch.
When she comes She pulls you close She breathes in short bursts Her eyes close Her head tilts back Her mouth opens slightly Her thighs turn to steel, and then melt She is perfect And you feel like you are everything.
I feel pain everyday of my life. When you see me perform, it's that pain you're seeing coming out. I put all my emotions, all my feelings, and my body on the line. People hurt me, I hurt myself - mentally, physically
I don't listen to a huge amount of music generally. Partly because you've sat in a studio for 10 hours and then when you come home you just want to read a book, and listen to the sound of your central heating system.
Well, I had started a program which is even longer running than this one in 1967 which was a jazz program called The Best of Jazz and that still goes out on Monday nights. That's been going for 33 years or something.
I really love the idea of stepping into another character and being able to sing maybe stuff that is not my thought and my own opinions, but be able to portray someone else and take a walk in their shoes for a while.
How many guitars do I have? I don't know. I don't know! But I think the answer to it is, more than I can play at any one point in time. Even though I do have double necks, so I can try and play more than at one time!
I hate it when I go out and I see parents going, 'don't do that', or 'stop doing that' when some kid's just hanging off a staircase or something. There's too much of this, 'don't do that'. The whole thing baffles me.
We had offers to go everywhere and we could have done them. But what would have been the point? We were tired. We had worked hard and needed a break before we got stale. We spent six months at home and writing songs.
The South actually has a very strong tradition of activism. The civil rights movement came from down here! It was black activists demanding that their voices be heard. People say these are red states. No they're not!
I tend to over extend myself without really thinking throughthe realities of completing so many projects in a year, which generally means I'm going to be a little bit behind. I suppose that's the nature of the beast.
As a youngster, I used to try to pick up any bits of wisdom about the guitar I could. It's not like now where you have books and books about every aspect of anything. Any little pearl of wisdom was welcome back then.
If you're in a successful band, you tend to fall into a role. But I'm not remotely laddish. I'm a grown-up. I'm vegan and teetotal. I run 50 miles a week, listening to Franz Ferdinand and the Four Tops at top volume.
I feel that I want what allows me to reach the largest number of people as possible, and I don't feel ashamed of that. I think I'm the kind of artist that's meant to be on a major label because my music is different.
I'm really happy with Elektra, I don't have anything bad to say about them at all. I always knew a major label was the right place for me to be. I never really had an opportunity to go to an independent label anyway.
Find something that makes you happy, like looking at beautiful pictures, or, if you're able, listening to beautiful music, or sitting by the window and looking outside - small things like that can be absolutely huge.
There was a knock on our dressing-room door. Our manager shouted, 'Keith! Ron! The Police are here!' Oh, man, we panicked, flushed everything down the john. Then the door opened and it was Stewart Copeland and Sting.
I am blessed that I get to do this thing I love to do, and if I wasn't doing this, I'd probably be working as Starbucks. So the fact that I get to travel around on a tour bus all around the country is pretty awesome.
It's like, on my solo stuff, every single person who buys the record, gets it. On the other stuff, the masses... when you have a hit on the radio, not everyone's going to get it. They are going to buy it for the hit.
You make love for the pleasure and the passion and for the love that two people have for each other. But then there is also this other thing. Are we going to make love to have a child? One has to be clear to do that.
Musicians are kind of like pirates, you know? You have to be free to follow whatever your muse is, or wherever life is pulling you - especially if you aren't in, like, U2, and making millions and millions of dollars.
I think everybody who relates to music is kind of isolated. It's lonely. Everyone who uses the creative side of their brain is that much removed from reality. They are looking for answers wherever they can find them.
I don't know if i have a 'take' on L.A. The music community is enormous, from the studio musicians to the bands trying to 'make it' to the indie bands... so many bands... it can be overwhelming. But it seems healthy.
Ever since I was a kid, I always wanted to play music that I liked, and even when I was in cover bands when I was a teenager we only played cover tunes that we liked. That was the simple morality that I grew up with.
The love song must be born into the realm of the irrational, absurd, the distracted, the melancholic, the obsessive, the insane for the love song is the noise of love itself and love is, of course, a form of madness.
Everything about my life was culturally rich, and all the people I met sort of reinforced the wackiness that was normally inside of me. No one said, 'You can't do that,' until I got to real record companies, that is.
It's very helpful to start with something that's true. If you start with something that's false, you're always covering your tracks. Something simple and true, that has a lot of possibilities, is a nice way to begin.
I didn't start to collect records and listen to guitar players properly until I went to art school, when I'd already been playing for five years. So my style was already formed, and that's why I think it's so unique.
I was talking to Australian press earlier, and they said: we never stopped playing you. I tended to forget about that. It brings a smile to your face that there is this continuing thing, that people like what you do.