The gaslight of the film [The Girl On The Train] became something that really needed to be dramatized more than the book did, because it wasn't going to read as strongly on screen.

Do I think it's great that we have a celebrity system where some people matter and some people don't? No. But do I think we'll always create icons and legends? Yeah, I probably do.

A healthy nation is as unconscious of its nationality as a healthy man of his bones. But if you break a person's nationality it will think of nothing else but getting it set again.

George Washington and Abraham Lincoln were gay, just for starters. They didn't have a name for it, but their primary affections and intellectual attractions were all for other men.

[T]here is only one large circle that we march in, around and around, each of us with our own little picture -- in front of us -- our own little mirage that we think is the future.

I have always paid income tax. I object only when it reaches a stage when I am threatened with having nothing left for my old age - which is due to start next Tuesday or Wednesday.

I was constantly being sought after for money. And the vitriol that came my way from many who felt threatened by controversial aspects of 'for colored girls' was often frightening.

I think all of the decisions I make about my life and writing are the preparation - what I choose to write about and the immersive nature of the lifestyle I choose for playwriting.

Is it possible that the environmental severity of the 1930s induced-particularly in the most aware, alert, and compassionate of [British] men-a morality which makes no sense today?

The business of the poet is not to find new emotions, but to use the ordinary ones and, in working them up into poetry, to express feelings which are not in actual emotions at all.

When a Cat adopts you, and I am not superstitious at all I don't mean only Black cats there is nothing to be done about it except to put up with it and wait until the wind changes.

The hint half guessed, the gift half understood, is incarnation. Here the impossible union of spheres of existence is actual. Here the past and future are conquered and reconciled.

Some things are not forgiveable. Deliberate cruelty is not forgiveable. It is the most unforgiveable thing in my opinion, and the one thing in which I have never, ever been guilty.

All your life you live so close to truth, it becomes a permanent blur in the corner of your eye, and when something nudges it into outline it is like being ambushed by a grotesque.

The truth is, we value your company, for want of any other. We have been left so much to our own devices—after a while one welcomes the uncertainty of being left to other people's.

Chekhov directors and Chekhov actors love working on his plays because there seems to be no end to what you can find out about the micro-narrative when you're investigating a text.

When you write, it's making a certain kind of music in your head. There's a rhythm to it, a pulse, and on the whole, I'm writing to that drum rather than the psychological process.

An article on playwrights in the Daily Mail , listed according to Hard Left, Soft Left, Hard Right, Soft Right and Centre. I am not listed. I should probably come under Soft Centre.

Art comes out of art; it begins with imitation, often in the form of parody, and it's in the process of imitating the voice of others that one comes to learn the sound of one's own.

So long as we have failed to eliminate any of the causes of human despair, we do not have the right to try to eliminate those means by which man tries to cleanse himself of despair.

I think now that the great thing is not so much the formulation of an answer for myself, for the theater, or the play-but rather the most accurate possible statement of the problem.

Without white South Africa realizing what it had done - and on the basis of that realization having the courage to ask for forgiveness - there can really be no significant movement.

I do not care about my own appearance, but I would hope that people could see into my soul, and that is presented better in these photographs than in others. (On his self-portraits)

I look back upon my Liberal political beliefs with a sort of wonder - as another exercise in self-involvement - rewarding myself for some superiority I could not logically describe.

I don't think it's the job of theatre at the moment to provide political propaganda; that would be simplistic. We have to explore our situation further before we will understand it.

we do not believe until we want a thing and feel that we shall die if 'tis not granted to us, and then we kneel and kneel and believe, because we must have someone to ask help from.

Most of my recent plays were written in the railway train between Hatfield and Kings Cross. I write anywhere, on the top of omnibuses or wherever I may be; it is all the same to me.

Now of all the idealist abominations that make society pestiferous I doubt if there be any so mean as that of forcing self-sacrifice on a woman under the pretense that she likes it.

The one point on which all women are in furious secret rebellion against the existing law is the saddling of the right to a child with the obligation to become the servant of a man.

The real Brahms is nothing more than a sentimental voluptuary. rather tiresomely addicted to dressing himself up as Handel or Beethoven and making a prolonged and intolerable noise.

I ... must continue to strive for more knowledge and more power, though the new knowledge always contradicts the old and the new power is the destruction of the fools who misuse it.

You don't expect me to know what to say about a play when I don't know who the author is, do you? . . . If it's by a good author, it's a good play, naturally. That stands to reason.

I let it ring. I wanted to breathe for a few minutes, and I could think of nothing that couldn't wait. Besides, I had paid almost $50 for an answering machine. Let it earn its keep.

The trouble with education is that we always read everything when we're too young to know what it means. And the trouble with life is that we're always too busy to re-read it later.

I do not intend to let myself down more than I can possibly help, and I find that the fewer illusions I have about myself or the world around me, the better company I am for myself.

The Olympic Charter says winter sports must be played on snow or ice, so the Chess Federation says they'll play with ice pieces. The Olympic charter also says sports must be sports.

The conquistadors and their followers were very rough people, and they were fixated on gold and silver. They were oblivious to the astonishing achievements of the Inca civilisation.

The United States owes a great debt to its inventors. Far from being grateful to them, it places every obstruction in their way and makes it enormously difficult to secure a patent.

The naming of cats is a difficult matter. It isn't just one of your holiday games. You may think at first I'm mad as a hatter. When I tell you a cat must have three different names.

And I will show you something different from either Your shadow at morning striding behind you Or your shadow at evening rising to meet you I will show you fear in a handful of dust

It's harder to confess the sin that no one believes in Than the crime that everyone can appreciate. For the crime is in relation to the law And the sin is in relation to the sinner.

If you're trying to write something that you don't understand and embrace at the very core of you, it's not going to turn out with quite the authenticity and passion it should have.

We have this powerful ideological basis to the country that I don't think any other country in the world quite can brag about. It's a very complicated nation, and it's very fertile.

One of the things I love about my job as a playwright or as a screenwriter is that I get to do a lot of research and a lot of thinking and taking a lot of notes before I turn it in.

I'm just a Chicago actor who's a playwright. Even with the success of 'August,' the people in town who come to our theater know me by sight, because they've seen me onstage so much.

What I'm above all primarily concerned with is the substance of life, the pith of reality. If I had to sum up my work, I suppose that's it really: I'm taking the pith out of reality.

A lot of my work goes to the center of where we belong--if there is any root to life -because nowadays the family is broken up, and people don't live in the same place for very long.

For you in the West to hear the phrase 'All men are created equal' is to draw a yawn. For us, it's a miracle. We're starting out at rock bottom, man. But South Africa does have soul.

My life had been defined by the apartheid years. Now we were going into an era of democracy... and I believed that I didn't really have a function as a useful artist in that anymore.

Why is it so painful to watch a person sink? Because there is something unnatural in it, for nature demands personal progress, evolution, and every backward step means wasted energy.

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