I think the '80s created me, in a way, when I look back on that time, but I don't necessarily think that a lot of my choices, and a lot of things that I did, and a lot of things that happened to me - or I let happen to me - were about that decade.

I do tend to look at my books in many ways as conceptual fiction, even to the point where I think the author's photograph is part of the package. And I have gone out of my way to select the photograph to connect to the subject matter of each book.

We 'have all we want' is a terrible saying when 'all' does not include God. We find God an interruption. As St. Augustine says somewhere, 'God wants to give us something, but cannot, because our hands are full - there's nowhere for Him to put it.'

Affection would not be affection if it was loudly and frequently expressed; to produce it in public is like getting your household furniture out for a move. It did very well in its place, but it looks shabby or tawdry or grotesque in the sunshine.

Here. All of you. And you, doorkeeper. No one is to be let out of the house today. And anyone I catch talking about this young lady will be first beaten to death and then burned alive and after that be kept on bread and water for six weeks. There.

Some people write heavily, some write lightly. I prefer the light approach because I believe there is a great deal of false reverence about. There is too much solemnity and intensity in dealing with sacred matters; too much speaking in holy tones.

I wonder sometimes what the memory of God looks like. Is it a palace of infinite rooms, a chest of many jeweled objects, a long, lonely landscape where each tree recalls an eon, each pebble the life of a man? Where do I live, in the memory of God?

Love, I've never been anyone's mother; I don't know how to talk to young or old. But don't stop smiling just because I flap my mouth and say something that's not dressed around the edges like a lace tablecloth. Thicken up and we'll get along fine.

My love has placed her little hand With noble faith in mine, And vowed that wedlock's sacred band Our nature shall entwine. My love has sworn, with sealing kiss, With me to live -- to die; I have at last my nameless bliss: As I love -- loved am I!

The most important thing for aspiring writers is for them to give themselves permission to be brave on the page, to write in the presence of fear, to go to those places that you think you can’t write - really that’s exactly what you need to write.

I'm horrified to find, as I look at these diaries of twenty-five years ago or more, that I don't remember who the people were. "Bill and Tony were constantly in and out. We went to La Jolla" - or something. I haven't the bluest idea who they were!

In a way, a lot of my humor comes from presenting things that are dramatic or shocking and then people not having socially appropriate responses, having people denying the drama by failing to react to it, and that's a really classic form of humor.

I was a slow and lazy reader as a kid. 'The Prince and the Pauper' was the only non-school book I would read, over and over, between television, records and radio, until I picked up my aunt's copy of 'In Cold Blood' and she didn't ask for it back.

It took me ten years to write a proper story. I floundered about trying to shape something, counting on the 'feeling' I had as I wrote, only to discover upon rereading my work that the feeling had disappeared, and what remained was an empty shell.

I think it’s just as likely that someone could say that this place, right here, is heaven, hell and earth all at the same time. And we still wouldn’t know what to do differently. Everyone just muddles through, trying not to make too many mistakes.

The fact that I have always been deeply invested in politics, and African politics in particular, inevitably played a role in my first novel and, of course, in my decision to write about a handful of particular conflicts in Africa as a journalist.

You should write, first of all, to please yourself. You shouldn't care a damn about anybody else at all. But writing can't be a way of life; the important part of writing is living. You have to live in such a way that your writing emerges from it.

Strange how when you're young you have no memories...Then one day you wake up and BOOM, memories overpower all else in your life, forever making the present moment seem sad and unable to compete with a glorious past that now has a life of its own.

At least there's nothing scary about him and hopefully he doesn't see anything scary in me. We go way back, to summer camp. We KNOW each other. People I don't know just make me want to say YIKES! I'll take history over mystery any day of the week.

Overhead hung a summer sky furrowed with the rush of rockets; and from the east a late moon, pushing up beyond the lofty bend of the coast, sent across the bay a shaft of brightness which paled to ashes in the red glitter of the illuminated boats.

Never get a reputation for a small perfection if you are trying for fame in a loftier area. The world can only judge by generals, and it sees that those who pay considerable attention to minutiae seldom have their minds occupied with great things.

To whom, then, must I dedicate my wonderful, surprising and interesting adventures? to whom dare I reveal my private opinion of my nearest relations? the secret thoughts of my dearest friends? my own hopes, fears, reflections and dislikes? Nobody!

There's no nation under the sun can beat the English for ill-politeness: for my part, I hate the very sight of them; and so I shall only just visit a person of quality or two of my particular acquaintance, and then I shall go back again to France.

Beggars, especially noble beggars, should never show themselves in the street; they should ask for alms through the newspapers. It's still possible to love one's neighbor abstractly, and even occasionally from a distance, but hardly ever up close.

He would wake for no reason in the middle of the night, and the memory of the self-absorbed love was revealed to him for what it was: a pitfall of happiness that he despised and desired at the same time, but from which it was impossible to escape.

There is no compensation for the woman who feels that the chief relation of her life has been no more than a mistake. She has lost her crown. The deepest secret of human blessedness has half whispered itself to her, and then forever passed her by.

There are writers, and I know some of them, who are very disciplined. Who write, like, four pages a day, every day. And it doesn't matter if their dog got run over by a car that day, or they won the Irish sweepstakes. I'm not one of those writers.

I will not listen to your verse on an empty stomach!" declared the Vicomte. "You have no soul," said Philippe sadly. "But I have a stomach, and it cries aloud for sustenance." "I weep for you," said Philip. "Why do I waste my poetic gems upon you?

Your fate is writ clear;you will be murdered. I cannot conceive how it comes about that you were not murdered long since! How odd!Charles himself once said that to me, or something like it! There is nothing odd in it; any sensible man must say it!

I cannot consider fighting in competitive Manly Fun any more than I can consider pitting my running, swimming or climbing body against other bodies. Nothing, then, or now, arouses me or will ever arouse me from a perfect disinterest in ball games.

Kindness is not without its rocks ahead. People are apt to put it down to an easy temper and seldom recognize it as the secret striving of a generous nature; whilst, on the other hand, the ill-natured get credit for all the evil they refrain from.

Vampires smiled for many reasons, but when a vampire male smiled at you from this distance with that kind of look in his eyes it was done for one purpose only: to impress. Look at my big teeth. I’m an apex predator. My genetic material is awesome.

Look, he isn’t even concerned.” I poured the tea. “He’s concerned, Mother. He just doesn’t panic, because he’s in charge and if he panics, everybody else will panic.” “I can jog around the room pretending to scream if you would like,” Jim offered.

...you expect me to fall on my back with my legs spread." "Not necessarily. ... You can fall on your hands and knees if you prefer. Or against the wall. Or on the kitchen counter. I suppose I might let you be on top, if you make it worth my while.

Science is the ultimate pornography, analytic activity whose main aim is to isolate objects or events from their contexts in time and space. This obsession with the specific activity of quantified functions is what science shares with pornography.

I loathe people who say, 'I always read the ending of the book first.' That really irritates me, It's like someone coming to dinner, just opening the fridge and eating pudding, while you're standing there still working on the starter. It's not on.

In becoming a citizen, one undertakes certain duties and responsibilities. One of the more intangible of those duties and responsibilities is no matter what one's birth and background, to accept the historical past of the new country as one's own.

Boys and girls in America have such a sad time together; sophistication demands that they submit to sex immediately without proper preliminary talk. Not courting talk - real straight talk about souls, for life is holy and every moment is precious.

Women's eyes are rapid in detecting a heart which is ill at ease with itself, and, knowing the value of sympathy, and finding their own greatest happiness not in receiving it, but in giving it, with them to be unhappy is at once to be interesting.

It is time to end the western policy of malign neglect. It is in the interest of the whole world to help tackle the actual grievances in Palestine, Kashmir, and in central and southern Iraq, and to help the region out of its economic backwardness.

When Gordon the Brown, in London in 1997, commissioned a great inquisition or survey of his new realm, the result was the so-called national asset register, which was immediately dubbed by the boomers of the UK Treasury 'the modern Domesday Book.'

There never could be a man so brave that he would not sometime, or in the end, turn part or all coward; or so wise that he was not, from beginning to end, part ass if you knew where to look; or so good that nothing at all about him was despicable.

Though people may read more into Ulysses than I ever intended, who is to say that they are wrong: do any of us know what we are creating?Which of us can control our scribblings? They are the script of one's personality like your voice or your walk

The world is telling you through The New York Times and The New York Review of Books "You must shut up. You must never appear again. Because you are not relevant to us." So you have to fight their attempt to destroy you, fight to continue feeling.

Knowledge, may it be said, is higher than magic and is more to be sought. It is quite possible to see what is happening and yet not know what is forward, for while seeing is believing, it does not follow that either seeing or believing is knowing.

One of the things that Ivar knew about Mrs. Walker was that she would only tell him what she knew if he asked the right question, so he spent a portion of his time meditating over what he might ask Mrs. Walker and how he might phrase the question.

My brother died when he was 19, so a part of me indulges and thinks that some part of him that made him uniquely him is out there, on another plane. So inventing the fictional afterlife in 'Sing, Unburied, Sing' was a way of making that wish real.

It's because you aren't thinking very clearly tonight." "I know. Being Drunk is weird." "Oh my god. I love you so much. Especially when you say stuff like that." "Like what?" "Nothing. Never mind. Although I'm dying to know why your shoe is green.

I will tell you what war is. War is a psychosis caused by an inability to see relationships. Our relationship with our fellowmen. Our relationship with our economic and historical situation. And above all our relationship to nothingness, to death.

As much as I revere great writing, and am still humbled by it, literary activities are no longer esoteric to me. When I read a great novel - something that I could never have written myself - I'm still looking at it a little bit like a technician.

Share This Page