I think having a term for a condition that is prevalent is useful, because then people understand it as something not particular to them. It allows you not to ask the question, "What's wrong with me?" and begin to ask the question, "What's wrong with this place that I'm in?"

It is daffodil time, so the robins all cry, For the sun's a big daffodil up in the sky, And when down the midnight the owl call to-whoo! Why, then the round moon is a daffodil too; Now sheer to the bough-tops the sap starts to climb, So, merry my masters, it's daffodil time.

Deep in the sun-searched growths the dragon-fly Hangs like a blue thread loosened from the sky: So this winged hour is dropt to us from above. Oh! clasp we to our hearts, for deathless dower, This close-companioned inarticulate hour When twofold silence was the song of love.

Put down the weight of your aloneness and ease into the conversation. Pay attention to everything in the world as if it's alive. Realize everything has its own discrete existence outside your story. By doing this, you open to gifts and lessons that the world has to give you.

Horace, when he wrote the Ars Poetica, recommended that poets keep their poems home for ten years; don't let them go, don't publish them until you have kept them around for ten years: by that time, they ought to stop moving on you; by that time, you ought to have them right.

A certain construct of emotions that really define who you are and who you will become and I feel very much that my childhood is very alive inside of me, very close to me, very much part of me. And it's a sometimes painful, sometimes joyous inexhaustible resource for poetry.

The open street, like the open sea, is an inviting thing to the mind of man. It is one of the few places where all may meet as equals under sun or rain; but only a John Bunyan could adequately portray the danger of the cities with their pitfalls for the young unguarded feet.

There is a quality of murky grandeur we give ourselves in having our own feelings, recoiling, separate from other things... To feel that we can care for ourselves without seeing our feelings as objects, and liking them as objects, is to be wrong about our care for ourselves.

Boredom is the most sublime of all human emotions because it expresses the fact that the human spirit, in a certain sense, is greater than the entire universe. Boredom is an expression of a profound despair at not finding anything that can satisfy the soul's boundless needs.

I am a black man dedicated to expression; expression of the joy and pride of blackness. I consider myself neither poet, composer, or musician. These are merely tools used by sensitive men to carve out a piece of beauty or truth that they hope may lead to peace and salvation.

I've always had questions about what it meant to be a protester, to be in the minority. Are the people who are trying to find peace, who are trying to have the Constitution apply to everybody, are they really the radicals? We're not protesting from the outside. We're inside.

Over the past 30 years, hand grenades, tanks, fighter jets, missiles, helicopters and assault rifles have replaced traditional floral patterns in rug making and other textiles. Depicting these realities of war has helped the Afghan people to survive during times of conflict.

There in seclusion and remote from men The wizard hand lies cold, Which at its topmost speed let fall the pen, And left the tale half told. Ah! who shall lift that wand of magic power, And the lost clew regain? The unfinished window in Aladdin's tower Unfinished must remain!

If what matters in a person's existence is to accept the inevitable consciously, to taste the good and bad to the full and to make for oneself a more individual, unaccidental and inward destiny alongside one's external fate, then my life has been neither empty nor worthless.

Virtue knowing no base repulse, shines with untarnished honour; nor does she assume or resign her emblems of honour by the will of some popular breeze. [Lat., Virtus repulse nescia sordidae, Intaminatis fulget honoribus; Nec sumit aut ponit secures Arbitrio popularis aurae.]

In the past I have declined to comment on my own work: because, it seems to me, a poem is what it is; because a poem is itself a definition, and to try to redefine it is to be apt to falsify it; and because the author is the person least able to consider his work objectively

But always and sometimes questioning the old modes And the new wondering, the poem, growing up through the floor, Standing tall in tubers, invading and smashing the ritual Parlor, demands to be met on its own terms now, Now that the preliminary negotiations are at last over.

The sum of things there is no power can change, For naught exists outside, to which can flee Out of the world matter of any kind, Nor forth from which a fresh supply can spring, Break in upon the founded world, and change Whole nature of things, and turn their motions about.

The mind wraps itself around a poem. It is almost sensual, particularly if you work on a computer. You can turn the poem round and about and upside down, dancing with it a kind of bolero of two snakes twisting and coiling, until the poem has found its right and proper shape.

Whether you find it through mediation or sighing over tea or just turning all your devices off for five minutes, listening is an ancient lifeline by which we are awakened time and again. Once reawakened, we more easily find our way to each other, and so help each other live.

There's a space at the bottom of an exhale, a little hitch between taking in and letting out that's a perfect zero you can go into. There's a rest point between the heart muscle's close and open - an instant of keenest living when you're momentarily dead. You can rest there.

My idea of art is, you write something that makes people feel so strongly that they get some conviction about who they want to be or what they want to do. It's morally useful not in a political way, but it makes your heart bigger; it's emotionally and spiritually empowering.

Whatever your eye falls on. For it will fall on what you love - will lead you to the questions of your life, the questions that are incumbent upon you to answer, because that is how the mind works in concert with the eye. The things of this world draw us where we need to go.

I am realizing once and for all the difference as far as I am concerned of women and men and the necessity for both. With a man, however tender he is, one is feeding him - one is always and eternally understanding, mothering, supplying him with faith in himself (not in you).

It is dangerous it seems to me for a civilization when there is a complete abyss betewen people in general and the artists. Or is it always so? The poets who are most ardently on the people's side write in such a way that the people cannot see rhyme nor reason to their work.

The creative person, the person who moves from an irrational source of power, has to face the fact that this power antagonizes. Under all the superficial praise of the creative is the desire to kill. It is the old war between the mystic and the nonmystic, a war to the death.

I take a real interest in the possibilities of teaching - including the practice of bringing creative writing, and serious reading, into the classroom. I am persuaded that since language is alive, much of the challenge has already been met by the poets and novelists we read.

American poetry has been part of a culture in conflict....We are a people tending toward democracy at the level of hope; at another level, the economy of the nation, the empire of business within the republic, both include in their basic premise the idea of perpetual warfare

A work survives its readers; after a hundred or two hundred years, it is read by new readers who impose on it new modes of reading and interpretation. The work survives because of these interpretations, which are, in fact, resurrections: without them, there would be no work.

First tweet, best tweet, I always think. I try not to work them too much or else they get Pie Dough Disease, which is where the dough has been to too much college and doesn't understand that it is dough anymore and refuses to be shaped. Pie Dough Disease! Poems get that too.

You may wear your virtues as a crown, As you walk through life serenely, And grace your simple rustic gown With a beauty more than queenly. Though only one for you shall care, One only speak your praises; And you never wear in your shining hair, A richer flower than daisies.

An honest man here lies at rest, the friend of man the friend of truth the friend of age and guide of youth. Few hearts like his with virtue warmed, few heads with knowledge so informed. If there's another world, he lives in bliss. If there is none, he made the best of this.

Process as process is neither morally good nor morally bad. We may judge results but not process. The morally bad agent may perform the deed which is good. The morally good agent may perform the deed which is bad. Maybe a man has to sell his soul to get the power to do good.

When table utensils were invented in the 1100s, the Catholic Church condemned them as obscene and heretical, claiming, 'God gave us fingers with which to eat.' And we're supposed to get politically discouraged? Oh please. We're being opposed by people who denounced the fork.

We Americans forget or rewrite even our recent history, and accomplishments of any group not pale and male have tended to get downplayed or erased - one reason why Gloria Steinem, Jane Fonda and I founded the Women's Media Center: to make women visible and powerful in media.

As for me, I would rather be a worm in a wild apple than a son of man. But we are what we are, and we might remember not to hate any person, for all are vicious; And not to be astonished at any evil, all are deserved; And not to fear death; it is the only way to be cleansed.

Do you understand how amazing it is to hear that from an adult? Do you know how amazing it is to hear that from anybody? It's one of the simplest sentences in the world, just four words, but they're the four hugest words in the world when they're put together. You can do it.

I end up feeling like a spy in the house of ethnicity, you know? Because people will talk around me as they would talk around the people in their cultural group. So I get to hear all the secrets and jokes and you know, I'm a part of every community because of the way I look.

I knew chemistry would be worse, because I'd seen a big card of the ninety-odd elements hung up in the chemistry lab, and all the perfectly good words like gold and silver and cobalt and aluminum were shortened to ugly abbreviations with different decimal numbers after them.

Somebody comes to my house and admires what I've done, sometimes I just give it to them. Because I don't want to get it all tied up in all that professional stuff because I have to do that as a writer. I don't need that. I need something like painting, where I can just play.

What I love most about nature is how indifferent it is to us humans and human suffering. While we are here with our little or big tragedies - the wind is blowing, the leaves are rustling in the trees, the flowers bloom, and die - there's a great comfort in that indifference.

To sum up all, let it be known that science and religion are two identical words. The learned do not suspect this, no more do the religious. These two words express the two sides of the same fact, which is the infinite. Religion-Science, this is the future of the human mind.

Nothing discernible to the eye of the spirit is more brilliant or obscure than man; nothing is more formidable, complex, mysterious, and infinite. There is a prospect greater than the sea, and it is the sky; there is a prospect greater than the sky, and it is the human soul.

Love partakes of the soul itself. it is of the same nature. like it, it is a divine spark, like it, it is incorruptible, indivisible, imperishable, it is the point of fire which is within us, which is immortal and infinite, which nothing can limit and nothing can extinguish.

Rumor goes forth at once, Rumor than whom No other speedier evil thing exists; She thrives by rapid movement, and acquires Strength as she goes; small at the first from fear, She presently uplifts herself aloft, And stalks upon the ground and hides her head Among the clouds.

It is never the thing but the version of the thing: The fragrance of the woman not her self, Her self in her manner not the solid block, The day in its color not perpending time, Time in its weather, our most sovereign lord, The weather in words and words in sounds of sound.

I have observed dreams and visions very carefully, and am now certain that the imagination has some way of lighting on the truth that the reason has not, and that its commandments, delivered when the body is still and the reason silent, are the most binding we can ever know.

I would that we were, my beloved, white birds on the foam of the sea! We tire of the flame of the meteor, before it can fadeand flee; And the flame of the blue star of twilight, hung low on the rim of the sky, Has awaked in our hearts, my beloved, a sadness that may not die.

The linden, in the fervors of July, Hums with a louder concert. When the wind Sweeps the broad forest in its summer prime, As when some master-hand exulting sweeps The keys of some great organ, ye give forth The music of the woodland depths, a hymn Of gladness and of thanks.

He's of the colour of the nutmeg. And of the heat of the ginger.... he is pure air and fire; and the dull elements of earth and water never appear in him, but only in patient stillness while his rider mounts him; he is indeed a horse, and all other jades you may call beasts.

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