Some might say that sunshine follows thunderGo and tell it to the man who cannot shineSome might say that we should never ponderOn our thoughts today cos they will sway over timeSome might say they don't believe in heaven Go and tell it to the man who lives in hellSome might say you get what you've been givenIf you don't get yours I won't get mine as well

People say to the mentally ill, ‘You know so many people think the world of you.’ But when they don’t like themselves they don’t notice anything. They don’t care about what people think of them. When you hate yourself, whatever people say it doesn’t make sense. ‘Why do they like me? Why do they care about me?’ Because you don’t care about yourself at all.

I got an amazing 10-CD set, it's the music that Alan Lomax recorded in Haiti in 1936. And what's incredible is how fantastic the drummers are and how off-the-grid they are. The liveliness is astonishing; they're just totally alive, these recordings. It's very interesting, to me, to be reminded of that, that there was a time when things were not that tight.

I would hope that the future would have an international community that's not just bent on commerce, but that's focused on refugees, of all kinds and from all places. We don't know that won't happen in the U.S. someday. It literally could be a crisis from climate change, or anything. I think there needs to be a global focus on people taking care of people.

I am talking about ultimate deceit. I am talking about unparalleled treachery. Bottomless lies. Depths that are seen that are previously unimaginable. Darkness and shattering despair that could break bones. Paranoia and horror that could stop the heart cold. All inflicted on one's self by one's self. The soul turns schizophrenic and goes hopelessly insane.

If you're looking at the array of performers, there's just a lot of people that it's about getting closer to them. That's not really our focus. It's funny, with the kids' stuff, we really sell ourselves as the MC, but it's much more like we're Ed Sullivan than we're like Sting. We're just the presenters. And that's an idea that we're very comfortable with.

I had to really kill off all the religious myths. In the therapy you really feel every painful moment of your life - it's excruciating, you are forced to realise that your pain, the kind that makes you wake up afraid with your heart pounding, is really yours and not the result of somebody up in the sky. It's the result of your parents and your environment.

I've run all the bands I've been in. A great front man needs that other person. It's not enough to have a guy with a cute face standing behind a microphone. I see it like the classic romantic relationships with men and women, where the woman lets the man think he's running it. It's a classic matriarchal trait, and that's always been part of my personality.

if I hadn't gone to a private Christian school, I'd never have built up enough animosity to want to have started a band. And now that I have one, the fact that they are giving me such resistance and publicity, they have made me far bigger than they'd ever have wanted me to have become. So I guess in a strange way the Christians have influenced me the most.

When we're being grateful it means that we're acknowledging that life is a gift, that life is a blessing, that this body is only here for a short period of time and it really shifts the whole internal landscape of the mind and it puts things into perspective and it allows us to get our bearings. To get a firm footing in what's real, and then go from there.

I learned at a very young age that music teaches you about life. When you're in the midst of improvisation, there is no yesterday and no tomorrow — there is just the moment that you are in. In that beautiful moment, you experience your true insignificance to the rest of the universe. It is then, and only then, that you can experience your true significance.

Depending upon their version of Eurocentric Racialism, then 9 times out of 10 I feel very comfortable with it. This is how it's supposed to be. I would like to think the Klu [sic] Klux Klan version isn't included in this. Eurocentrics goes beyond reactionary Christian, political militias. I believe in seizing the end of time, not being a passive part of it.

It's fairly obvious, since Richard Nixon, that there is no such thing as a fair deal for any voter in the United States -- You're just not gonna get it. It's a joke -- the people that you vote for, they're the next best thing to criminals. But of course they have money for advertising campaigns that make them look a little bit better than they actually are.

I notice a lot of people think they can solve their problems with antidepressants. That, I noticed, being like a bigger issue, like, it really strips people of who they are. Like, all your quirks and all your problems, even your depressions and your failures, that's what makes you, you. And there's a lot of drugs out there that will take that away from you.

I can certainly see a band like Nirvana, like when they started having to play to the kind of guys that beat them up in high school - that was probably shocking. But you make music to move people and you don't get to pick who you move. You just don't. It's exclusionary and elitist and I just never felt that way about music, of all things. The great unifier.

I think we're at the end of all the revivals. People would forget about punk for a while, and then a magazine would do a special issue on the 10th anniversary of punk, for example, and bring it back. But now you can find collectors or friends with the same interest through the Internet at any time, so nothing is ever really gone. Everything is always there.

When so many of our dreams had come true and yet I still saw that so many of my friends were in a lot of pain... I saw their pain from a different perspective and realized that I can't just sing my way out of all this suffering. I have to try to understand human nature and myself and the nature of suffering and a lot of these other issues on a deeper level.

It says that alcoholism is a disease, and that it gets passed on from generation to generation. I've told my kids about that: "You've got the crazy gene in you, guys. When it comes time to kick back with the buddies, drink a beer, and watch a football game, just realize that there will be a day when that thing turns on you. So you better keep an eye on it".

Young people can listen to music at any moment in the day or night. Which is great, but I think it kind of devalues it as well. They don't feel the need to own it. They certainly don't feel the need to pay for it. I'd have to save up for weeks to buy an album when I was a kid, and that made it even more great for me when I finally got that thing in my hand.

When I was a kid, the world was such a big place, and I had no idea that I would be afforded these great moments in between doing what I love to do. I'm able to actually choose places to go which have intrigued me for the last god knows how many years, and Tasmania's always been one of those places. I see it all and yet I see so little because it's so fast.

I was blessed. I had a great childhood and great parents that loved music and family. I moved from England when I was almost 18 and been on my own ever since and have been trying to make a living in the music business for the past twelve years. A lot of people say I'm an overnight success, but it's an overnight success that's been twelve years in the making.

We are capable of creating miracles ourselves and the greatest miracle is to create a masterpiece of joy out of your life with no excuses. The thing I focus on is going straight to heart. I go to mine first because if I don't feel it, you're not going to feel it. I take a deep breath and remind myself that before I give it to you I have to give it to myself.

Being a musician, being a person who's playing tours and making records is a part-time thing for me at age. I did it, I lived it and I breathed it every day of my life for 30-odd years and now I am slowing down a little bit. But it does not mean that I am any less intense and dedicated to the work that I am doing now. I have other priorities in life as well.

My standards are higher than they used to be, I think. They don't necessarily have to make sense, but I certainly work on them a lot harder now -- partly because I do them on the computer, and I print them out and fix them, and print them and fix them over and over again, whereas in the early days I used to just scratch down a few things on a piece of paper.

Most fans probably wouldn't understand that because they're not in bands, but when there's too many cooks in the kitchen it can really ruin things, it can destroy a band. So for me and Burt to approach it as just two guys it makes things a lot easier. This may sound selfish but it was less people we had to share our ideas with so there was less interference.

There's no reason to assume that my idea of what's better would really be better. I resent it when other people try to inflict their ideas of betterness on me. I don't think they know. And I can't see any authority on the horizon that's got any answers that seem worthwhile. Most of the things that are suggested are probably detrimental to your mental health.

I don't really stay away from politics but the bullshit just gets to be too much. Any political tweets I take down after an hour or so. They are met with such a wall of stupidity and anger, it is hardly worth it to leave it up. Particularly, if you say anything about Hillary Clinton, the responses are just nuts - "YOU JUST FEAR SMART, STRONG WOMEN, MR. MAN".

The only thing my mum could afford growing up was to be able to look after me and my brother so the only thing that I wanted when I grew up was to be able to look after my mum. So when I could, I bought her a house and then I got her a car as well and I got her a little air freshener to put in her car and on it, it said "life is a journey not a destination."

My friends say I'm a fool to think that you're the one for me, I guess I'm just a sucker for love. (love love) 'Cause honsetly the truth is that you know I'm never leaving, 'cause your my angel sent from above. (bove bove) Me and you can do no wrong. My money is yours give you a lil more 'cause I love ya, love ya. With me girl is where you belong... -Love Me

Me and my friends in high school were the only girls who went to hardcore shows. It was three of us, and the rest of the audience was male. We didn't really think about it. We weren't thinking we were alienated or whatever, but eventually, as there started to be violence in the scene we were in during high school, we started to be turned off by the violence.

Psychedelics are extraordinary tools, when used with psychotherapy, because in one day you can let go of so much, and have insight into so much. Sometimes more than in a year of traditional psychotherapy. I think they should be used in psychotherapy. But I don't know who should be entrusted with the toolbox - priests or psychiatrists? That is the difficulty.

I love creating. I am addicted to the drug of creation and creating things. I get a little depressed when I am struggling to find what I know is locked inside. If it's a lyric or something that is challenging me, I can be very depressed, but when it's like heaven opens up and it gives you a song, it's amazing. There's nothing else that I enjoy more probably.

I feel like today's culture seeks at every turn to place more and more power in the hands of the individual. Bookstores are lined with shelves filled with self-help books. Facebook, Twitter, Instagram, and every other social media outlets turn our focus inwards, allowing us to fall more and more in love with ourselves, our thoughts, our opinions, our voices.

Writing a song is like - you're writing a song all the time. It's just when it pops out. It's been there all the time. It's not something that suddenly you do it. It's always there. Suddenly, it's in the right mixture inside you to come out. Usually when you're writing on the piano or a guitar, you don't write in lyrics, on their own. To me it's very boring.

I would hate to say as a non-African-American person that it would be wrong for a black person to direct white people in a movie. Wouldn't that be awful of me to say that? The only sympathizing thing I might say for people that want to [grumble] is that a filmmaker should have an understanding for the place where the people you're portraying are coming from.

I've seen women essentially martyr themselves for the good of the future and the good of their children and, again, the good of love. That shouldn't be happening but it shows you the strength and power of it, and the fact that it will take over a woman's sense of her own survival. Men have taken advantage of that for hundreds and probably thousands of years.

We, the great American nation, decided that we've got 138 military bases around the world and we've now figured out that we can buy these drones from the Israelis, and we've decided that the way to proceed is to use this new technology to go and kill anybody that we don't like or who disagrees with us or who we might perceive as making an existential threat.

It's the way I make music, I will take two ideas and smash them together and if they sit well together for me then that's fine, and it's the same with the lyrics - if I see a couple of lines and I like the way they look on the page then I'll use them. I find they take on a meaning of their own, it's very difficult to explain how I actually go about all that.

If something gets under my own skin, and keeps reoccurring, it starts to take on a certain weight and value, and I think, "I have to put this in the song. I have no choice but to mention Greek Cypriots in this song." It's a little internal challenge to myself. Like creating little imaginary rituals in yourself to help the song go from nonexisting to existing.

The purpose of music is to elevate the spirit and inspire. Not to help push some product down your throat. It puts you in tune with your own existence. Sometimes you really don't know how you feel, but really good music can define how you feel... someone who's telling me where he's been that I haven't and what it's like there - somebody whose life I can feel.

I was headed for the fantastic lights. No doubt about it. Could it be that I was being deceived? Not likely. I don't think I had enough imagination to be deceived; had no false hope, either. I'd come from a long ways off and had started from a long ways down. But now destiny was about to manifest itself. I felt like it was looking right at me and nobody else.

Just because I said lyrics are a sign of the inability to sing doesn't mean....A) I believe that, or B) I don't think they're cool. They are cool. Words are great. I sing along with my favorite songs, but when I am drumming and singing, the words become a note that for me. In the process of playing they have more emotional impact as notes then an actual word.

You're young and you're always in pursuit your young manhood. You're trying to figure out - what does that mean? What does - you know, there's a lot of pressure on young men to sort that out. And, you know, we tend to gravitate towards one-dimensional iconography as far as what it means to be a fully grown man. And you can get lost in so much of it out there.

Reality, for all intents and purposes, is just life - the real world, pure and uncut, shot straight to the vein of our souls every day we draw breath. Whether it's good or bad, it's still reality; the opposite of illusion, the foe of fantasy, and the anchor that keeps us stuck on this plane. And thank Buddha it does, because some people need it in huge doses.

Certification from one source or another seems to be the most important thing to people all over the world. A piece of paper from a school that says you're smart, a pat on the head from your parents that says you're good or some reinforcement from your peers that makes you think what you're doing is worthwhile. People are just waiting around to get certified.

I'm always scouring the universe for great old instruments from the '50s and early '60s. That's really, for me, the golden age of basses, when they had just been invented within 10 years of that period and they had just started to come into their own, especially the old Fender jazz basses and old Rickenbackers and Gibsons. I'm always on the lookout. It's fun.

I try to listen to a lot of music when I'm in the mixing process of a record, when I'm in post-production and trying to get everything to sound a certain way. During the writing process, I tend not to listen to too much music. I obviously wear a lot of influences on my sleeve, but if I was listening to too many records, I would turn into too much of a monkey.

I believe that God is like a powerhouse, like where you keep electricity, like a power station. And that he's a supreme power, and that he's neither good not bad, left, right, black or white. He just is. And we tap that source of power and make of it what we will. Just as electricity can kill people in a chair, or you can light a room with it. I think God is.

There's love and there's romantic love. The Greeks had different words for different kinds of love. And we just got "love." I don't know what you would call the other kinds - maybe brotherly love, Christian love, the love of Saint Francis, love of everyone and everything. Then there's romantic love, which, by and large, is a pain in the ass, a kind of trauma.

I'm not the creative one. I know that. If Rory Storm hadn't come along... and then The Beatles... I would have continued running around in teddyboy gangs. Today, well... I'd probably be a laborer. I'm glad I'm not, of course. It'll be nice to be part of history... some sort of history anyway. What I'd like to be is in school history books and be read by kids.

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