Utility is the great idol of the age, to which all powers must do service and all talents swear allegiance. In this great balance of utility, the spiritual service of art has no weight, and, deprived of all encouragement, it vanishes from the noisy Vanity Fair of our time.

The old man, especially if he is in society in the privacy of his thoughts, though he may protest the opposite, never stops believing that, through some singular exception of the universal rule, he can in some unknown and inexplicable way still make an impression on women.

Patience; accomplish thy labor; accomplish thy work of affection! Sorrow and silence are strong, and patient endurance is godlike. Therefore accomplish thy labor of love, till the heart is made godlike, Purified, strengthened, perfected, and rendered more worthy of heaven.

When thou are not pleased, beloved, Then my heart is sad and darkened, As the shining river darkens When the clouds drop shadows on it! When thou smilest, my beloved, Then my troubled heart is brightened, As in sunshine gleam the ripples That the cold wind makes in rivers.

More hearts are breaking in this world of ours Than one would say. In distant villages And solitudes remote, where winds have wafted The barbed seeds of love, or birds of passage Scattered them in their flight, do they take root, And grow in silence, and in silence perish.

Who then is free? The wise who can command his passions, who fears not want, nor death, nor chains, firmly resisting his appetites and despising the honors of the world, who relies wholly on himself, whose angular points of character have all been rounded off and polished.

I think Ginsberg has done more harm to the craft that I honor and live by than anybody else by reducing it to a kind of mean that enables the most dubious practitioners to claim they are poets because they think, If the kind of thing Ginsberg does is poetry, I can do that.

Over our manhood bend the skies; Against our fallen and traitor lives The great winds utter prophecies; With our faint hearts the mountain strives, Its arms outstretched, the druid wood Waits with its benedicite And to our age’s drowsy blood Still shouts the inspiring sea.

The ash her purple drops forgivingly And sadly, breaking not the general hush; The maple swamps glow like a sunset sea, Each leaf a ripple with its separate flush; All round the wood's edge creeps the skirting blaze, Ere the rain falls, the cautious farmer burns his brush.

We are all conceived in close prison; in our mothers wombs, we are close prisoners all; when we are born, we are born but to the liberty of the house; prisoners still, though within larger walls; and then all our life is but a going out to the place of execution, to death.

I'm not sure about prizes. I don't know how far you can seriously raise public consciousness about poetry. Having a 'National Poetry Day,' like a 'No Smoking Day,' is just shelving the problem. Things which should by rights be every day are not best served by these things.

I scarcely remember counting upon happiness—I look not for it if it be not in the present hour—nothing startles me beyond the moment. The setting sun will always set me to rights, or if a sparrow come before my Window I take part in its existence and pick about the gravel.

When language in common use in any country becomes irregular and depraved, it is followed by their ruin and degradation. For what do terms used without skill or meaning, which are at once corrupt and misapplied, denote but a people listless, supine, and ripe for servitude?

And storied windows richly dight, Casting a dim religious light. There let the pealing organ blow, To the full-voiced choir below, In service high, and anthems clear As may, with sweetness, through mine ear Dissolve me into ecstasies, And bring all heaven before mine eyes.

I have tried very hard to find meaning in what I do, but I have found instead a vast and limitless nothingness. I tried to embrace the nothingness, but it slipped through my grasp, and now there is nothing where the nothingness was. This may sound meaningful, but it isn't.

Harvey , Galileo , Copernicus do not seem occult to us, but they did so to their contemporaries, hierophants of the mysteries of Natural Law, revealers of the secrets of a New Order of the Ages. After all, the movement eventually came to be called the Age of Enlightenment.

The boundary between expert and amateur was an imposed social-cultural "protection" which actually exposed a number of women to a fatal disease, because decaying matter, as the fireman said of fire (cited in the book's final piece, "Torch Song") "ain't got no rules on it."

But it's silly to suggest the writing of poetry is something ethereal, a sort of soul-crashing, devastating emotional experience that wrings you. I have no fancy ideas about poetry. ... It doesn't come to you on the wings of a dove. It's something you have to work hard at.

If you feel that there's the author and then the character, then the book is not working. People have a habit of identifying the author with the narrator, and you can't, obviously, be all of the narrators in all of your books, or else you'd be a very strange person indeed.

Calm soul of all things! make it mine To feel, amid the city's jar, That there abides a peace of thine, Man did not make, and cannot mar! The will to neither strive nor cry, The power to feel what others give! Calm, calm me more! nor let me die Before I have begun to live.

In poetry I can let the language go, allow an image that seems out of place to enter and see what happens, always listening to the music that's being created, just like the world around us, never predictable, always shifting and intertwining, reflecting and echoing itself.

I have known exile and a wild passion Of longing changing to a cold ache. King, beggar and fool , I have been all by turns, Knowing the body's sweetness, the mind 's treason ; Taliesin still, I show you a new world , risen, Stubborn with beauty , out of the heart 's need .

No experience has been too unimportant, and the smallest event unfolds like a fate, and fate itself is like a wonderful, wide fabric in which every thread is guided by an infinitely tender hand and laid alongside another thread and is held and supported by a hundred others

It is true that the poet does not directly address his neighbors; but he does address a great congress of persons who dwell at the back of his mind, a congress of all those who have taught him and whom he has admired; they constitute his ideal audience and his better self.

If you were making poetry out of convictions - trying to convince other people - you were in the territory of rhetoric, and that wasn't the territory of poetry. I think that's pretty smart. I think that it doesn't need to be altogether true, but that was my starting place.

...from the time of Kepler to that of Newton, and from Newton to Hartley, not only all things in external nature, but the subtlest mysteries of life and organization, and even of the intellect and moral being, were conjured within the magic circle of mathematical formulae.

The annals of the French Revolution prove that the knowledge of the few cannot counteract the ignorance of the many.... The light of philosophy, when it is confined to a small minority, points out the possessors as the victims rather than the illuminators of the multitude.

My favourite Friday treat is to drive out of the centre of Cambridge, where we live, and go for a swim at the health club I've just joined out in the countryside at Quy. It's a lovely pool, inside a converted barn. Usually it's just me and a couple of other swimmers there.

I felt proud that the baby's first real adventure should be as a protest against the insanity of world annihilation. Already a certain percentage of unborn children are doomed by fallout, and no one knows the cumulative effects of what is already poisoning the air and sea.

...imagine what you are writing about. See it and live it. Do not think it up laboriously, as if you were working out mental arithmetic. Just look at it, touch it, smell it, listen to it, turn yourself into it. When you do this, the words look after themselves, like magic.

"I should hope so," Laigle replied, "for my coat and I live comfortably together. It has assumed all my wrinkles, does not hurt me anywhere, has moulded itself on my deformities, and is complacent to all my movements, and 1 only feel its presence because it keeps me warm."

Organic growth is a cyclical process; it is just as true to say that the oak is a potential acorn as it is to say the acorn is a potential oak. But the process of writing a poem, of making any art object, is not cyclical but a motion in one direction toward a definite end.

The nightingale has a lyre of gold, The lark's is a clarion call, And the blackbird plays but a boxwood flute, But I love him best of all. For his song is all the joy of life, And we in the mad spring weather, We two have listened till he sang Our hearts and lips together.

I'll give my jewels for a set of beads, My gorgeous palace for a hermitage, My gay apparel for an almsman's gown, My figured goblets for a dish of wood, My scepter for a palmer's walking staff My subjects for a pair of carved saints and my large kingdom for a little grave.

In designing a house and gardens, it is happy when there is an opportunity of maintaining a subordination of parts; the house so luckily place as to exhibit a view of the whole design. I have sometimes thought that there was room for it to resemble a epic or dramatic poem.

Like an army defeated The snow hath retreated, And now doth fare ill On the top of the bare hill; The Ploughboy is whooping — anon — anon! There's joy in the mountains: There's life in the fountains; Small clouds are sailing, Blue sky prevailing; The rain is over and gone.

Love It, is to increase by forgetting. It's escape through a single being to mediocrity of all other. It's one more for trying to be less. It's become like everyone else in the belief that we become as a person. It is giving appointment to happiness in the palace of chance.

The 1990s were also when a bunch of the soft-shoe language for race, gender, and class became paramount. Because before that I wasn't thinking about systems or food insecurity or whatever. I was just thinking about not getting picked on for being black and not being hungry.

One attacks those who possess things that one does not possess. The attack is all the more savage because the one who attacks is destitute and the one who is attacked is well provided. The one who attacks always considers himself to be in the position of legitimate offense.

Our plenteous streams a various race supply, The bright-eyed perch with fins of Tyrian dye, The silver eel, in shining volumes roll'd, The yellow carp, in scales bedropp'd with gold, Swift trouts, diversified with crimson stains, And pikes, the tyrants of the wat'ry plains.

The time shall come, when, free as seas or wind, Unbounded Thames shall flow for all mankind, Whole nations enter with each swelling tide, And seas but join the regions they divide; Earth's distant ends our glory shall behold, And the new world launch forth to seek the old.

Order is Heaven's first law; and this confessed, some are, and must be, greater than the rest, more rich, more wise; but who infers from hence that such are happier, shocks all common sense. Condition, circumstance, is not the thing; bliss is the same in subject or in king.

The woods are hush'd, their music is no more; The leaf is dead, the yearning past away; New leaf, new life--the days of frost are o'er; New life, new love, to suit the newer day: New loves are sweet as those that went before: Free love--free field--we love but while we may.

It's very much related to the American tycoon. To William Randolph Hearst, Vanderbilt, Rockefeller, that whole stratum of American acquisitive evil. Monopolistic, acquisitive evil. Ugly evil. The ugly American. The ugly American at his ugly worst. That's exactly what it is.

Without the Utopians of other times, men would still live in caves, miserable and naked. It was Utopians who traced the lines of the first City.....Out of generous dreams come beneficial realities. Utopia is the principle of all progress, and the essay into a better future.

We are all instruments pulling the bows across our own lungs. Windmills, still startling in every storm. Have you ever seen a newborn blinking at the light? I wanna do that every day. I wanna know what the kite called itself when it got away, when it escaped into the night.

What wondrous life is this I lead! Ripe apples drop about my head; The luscious clusters of the vine Upon my mouth do crush their wine; The nectarine and curious peach Into my hands themselves do reach; Stumbling on melons, as I pass, Ensnared with flowers, I fall on grass.

There was my other big misconception. That if I got sober and went to a meeting they'd make me believe in God. Not true. They ask you to believe in a higher power. You need a higher power, but it doesn't have to be a super-natural entity. You have all this power inside you.

...all these kids you can't seem to make sense of would stop holding you so far off the edge of your seats if you'd start holding yourselves to the promises you make. We know you're not perfect, because we're not. And I know I'm not perfect, but I believe I was meant to be.

Our religion is itself profoundly sad - a religion of universal anguish, and one which, because of its very catholicity, grants full liberty to the individual and asks no better than to be celebrated in each man's own language - so long as he knows anguish and is a painter.

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