Quotes of All Topics . Occasions . Authors
Ambition is frequently the only refuge which life has left to the denied or mortified affections. We chide at the grasping eye, the daring wing, the soul that seems to thirst for sovereignty only, and know not that the flight of this ambitious bird has been from a bosom or home that is filled with ashes.
To be in love- where scorn is bought with groans, Coy looks with heart-sore sighs, one fading moment's mirth With twenty watchful, weary, tedious nights; If haply won, perhaps a hapless gain; If lost, why then a grievous labour won; However, but a folly bought with wit, Or else a wit by folly vanquished.
Stay, my lord, And let your reason with your choler question What 'tis you go about: to climb steep hills Requires slow pace at first: anger is like A full-hot horse, who being allow'd his way, Self-mettle tires him. Not a man in England Can advise me like you: be to yourself As you would to your friend.
But there is no such man; for, brother, men Can counsel and speak comfort to that grief Which they themselves not feel; but, tasting it, Their counsel turns to passion, which before Would give preceptial medicine to rage, Fetter strong madness in a silken thread, Charm ache with air and agony with words.
It is a beauteous evening, calm and free, The holy time is quiet as a nun Breathless with adoration; the broad sun Is sinking down in its tranquillity; The gentleness of heaven broods o'er the sea: Listen! the mighty being is awake, And doth with his eternal motion make A sound like thundereverlastingly.
Wan February with weeping cheer, Whose cold hand guides the youngling year Down misty roads of mire and rime, Before thy pale and fitful face The shrill wind shifts the clouds apace Through skies the morning scarce may climb. Thine eyes are thick with heavy tears, But lit with hopes that light the year's.
When they made love Geryon liked to touch in slow succession each of the bones of Herakles' back as it arched away from him into who knows what dark dream of its own, running both hands all the way down from the base of the neck to the end of the spine which he can cause to shiver like a root in the rain.
One human life is deeper than the ocean. Strange fishes and sea-monsters and mighty plants live in the rock-bed of our spirits. The whole of human history is an undiscovered continent deep in our souls. There are dolphins, plants that dream, magic birds inside us. The sky is inside us. The earth is in us.
Becoming a father made me a lot more sentimental than I ever was before. I never cried at movies before I became a parent. I feel music more intensely. I think of my political ideas as ideas about how I want to interact with other human beings as opposed to abstract theories about how the world should be.
I began writing poems when I was about eight, with a heavy assist from my mother. She read me Arthur Waley's translations and Whitman and Robinson Jeffers, who have been lifelong influences on me. My father read Keats to me, and then he read more Keats while I was lying on the sofa struggling with asthma.
To travel like a bird, lightly to view | Deserts where stone gods founder in the sand, | Ocean embraced in a white sleep with land; | To escape time, always to start anew... | Hooded by a dark sense of destination... | Travelers, we're fabric of the road we go; We settle, but like feathers on time's flow.
Some say that sudden knowledge of mystical matters is accomplished only in complete quietude, or that Creator, in one of God's many forms, appears only in orderly ways that are beauteous and picturesque, or that the mystical appears only in completely silent ways. All are true. Except for the 'only' part.
There are certain functions that a writer has to do. In a time of crisis, it is great to have heroic poems, as it was in the Irish Revolution. It's great to have great songs, because people need something to sing when they are marching. That's OK, but it should be on the side. It's not the ultimate thing.
The flavors of the peach and the apricot are not lost from generation to generation, neither are they transmitted by book learning. The mystic tradition, any mystic tradition, is of a similar nature, that is, it is dependent on direct perception, a 'knowledge' as permanent as the faculty for receiving it.
When the clouds shake their hyssops, and the rain Like holy water falls upon the plain, 'Tis sweet to gaze upon the springing grain And see your harvest born. And sweet the little breeze of melody The blackbord puffs upon the budding tree, While the wild poppy lights upon the lea And blazes 'mid the corn.
The higher the trail the steeper it grows Ten thousand tiers of dangerous cliffs The stone bridge is slippery with green moss Cloud after cloud keeps flying by Waterfalls hang like ribbons of silk The moon shines down on the bright pool I climb the highest peak once more To wait where the lone crane flies
And in despair I bowed my head; "There is no peace on earth," I said; "For hate is strong, And mocks the song Of peace on earth, good-will to men!" Then pealed the bells more loud and deep: "God is not dead, nor doth he sleep! The Wrong shall fail, the Right prevail, With peace on earth, good-will to men!
For it is the fate of a woman Long to be patient and silent, to wait like a ghost that is speechless, Till some questioning voice dissolves the spell of its silence. Hence is the inner life of so many suffering women Sunless and silent and deep, like subterranean rivers Runnng through caverns of darkness.
For a while I shall still be leaving, looking back at you as you slip away into the magic islands of the mind. But for a while now all are alive, believing that in a single poignant hour we did say all that we could ever say in a great flowing out of radiant power. It was like seeing and then going blind.
A university is a reading and discussion club. If students knew how to use the library, they wouldn't need the rest of the buildings. The faculty's job, in great part, is to teach students how to use a library in a living way. All a student should really need is access to the library and a place to sleep.
Then might ye see Cowls, hoods, and habits with their wearers tost And flutter'd into rags; then reliques, beads, Indulgences, dispenses, pardons, bulls, The sport of winds; all these upwhirl'd aloft Fly to the rearward of the world far off Into a limbo large and broad, since called The paradise of fools.
The following are the universally fundamental laws of literary communication: 1. one must have something to communicate; 2. one must have someone to whom to communicate it; 3. one must really communicate it, not merely express it for oneself alone. Otherwise it would be more to the point to remain silent.
This has been her problem all her life: picturing other people's responses. She's too good at it. She can picture the response of anyone--other people's reactions, their emotions, their criticisms, their demands--but somehow they don't reciprocate. Maybe they can't. Maybe they lack the gift, if it is one.
There are indeed all sorts of men/ who visit here: those who want/ nothing but to talk or hear the soft tones/ of a woman's voice; others prefer/ simply to gaze upon me, my face/ turned from them as they touch/ only themselves. And then there are those,/ of course, whose desires I cannot commit/ to paper.
Mont Blanc yet gleams on high: the power is there, The still and solemn power of many sights And many sounds, and much of life and death. In the long glare of day, the snows descend Upon that Mountain; none beholds them there, Nor when the flakes burn in the sinking sun, Or the sunbeams dart through them.
Poetry of all the forms of literature I think is the most suited for the digital age and for the shorter attention spans and all of that. It Twitters very easily, some lyric poems and it's very easy to zip a poem to someone, so that's one of the things I think is wonderful about poetry in the digital age.
Anyone can tell you that how you're raised as a child has a great deal to do with how you behave as an adult and whether you have complexes or whether you need to prove yourself or all that kind of stuff and yet the mother in a traditional family who has raised a child never makes it in the history books.
I want that love that moved the mountains. I want that love that split the ocean. I want that love that made the winds tremble. I want that love that roared like thunder. I want that love that will raise the dead. I want that love that lifts us to ecstasy. I want that love that is the silence of eternity.
The intelligible forms of ancient poets, The fair humanities of old religion, The power, the beauty, and the majesty That had their haunts in dale or piny mountain, Or forest by slow stream, or pebbly spring, Or chasms and watery depths, all these have vanished; They live no longer in the faith of reason.
Once in the dream of a night I stood Lone in the light of a magical wood, Soul-deep in visions that poppy-like sprang; And spirits of Truth were the birds that sang, And spirits of Love were the stars that glowed, And spirits of Peace were the streams that flowed In that magical wood in the land of sleep.
One sister for sale, One sister for sale, One crying and spying young sister for sale I'm really not kidding so who'll start the bidding Do I hear a dollar? A nickle? A penny? Oh isnt there isnt there isnt there any One person who will buy this sister for sale This crying spying old young sister for sale.
When your fear touches someone's pain it becomes pity; when your love touches someone's pain, it becomes compassion. To train in compassion, then, is to know all beings are the same and suffer in similar ways, to honor all those who suffer, and to know you are neither separate from nor superior to anyone.
Letting the last breath come. Letting the last breath go. Dissolving, dissolving into vast space, the light body released from its heavier form. A sense of connectedness with all that is, all sense of separation dissolved in the vastness of being. Each breath melting into space as though it were the last.
I gazed upon the glorious sky And the green mountains round, And thought that when I came to lie At rest within the ground, 'Twere pleasant, that in flowery June When brooks send up a cheerful tune, And groves a joyous sound, The sexton's hand, my grave to make, The rich, green mountain-turf should break.
Full many a lady I have eyed with best regard, and many a time Th' harmony of their tongues hath into bondage Brought my too diligent ear; for several virtues Have I liked several women; never any With so full soul but some defect in her Did quarrel with the noblest grace she owed, And put it to the foil.
I thought of Chatterton, the marvellous boy, The sleepless soul that perished in his pride; Of him who walked in glory and in joy, Following his plough, along the mountain-side. By our own spirits we are deified; We Poets in our youth begin in gladness, But thereof come in the end despondency and madness.
Earth fills her lap with pleasures of her own; Yearnings she hath in her own natural kind, And, even with something of a mother's mind, And no unworthy aim, The homely nurse doth all she can To make her foster child, her inmate man, Forget the glories he hath known And that imperial palace whence he came.
In spite of difference of soil and climate, of language and manners, of laws and customs-in spite of things silently gone out of mind, and things violently destroyed, the Poet binds together by passion and knowledge the vast empire of human society, as it is spread over the whole earth, and over all time.
Uneasily the leaves fall at this season, forgetting what to do or where to go; the red amnesiacs of autumn drifting thru the graveyard forest. What they have forgotten they have forgotten: what they meant to do instead of fall is not in earth or time recoverable the fossils of intention, the shapes of rot.
Fortunately we have learnt to combine these ideas, not in the mutual toleration of sub-contraries, but in the affirmation of contraries, that transcending of the laws of intellect which is madness in the ordinary man, genius in the Overman who hath arrived to strike off more fetters from our understanding.
But, who is Death? A figure that harrows and wastes wherever and however it pleases. This is also a possible description of the Countess Bathory. Never did anyone wish so hard not to grow old; I mean, to die. That is why, perhaps, she acted and played the role of Death. Because, how can Death possibly die?
For winter's rains and ruins are over, And all the season of snows and sins; The days dividing lover and lover, The light that loses, the night that wins; And time remembered isgrief forgotten, And frosts are slain and flowers begotten, And in green underwood and cover Blossom by blossom the spring begins.
I've always thought that the balance between the side of my mind that knows what it is doing and the side that really hasn't got a clue has to be carefully maintained because if you write too knowingly then you get chilly, and if you write too unknowingly you write bollocks that nobody else can understand.
I don't want to write poems that are just really clear about how I'm aware of all the traps involved in writing poetry; I don't want to write fiction that's about the irresponsibility of writing fiction and I've thrown out a lot of writing that I think was ultimately tainted by that kind of self-awareness.
Poems, to me, do not come from ideas, they come from a series of images that you tuck away in the back of your brain. Little photographic snapshots. Then you get the major vision of the poem, which is like a giant magnet to which all these disparate little impressions fly and adhere, and there is the poem!
There is nothing that teaches you more than regrouping after failure and moving on. Yet most people are stricken with fear. They fear failure so much that they fail. They are too conditioned, too used to being told what to do. It begins with the family, runs through school and goes into the business world.
When I was young I was depressed all the time. But suicide no longer seemed a possibility in my life. At my age there was very little left to kill. It was good to be old, no matter what they said. It was reasonable that a man had to be at least 50 years old before he could write with anything like clarity.
why don't we go back out there and tell them what happened? because nothing happened except that everybody has been driven insane and stupid by life. in this society there are only two things that count: don't be caught without money and don't get caught high on any kind of high. (Night Streets of Madness)
We are invested in being together. In having friends. In joining our lives. And yet these are the people who also fail you. And when they fail you in these ways, it signals a larger understanding about who you are as a black person in the world. It's not just a little failure for me. Its something exposed.
Put down the weight of your aloneness and ease into the conversation. The kettle is singing even as it pours you a drink, the cooking pots have left their arrogant aloofness and seen the good in you at last. All the birds and creatures of the world are unutterably themselves. Everything is waiting for you.