I'm not crazy about country-western music. But the lyrics are good. "I'd rather have a bottle in front of me than a frontal lobotomy" is pretty clever.

'Eve's Daughter' - that's like, 'Make way, women are cool.' I feel like it's my responsibility to try and do at least a little bit for my own daughter.

I feel a part of the congregation. I've never had to do special music. The kids sing in the choir. It's just normal. We're treated like everybody else.

I think that's what makes a great show: when the performers onstage aren't putting on a show, they're legitimately just having a freaking awesome time.

It's really fun to have the spotlight and feel ready for it. Not in a conceited way. But just like, 'Man, I think I'm going to give you what you need.'

I would like to see the gay population get on board with feminism. It's a beautiful organisation and they've done so much. It seems to me a no-brainer.

The collective love for music and poetry and just the brotherhood of sound. And it's still kind of flowing through me and I attribute that to the team.

The world is full of bands and bullshit, and if I'm doing a stupid art project like rock 'n' roll then I want to spare my audience as much as possible.

I love San Francisco more than any other city outside of Seattle, but I've seen it go from a vibrant, creative community to a playground for tech bros.

Music is the last true voice of the human spirit. It can go beyond language, beyond age, and beyond color straight to the mind and heart of all people.

I'm more afraid of falling than I am of flying high. I'm not as scared of dying as I am of growing old. Every battle has its glory and its consequence.

I don’t show my body for a good cause... if one day in a concert I pull down my pants, I would leave without job to those reporters who say I’m a woman

We really want to be successful in America, we really want to try it. There are not so many German bands who get the chance to come to America to play.

The most important thing for anyone, I think, is to be engaged, whether you're an artist or a journalist is to be engaged in the process at some level.

The idea that musicians should be talking about politics is, in some ways, quite a sixties' idea. Music no longer has a vanguard role in youth culture.

I think religion is a mistake - I'm exhausted by its self-righteousness. I think atheists should start screaming for attention like religious folks do.

It's incredible to see labor unions and environmentalists getting together to stop the corporate mentality that destroys both jobs and the environment.

I like... piecing things together because it gives you a product that you would never have come up with just sitting down and writing on a blank slate.

For me able to do the records I want to do and not have to worry about this producer or that producer or that trend, I'm not really interested in that.

Lead me to the cross Where Your love poured out Bring me to my knees Lord I lay me down Rid me of myself I belong to You Lead me, lead me to the cross.

Getting revenge on a guy is just not worth it to me. I mean, it definitely sucks at the time, but obviously you're not supposed to be with that person.

When I'm on stage, I feel like a performer, for sure. I know people are looking at me and taking pictures and singing along, and that part's wonderful.

I've never really been anywhere, and now I get to go everywhere. I just have to make sure there's enough memory on my computer to hold all my pictures.

I can't say I want to earn a particular award or sell a certain number of records, because even if I do that, the satisfaction only lasts five minutes.

My favorite video of all time is 'Say You'll Be There' by the Spice Girls. That's the best styling ever. If I could dress like that every day, I would.

I would hope to think my fans are full of attitude, are a bit vicious, and always fight for what they want. That's exactly what I'm going to give them.

I think everyone in their life goes through challenges, whether it's love or money, kids or illness... You have to really not run away from that stuff.

And all along I believed I would find you. Time has brought your heart to me. I have loved you for a thousand years. I'll love you for a thousand more.

I use Revlon waterproof mascara. And then I love a smokey eye when I perform because I think it's important to make your eyes pop when you're on stage.

And the sad act like lepers They stick to the shadows They long to ring bells of warning To tell of their coming So that the pure can shut their doors.

The best feeling I ever get is when I finish a song, and it exists, and it didn't exist before, and now it's there, and it makes me feel a certain way.

Be yourself. If you're not yourself, who are you? But take advice; listen to people. If you're not listening, you're lost. You're a sheep among wolves.

I don't understand some of the music I hear on MTV or the radio, because they don't mention the times we live in. They have nothing to do with nothing.

Where every moment is about truth and I think it's a great challenge every night. That's what really drove me to wanting to do theatre, and it's great.

I've had the most amazing interviews, and I've done interviews that were so bad, I was embarrassed to be interviewed. I've seen both sides of the coin.

To me, there's nothing worse than going to a concert and you're so looking forward to hearing your favorite song and they never play it. You're gutted.

I always ask God to work through me and let me be a light of some kind and help in this world, so I always pray for that, and I always want to do good.

I've always been slightly afraid of coming out with my record because it's so personal to me. Now it doesn't feel as frightening as I thought it would.

But really important, perhaps most important is the craft; how you make your record, the creation of these sonic worlds you want your listener to hear.

But that is a valid, continuing service that that music - which is, in some cases, 80 or 90 years old - is rendering. And proving its own timelessness.

As a writer, I try to do different things, but I'm not going to become a darker artist or turn into Radiohead overnight. I don't think that's my style.

I grew up at my grandmother's house and she had a beautiful garden. I used to hate mowing the lawn and weeding, which is what you do when you're a kid.

My paternal grandmother gave me the courage to investigate things and not take things at face value or judge people by what I first imagine them to be.

I don't know why, it's just what I feel inside, the thoughts that I sing about. It's just my truth. Sometimes my emotions can be mistaken for messages.

Don't forget the prices are so high in theater; it isn't really where a young person can go on a date and buy two tickets and take someone out anymore.

Luke James has this mystique about him that's not something you can explain; you can only experience it. He's got a whole D'Angelo feel to him as well.

My mother always told me, even if a song has been done a thousand times, you can still bring something of your own to it. I'd like to think I did that.

I really turned into, you know, the real street kid. I was kind of like a runaway, but I had a mother, you know what I mean, and I had a place to stay.

If I don't feel it when I'm sitting there, if it doesn't give me the feeling I got when I heard 'Pony' or 'So Anxious' or 'In Those Jeans,' I scrap it.

But when you get to a song, not only do you have to do a vocal melody, you have to write words and not be redundant and make some semblance of a story.

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