Quotes of All Topics . Occasions . Authors
In our local Baptist church, I sang in the choir and formed a gospel quartet. When our minister caught me messing with his guitar, he taught me three positions - one, four and five. After that, I taught myself to play.
Interviewers have to be work really hard to be good. They¹re more inclined to be bad. Generally, they can go either way, but interviewing on a whole isn¹t such a useful thing. I¹m not a big fan of (interviews), really.
If I'm being forced to do something I don't want to do, my real self comes out. But whether or not I'm aware of it, no matter what happens, I'm always going to have a fake self, and I'm not going to judge my fake self.
We do have American Idiot picked up by HBO and I wrote the record and concept to it. [We have] the writer Rolin Jones and [director] Michael Mayer [who also directed the Broadway production], so we'll see what happens.
I just wanted a song to sing, and there came a point where I couldn't sing anything...nobo dy else was writing what I wanted to sing. I couldn't find it anywhere. If I could I probably would never have started writing.
I have these headphones, which pretty much exclude everything else so that you can really completely control the sound that you're hearing. I don't use them very much, I have to say. I very rarely listen on headphones.
You've always got to remember, rock and roll's never been about giving up. For me, for a lot of kids, it was a totally positive force... not optimistic all the time, but positive. It was never--never--a bout surrender.
I have been on stage on a few occasions where I felt I couldn't escape the interior of my - my interior thoughts. But Peter Wolf once said, what's the strangest thing you can do on stage? Think about what you're doing.
I think in some ways, whether you've ever actually been to Portland, people definitely understand this highly curated niche lifestyle, because a lot of people are sort of striving for that now. Or they're hating on it.
I found in general, I got involved in that station toward the end of my freshmen year, and I just loved how there's this incredible library of music that I'd never heard of from all over the world and different genres.
My favorite record of all time is Tom Petty's 'Wildflowers.' I hold it as the standard - in terms of sonics, sequencing, and songs. It shows that making a complete record is important, rather than just making a single.
Popular thought appeals to crowds, gatherings and tribes, who use it as a way to guide the herd. It is very evident in protests - sometimes the very people doing the protesting have NO IDEA what they are talking about.
I'm certainly not your typical front-man material. Some people love being on stage and really open up, and I'm sort of the opposite of that. I don't crave the spotlight. I'm still not comfortable even talking on stage.
It's not easy to change world views. Faith has its own momentum and belief is comfortable. To restructure reality is traumatic and scary. That is why many intelligent people continue to believe: unbelief is an unknown.
It would be my guess that Madonna is not a very happy woman. From my own experience, having gone through persona changes like that, that kind of clawing need to be the center of attention is not a pleasant place to be.
Facts are simple and facts are straight. Facts are lazy and facts are late. Facts all come with points of view. Facts don't do what I want them to. Facts just twist the truth around. Facts are living turned inside out.
I had ideas about music and sound and listening and time and so on that I wanted to pursue as an individual, and by doing that book, Brian [Eno] opened the door, and he decided to do a record based loosely on the book.
Because I think I am pretty left-brained - more than I gave myself credit for - I think I've managed to really dissect emotions. At least my own. And I've been able to understand what they do, how they do it, and when.
I know that I'm often perceived as this odd guy who's a bit out there, and I've probably, once in a while, reinforced that image, but I'm really not that person, and, in a way, I want even less so to be seen like that.
You can' t help being a musician because you've grown up with music, yet being one means being compared to your dad and being slated for it. But I really don't have the ambitions of most people going into the industry.
You get older and come to the conclusion that it's a great gig making music. Even if you turn into an old gnarly fart, no one cares what you look like if you write good songs - the only gig is to sing well and perform.
From the age of 16 on, I brought my guitar everywhere. I just fell in love with learning the guitar, and I wanted to learn songs and chords, and that led to wanting to start a band, and to wanting to do our first show.
I don't speak anything fluently, but I love picking up languages and I do this Duolingo app. I started when I moved to Sweden, when I was about 19, 20. I really loved the language; it was super melodic and really sexy.
I just like the company of beautiful women. I have a weakness in that department. And I suppose because I am fairly well off and a famous musician, I'm up for grabs. And that makes me an eligible bachelor in the press.
I always seem to feel that everything is about to cave in on me. I think that maybe music is my protection from that and in some senses it's an outlet to turn it into something euphoric: embracing the eventual decline.
Hey, let's get serious... God knows what he's doin' He wrote this book here And the book says: 'He made us all to be just like Him', So... If we're dumb... Then God is dumb... (And maybe even a little ugly on the side)
As a Beatle, my everyday life belonged to the public in one way or another. We were always appearing for the public in the early days, or we were planning for them, producing for them, interviewing for their sake, etc.
I still feel like everybody else, that I'm just growing and learning. Basically, I feel pleased to have discovered this thing that's inside me, that's connected to the same thing that's inside everybody and everything.
That's the real beauty of chanting - you directly connect with God. I have no doubt that by saying Krishna over and over again, He can come and dance on the tongue. The main thing, though, is to keep in touch with God.
People don't care how you feel. You need to paint pictures, you need to tell stories. That's what people want. They want to be entertained. Then all of the other stuff kind of filters across as part of the whole thing.
I've known a lot of people who were punkers who went on to get academic degrees. Very few of them, however, continued their active role in the punk community. Most of them hung up their leather jacket when they did so.
If I'll be sexualized, it wouldn't be because I was wearing sexy clothes, because I look like a baby. But music is an inherently sexual thing. If something sexual is going to be expressed, it's going to be in my music.
Because it's my first language, all the literature that I've read and all the things that I've been inspired by that have been written in Welsh have moved me beyond anything that I've experienced in any other language.
Republicans just can't help themselves. They get in front of a live microphone and within a few sentences are rocketing down the swiftest and most direct route to the all-you-can-eat comedian-and-talk-show-host buffet.
I've never killed anybody... but I've definitely thought about it. But that's how we are. That's what happens when you put people together and put them into societies and cultures and have laws and the idea of justice.
The fact is that I am always thinking of something to build. A new book, radio show, plans for a trip somewhere. I am not a very happy person but I feel pretty even when I am working, so I guess that is how I am wired.
If you ask me, rockabilly has had a raw deal for far too long. People never shunned the blues or jazz the way they do rockabilly. But it's the original punk-rock, and it changed the way people looked at music for ever.
Glee is one of the very few mainstream outlets that is giving a voice to communities of people that don't necessarily have a loud voice, specifically the gay community. It gives a really positive and forward statement.
These people who have everything at their disposal as far as cash and connections, I think they just get so mired in the business side of things that they don't just sit at home and record records. Anybody can do that.
There's nothing classic about what's around now. I am a bit old-school. There are some things that are never out of fashion because they just look good. But if you want classic style these days you have to get it made.
There are a lot of people doing social justice things, which is great. But we can't just say, 'Here's some food. Here's some stuff.' We have to be able to give the gospel, share the hope and have a real heart for that.
I recognize that as a musician there is a certain chauvinism attached to it, which is the thing of, "I spent my time learning how to play. You didn't spend time learning how to play, therefore, you are not a musician."
Sometimes I do a Dylan song and it seems to fit me so right that I figure maybe I wrote it. Dylan didn’t always do it for me as a singer, not in the early days, but then I started listening to the lyrics. That sold me.
There's such a wealth of arts and styles within the guitar... flamenco, jazz, rock, blues... you name it, it's there. In the early days my dream was to fuse all those styles. Now composing has become just as important.
Having the facility to have this multitrack at home, I could try experiments with sort of all of the instruments, giving them different treatments so they didn't actually sound, necessarily, like the instrument itself.
Every day is a good day above ground, and especially being able to play metal and being able to your craft and everything. You've gotta respect that, because it's something that can be taken away from you really quick.
I pretty much just focus on making the records - unless I'm self-releasing them; then I do my own thing. But at some point, you have to stop worrying about chains of distribution, or it takes out of your time to write.
It's like being possessed: like a psychic or a medium. I felt like a hollow temple filled with many spirits, each one passing through me, each inhabiting me for a little time and then leaving to be replaced by another.
I have to let myself be vulnerable in order to have a good marriage. That's something I'm really going to have to work on. A lot of times I'm really guarded because of what I do for a living, what I've done in my life.
I would join a band, learn from that band and be committed and passionate and bring my thing to the band. Then, when I felt like we were going to repeat ourselves, and I needed to learn more, I would go somewhere else.