Set we forward; let A Roman and a British ensign wave Friendly together. So through Lud's town march, And in the temple of the great Jupiter Our peace we'll ratify, seal it with feasts. Set on there! Never was a war did cease, Ere bloody hands were washed, with such a peace.

All furnished, all in arms; All plum'd like estridges that with the wind Bated like eagles having lately bathed; Glittering in golden coats like images; As full of spirit as the month of May And gorgeous as the sun at midsummer; Wanton as youthful goats, wild as young bulls.

However, I think a plain space near the eye gives it a kind of liberty it loves; and then the picture, whether you choose the grand or beautiful, should be held up at its proper distance. Variety is the principal ingredient in beauty; and simplicity is essential to grandeur.

Black musicians were imitating speech cadences, and Kerouac was imitating the black musicians' breath cadences on their horns and brought it back to speech. It always was speech rhythms or cadences as far as the ear that Kerouac was developing. All passed through black music.

Love isn't always magic. But if I offered my body to the magician, if I told him to cut me in half so after that I could come to you whole and ask for you back would you listen for this dark alley love song? For the winter we heated our home from the steam off our own bodies?

Growing up in the fifties, having to wear a dog tag, having to take shelter in a bomb shelter. That turned me toward the road, I did not want to live in fear of that, I was gong to work somehow against what that vision was, and what that horror was. It was poetry, art, music.

I think the parable is a peculiar way of saying that redemption is immanent whether or not it's imminent, that the world to come is in a sense always already here, if still unavailable. I find this idea powerful for several reasons. For one thing, it's an antidote to despair.

Shy gold begins to peep through the sombre green - the wattle's wedding dress - and Spring is near. Then suddenly it seems, one golden morning, the Bush awakes, a living thing. Flowers bloom, birds sing, and all the world puts on its gayest dress to greet the laughing Spring.

Some years ago, not long after I moved to Los Angeles from New York, I attended a television industry party. When a man asked my profession, I told him that I was a writer. He sipped his drink. "Half-hour or hour?" he inquired. There was a long silence. "Lifelong," I replied.

In the domain of painting and statuary, the present-day credo of the worldly wise, especially in France, is this: ... I believe that art is, and can only be, the exact reproduction of nature... An avenging God has heard the prayers of this multitude; Daguerre was his messiah.

Never bring a lot of money to where a poor man lives. He can only lose what little he has. On the other hand it is mathematically possible that he might win whatever you bring with you. What you must do, with money and the poor, is never let them get too close to one another.

When you're really caught up in writing a poem, it can be a form of prayer. I'm not very good at praying, but what I experience when I'm writing a poem is close to prayer. I feel it in different degrees and not with every poem. But in certain ways writing is a form of prayer.

The more populous the world and the more intricate its structure, the greater must be its fundamental insecurity. A world-structure too elaborately scientific, if once disrupted by war, revolution, natural cataclysm or epidemic, might collapse into a chaos not easily rebuilt.

In thy apparel avoid singularity, profuseness, and gaudiness. Be not too early in the fashion, nor too late. Decency is half way between affectation and neglect. The body is the shell of the soul, apparel is the husk of that shell; the husk often tells you what the kernel is.

The heart is like an instrument whose strings Steal nobler music from Life's many frets: The golden threads are spun thro' Suffering's fire, Wherewith the marriage-robes for heaven are woven: And all the rarest hues of human life Take radiance, and are rainbow'd out in tears.

Through words we come to know the other person--and to be known. This knowing is at the heart of our deepest longings for intimacy and connection with others. How relationships unfold with the most important people in our lives depends on courage and clarity in finding voice.

The foods that prolong life and increase purity, vigour, health, cheerfulness, and happiness are those that are delicious, soothing, substantial and agreeable... Foods that are bitter, sour, salt, over-hot, pungent, dry and burning produce unhappiness, repentance and disease.

Faith is the acknowledgment of the entire absence of all goodness in us, and the recognition of the cross as the substitute for all the want on our part. Faith saves, because it owns the complete salvation of another, and not because it contributes anything to that salvation.

In the past I have declined to comment on my own work: because, it seems to me, a poem is what it is; because a poem is itself a definition, and to try to redefine it is to be apt to falsify it; and because the author is the person least able to consider his work objectively.

The trick, though, is to not lose compassion, to not allow the sense of absurdity to outweigh the awareness of real beings, with real feelings. Mean-spirited humor turns the world into cardboard, the way Midas's simple-minded greed turned food into inedible and useless stuff.

Somewhere someone is traveling furiously toward you, At incredible speed, traveling day and night, Through blizzards and desert heat, across torrents, through narrow passes. But will he know where to find you, Recognize you when he sees you, Give you the thing he has for you?

Haste thee, Nymph, and bring with thee Jest, and youthful Jollity, Quips, and Cranks, and wanton Wiles, Nods, and Becks, and wreathed Smiles, Such as hang on Hebe's cheek, And love to live in dimple sleek; Sport that wrinkled Care derides, And Laughter holding both his sides.

We feel unsatisfied until we know ourselves akin even with that greatness which made the spots on which it rested hallowed; and until, by our own lives, and by converse with the thoughts they have bequeathed us, we feel that union and relationship of the spirit which we seek.

Young women need to know that abortion rights and abortion access are not presents bestowed or retracted by powerful men (or women) - Presidents, Supreme Court justices, legislators, lobbyists - but freedoms won, as freedom always is, by people struggling on their own behalf.

What second love could she [Olympias] make out of her ruined first love? The second love that most women make out of their first love for husbands grows from a mutual and tacit sadness in both husband and wife that he is only in rare moments the man both would like him to be.

An exquisite invention this, Worthy of Love's most honeyed kiss,-- This art of writing billet-doux-- In buds, and odors, and bright hues! In saying all one feels and thinks In clever daffodils and pinks; In puns of tulips; and in phrases, Charming for their truth, of daisies.

...how much needless despair has been caused by a series of biological mismatches, a misalignment of the hormones and pheromones? Resulting in the fact that the one you love so passionately won't or can't love you. As a species we're pathetic that way: imperfectly monogamous.

Some days I do appreciate things more, eggs, flowers, but then I decide I'm only having an attack of sentimentality, my brain going pastel Technicolor, like a beautiful-sunset greeting cards they used to make so many of in California. High-gloss hearts. The danger is grayout.

Teaching other people to write is not something I can do. The only kind of advice I can give them will be trite by its nature. Of course, read a lot, write a lot. The kind of advice I wish I had been given is all of a practical nature, having to do with publishers and agents.

Whatever difficulty you face, there are time-tried ways you can listen your way through. Because listening is the doorway to everything that matters. It enlivens the heart the way breathing enlivens the lungs. We listen to awaken our heart. We do this to stay vital and alive.

God's Wisdom and God's Goodness!--Ah, but fools Mis-define thee, till God knows them no more. Wisdom and goodness they are God!--what schools Have yet so much as heard this simpler lore. This no Saint preaches, and this no Church rules: 'Tis in the desert, now and heretofore.

Good poetry does undoubtedly tend to form the soul and character; it tends to beget a love of beauty and of truth in alliance together, it suggests, however indirectly, high and noble principles of action, and it inspires the emotion so helpful in making principles operative.

Indeed there can be no more useful help for discovering what poetry belongs to the class of the truly excellent, and can therefore do us most good, than to have always in one's mind lines and expressions of the great masters, and to apply them as a touchstone to other poetry.

My greatest sense of accomplishment has come from having two amazing sons, but it's also a paradox in that the times when I felt like the biggest failure have been times when I felt like, as a parent, I wasn't making the right decisions or succeeding in the way that I should.

There is nothing sacred or untouchable except the freedom to think. Without criticism, that is to say, without rigor and experimentation, there is no science, without criticism there is no art or literature. I would also say that without criticism there is no healthy society.

No other sentiment draws people to Jerusalem than the desire to see and touch the places where Christ was physically present, and to be able to say from their very own experience: 'We have gone into his tabernacle, and have worshipped in the places where his feet have stood.'

Just as language has no longer anything in common with the thing it names, so the movements of most of the people who live in cities have lost their connection with the earth; they hang, as it were, in the air, hover in all directions, and find no place where they can settle.

originality" is everyone's aim, and novel techniques are as much prized as new scientific discoveries. [T.S.] Eliot states it with surprising naïveté: "It is exactly as wasteful for a poet to do what has been done already as for a biologist to rediscover Mendel's discoveries.

God help the teacher, if a man of sensibility and genius, when a booby father presents him with his booby son, and insists on lighting up the rays of science in a fellow's head whose skull is impervious and inaccessible by any other way than a positive fracture with a cudgel.

Reading is a gymnasium for the imagination where people can work out, get ready for the shocks of existence. [...] For me, the intimate teachers have not only taught me how to make things, they have represented some qualities of mind and mindfulness that I would like to have.

We have no adequate conception of the perfection of the ancient tragic dance. The pleasure which the greeks received from it had for its basis difference; & the more unfit the vehicle, the more lively was the curiosity & intense the delights at seeing the difficulty overcome.

Poets writing in English have long learned to mourn from classical precedents. They have drawn on a tradition of pastoral elegies, which incorporate the dead into the cycles of nature, that runs from Theocritus' Idylls to John Milton's 'Lycidas' and Percy Shelley's 'Adonais.'

That’s one of the reasons I never wanted to get married. The last thing I wanted was infinite security and to be the place an arrow shoots off from. I wanted change and excitement and to shoot off in all directions myself, like the colored arrows from a Fourth of July rocket.

It took the whole of Creation To produce my foot, my each feather: Now I hold Creation in my foot. Or fly up, and revolve it all slowly - I kill where I please because it is all mine. There is no sophistry in my body: My manners are tearing off heads - The allotment of death.

A mere index hunter, who held the eel of science by the tail. Index-hunter is a term used mockingly, meaning one who acquires superficial knowledge merely by consulting indexes. The '[holding] the eel of science by the tail' allusion was used in 1728 by Alexander Pope (q.v.).

I sing of arms and of a man: his fate had made him fugitive: he was the first to journey from the coasts of Troy as far as Italy and the Lavinian shores Across the lands and waters he was battered beneath the violence of the high ones for the savage Juno's unforgetting anger.

The sandy cat by the Farmer's chair Mews at his knee for dainty fare; Old Rover in his moss-greened house Mumbles a bone, and barks at a mouse. In the dewy fields the cattle lie Chewing the cud 'neath a fading sky; Dobbin at manger pulls his hay: Gone is another summer's day.

The trees are Indian Princes, But soon they'll turn to Ghosts; The scanty pears and apples Hang russet on the bough; Its Autumn, Autumn, Autumn late, 'Twill soon be Winter now. Robin, Robin Redbreast, O Robin dear! And what will this poor Robin do? For pinching days are near.

Is man no more than this? Consider him well. Thou ow'st the worm no silk, the beast no hide, the sheep no wool, the cat no perfume. Here's three on's are sophisticated. Thou art the thing itself; unaccommodated man is no more than such a poor, bare, forked animal as thou art.

Men of quality never appear more amiable than when their dress is plain. Their birth, rank, title and its appendages are at best indivious and as they do not need the assistance of dress, so, by their disclaiming the advantage of it, they make their superiority sit more easy.

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