Quotes of All Topics . Occasions . Authors
'Wii Music' elevates the scope of music video games by moving beyond commentary on what music is - as 'Rock Band' and 'Guitar Hero' do - to suggesting what it could be. Yet I'm still left wondering: Couldn't it be more?
I don't like the word "happy." I wouldn't want to use it that context. I enjoy writing songs, it's a really good challenge, it tickles me. It's a wonderful way to engage with your surroundings, through poetry and songs.
Arnold Palmer is my favorite, just getting to know him and all of the film on him and his game. He was the first real superstar in golf. You had Bobby Jones and all of those guys, but Arnold Palmer was bigger than life.
The thing that really gets me about the game is I've never played two rounds that were anywhere close to being the same - ever. Even with the same golf course and setup, nothing is ever the same. I love that about golf.
It always felt like you were trying too hard to look like the audience or something. That whole thing about the artistic integrity, which, of course, I've never bought into - with any artist. It's just not a real thing.
'Heavy Rain' was my baby, my reason to live, and my oxygen for four years. And seeing the successful release of the game has been the most extraordinary reward I could have dreamt of, after years of working in the dark.
It's easy enough to foist your music collection on your kids. Lectures are not required; you just play the stuff while they are prisoner in the back seat on a long drive, or softly in the background while eating dinner.
Whenever I record more than two or three layers, it starts to get cluttered up, and you can't hear the cut of the guitars as good. It's hard to get four guitars to hit at exactly the same time and keep the attack tight.
If it's a band I like, I just hope they will survive it all. And I'll admit that if it's crap music, I hope they won't and it'll go away. Simply because there are too many great bands who should be heard in their place.
It's not about how much movement you do, how much interaction there is, it just reeks of credibility if it's real. If it's contrived, it seems to work for a while for the people who can't filter out the real and unreal.
I'm the kind of person who would love to play whenever I felt like, with a band, and it might as well be the Holiday Inn in Nebraska - somewhere where no one knows you, and you're in a band situation just playing music.
I sing from my heart, I love country music and I love the people that respond to it. You never see yourself as others do but I've always beeen proud to be part of country music and I hope that the format is proud of me.
I didn't really think that it would be as easy as this. I did believe that the album [Faith] had a chance, because I though the material was strong enough, but things have just gone like clockwork. It's been incredible.
I would like to continue to make art by being able to do what I love and have that make it possible for me to support my family. I'd like to make people happy, show people a good time, and hopefully inspire some people.
People see me on stage and sometimes they think, "Who's this hotdog thinking that he's the best." They miss the point that what I'm doing now comes from a whole different world of doing it for no one with nobody caring.
When you are in a band for a number of years you loose your identity in a way. You become a part of that band and then all of a sudden you are not part of that band. You are still the band without the other two members.
In America there's lot of cool cities, but in Canada there's, like, well, Vancouver, Toronto and Halifax may be cool, but they're so expensive. Montreal is the only city that's affordable but also has buses and culture.
The government is a functionary of the corporations - and there's nothing new about that. You can find people in the 1930s talking about the army basically working for Wall Street in all of these countries [it invades].
If I don't think something's worth saying, I don't think it's quite there, I'd rather just not say it, to be honest. In that case, I'd rather wait 'till the thought is ready, 'till I feel like I'm happy with everything.
I can put a hip-hop beat to reggae. That is, I can have real reggae in the drums and in the rhythm, and on top of it I can put The Rolling Stones' feeling, anyone's feeling on top. Nobody has ever done this before, man.
We went to see Lenny Kravitz last summer in Austin and he was awesome. His show was just awesome. I mean, like, when you see some of these great bands, you sit there and think, man, if only we were that tight, you know?
When you constantly revisit things, it's hard to know if you're freezing in time or if you're a brilliant adult who's working through it. I think about that in therapy, talking about the same things over and over again.
There's a sense that, on a certain day, you want to destroy everything, even the ones you love. Humans are weird like that. You build an empire and you hate it as soon as it's done. That's because we're never satisfied.
No matter what album I’ve ever made or ever will work on, it’s me trying to achieve this feeling I had listening to music when I was 8 years old. Just being mesmerized by the production and the mystique and the stories.
I led the state in defensive interceptions my senior year, with seven in nine games. Then I went to Montana to play basketball and found out quickly that my college career wasn't going to work out how I'd envisioned it.
From the first album, Led Zeppelin was always going to be a totally new approach from what had gone before - whether it was approaching the blues or folk music like 'Babe I'm Gonna Leave You': nothing existed like that.
I suspect by the time the Beatles were writing the White Album, they didn't go, "'I Wanna Hold Your Hand!' I wanna play that!" It's like if somebody asked you to put on the clothes you wore in high school. Well, no. No!
We were gradually playing larger venues and in the early days PA systems were kind of non-existent. So to play loud, we had to use louder equipment. The PA systems back then didn't mic the instruments - only the vocals.
What I'm trying to do is to influence all the people I can influence. All those who are still under the dream and just put a big question mark in their mind. The acid dream is over, that is what I'm trying to tell them.
When I started, rock and roll itself was the basic revolution to people of my age and situation. We needed something loud and clear to break through all the unfeeling and repression that had been coming down on us kids.
We were number one most added at radio, when the single came out and that's much different. It took like eight months for any radio to happen on the first record, so a lot more support has happened right out of the box.
But back to your question, it was a wonderful experience with the Art Ensemble, and I keep in contact and sort of follow what's going on, but it was also very important to make this step, you may say this leap of faith.
Later as things progressed and I saw the direct correlation between being able to keep making records and having people know about the music, I became more interested in using popular media as a way to get the word out.
Women didn't want to be on the stage with other women because they didn't want their bodies to be compared. They didn't want another female act opening for them because of this weird competitive and tokenistic attitude.
Best Buy. I heard recently they are downsizing and I got sad! I remember when Circuit City was around, I never understood why people would shop there. I always thought Best Buy had a better selection and cheaper prices.
I don't have a role model, but I certainly have always enjoyed Neil Young. I had the great pleasure and opportunity to watch him from the side of the stage on a couple of occasions, and his on-stage sound is incredible.
If it was up to me, I'd get more oil tanker drivers drunk. I don't value music much. I like the Beatles, but I hate Paul McCartney. I like Led Zeppelin, but I hate Robert Plant. I like the Who, but I hate Roger Daltrey.
Any doctor will tell you a great treatment for depression is exercise, physical exertion, that it really ups the dopamine in your brain, so that's what a show is. I play a show and that's a high for me; I can ride that.
There are a lot of good books around. People don't read any more. It's a sad state of affairs. Reading's the only thing that allows you to use your imagination. When you watch films it's someone else's vision, isn't it?
The first film I made was when I was 13 and it was called 'The Dogs That Ate Detroit.' It starred my Saint Bernard Barney, and it was a killer thriller with oodles of special effects that were cutting edge for the time.
Silence is so important when you're working, You must have periods where you don't hear anything, just to reflect on you've already done. Otherwise you traumatize your relationship with the piece that you're working on.
At nine or ten, I was playing guitar in music class in my elementary school in Jackson, Michigan. They had a guitar class, and I played with ten of my classmates, and we did a little guitar orchestra for a school music.
More than any other instrument, the relationship between an acoustic guitar and a microphone is super-important. The kind of mics that you use and your placement of the mics to the guitar can radically alter your sound.
We had this realisation that we'd sort of travelled from my bedroom to America and all these people are watching us and that was awesome. 11 shows in 5 days I mean if we weren't going out, we were on stage, it was huge.
The openness of rural Nebraska certainly influenced me. That openness, in a way, fosters the imagination. But growing up, Lincoln wasn't a small town. It was a college town. It had record stores and was a liberal place.
I don't quite know what a record is anymore. I don't quite know how to describe it. Don't know how to define it yet, so I'm just letting it gestate, and grow and see if maybe I'll get a better sense of what a record is.
The grown-up world was a very ordered society in the early '60s, and I was coming out of it. America was even more ordered than anywhere else. I found it was a very restrictive society in thought and behavior and dress.
At some point you start seeing the difference between what you really want, and what is your priority order. I feel that today I know what I want. That's the problem with perspective, as well as focus and concentration.
It's interesting. People go to an animal shelter and pick a dog that's been kicked, beaten, and has lost a leg and an eye, and they'll take that dog home and give it love and support, but they don't do that with people.
In my opinion, being an all-rounder is good. It is not right that I should be content with qawwali and ignore other forms, since I am basically trained in classical singing. We should be masters of all forms of singing.