I write songs like "The Sweetest Love." Of course I'm a little cheesy. Love is cheesy. Love is corny. But it's also the greatest feeling in the whole world.

I'm really into architecture, I'm a member of the Brutalist Appreciation Society; I'm a member of the Postmodern Society. I write letters to save buildings.

There is nothing wrong with loving the crap out of everything. Negative people find their walls. So never apologize for your enthusiasm. Never. Ever. Never.

I've worked with some great orchestras and amazing classical musicians, but I don't like the conceptualization of classical music as an elitist form of art.

I think the world is becoming a place where younger and younger people can do great things, and I just hope I can inspire other young people to do the same.

I don't read much, I don't have the time. But I'm not at all happy about that; I want to read more. It's a promise I made to myself. I think it's important.

Honestly, I don't recommend anyone get into music. If you have something else that you're good at, do that instead. This is a really tough world to live in.

My true friends, and my son, see me with kind eyes. I feel it. So that's the freedom my children have given me. To be naked in the world with an open heart.

Anything that I'm naturally curious about, I get really into. Maybe it's O.C.D. I get really consumed by something until I absorb it, then I'm done with it.

One of my insecurities was my looks. I was short, cute and chubby, and Dad used to call me his 'little fat sausage.' But I always knew I had musical talent.

I was inspired by Billie Holliday, and I really liked Mary Weiss of the Shangri-Las because she wore tight trousers and a waistcoat on top - she looked hot.

One of the things that I think is such a constant in country music is that the song is so much a story. I believe it is supposed to be based around a story.

I've tried singing like somebody else, and it never worked for me. The only thing that has ever worked for me was me being me, so either you love it or not.

I think, as far as branching out with acting, it would take something really right on the mark to distract me from music, because music is everything to me.

Be good to people. Be good to every single person you come into contact with. My best friends are great musicians. But more than that, they're great people.

I think you have to ask questions that are scary to ask, and you cannot apologize for that, and you cannot worry what anyone else thinks about your journey.

I met my wife in Washington, D.C. I was a senior in college. WW II was about to descend upon us. Jobs were starting to open up after a prolonged depression.

I'm afraid I talk a lot, too much, perhaps. I should have been a lawyer or a college professor or a windy politician, though I'm glad I am not any of these.

I always prided myself on at least trying to be literate and use the right words, and if the audience didn't get it, then they could go home and look it up.

When you say you're doing an opera, it's like when you're a seven-year-old and say, 'I'm off to Washington, Dad.' You kind of go, 'Sure. Sure you are, son.'

Spotify - I met those guys before they launched in America and was wildly excited about the idea. 'Wow, this is all the music in the world, for a flat fee.'

You have to take your hat off to the homosexual and gay community cause right now they're as strong as black people USE to be when it comes to their rights.

The unique essence of being an artist is dying. Eveything looks the same. Now there’s a formula. And it works. - But it takes away from the reason we do it.

Did you ever hear about the rock and roll singer who got 3 or 4 Cadillacs, saying power to the people, dance to the music, wants you to pat him on the back.

But I love the hot sweat. I think overheating onstage is invigorating. It's better than being comfortable. I think being comfortable is the death of a show.

Women are interesting, but that isn't the problem, it is that I like being alone, and I'm also touring so much that it's hard to get a relationship to work.

I had just lost my dad and I remembered all the songs we used to go and hear at concerts, and the records around the house and sometimes we'd play together.

don't let us get sick, don't let us get old, don't let us get stupid, alright? just make us be brave, and make us play nice, and let us be together tonight.

It took me 10 years to realize that I don't know 'em, 10 years to realize that it's possible to learn them, then another 10 years to learn how to do things.

Besides that, I felt guilty. I thought for some reason... I was alive, and Buddy and those boys were dead, and I didn't know how, but somehow I'd caused it.

I don't usually read reviews. I usually read the interviews, just because I figure it's a good way to try to do them better if I ever have to do them again.

Music is generally important to blind people, and most of the blind people that I have come into contact, through my parents, music is very special to them.

I listen to my records and I think, 'Wow, these are really great appetizers. I haven't even considered what I'm going to order for the full entree meal yet.'

Popular music usually has a chorus that needs to repeat, and people need to remember the song. That's sort of the major guideline when you're writing a song.

I actually got into music because of art and because of skateboarding: All those graphics and punk bands and fanzines - they were glued together in my brain.

One of the things I wanted to do with 'The Turn' was write a production of songs that could be stripped down to one or two instruments if you chose to do it.

My whole life had been bands that were men-centric - and that's a great thing, I know a lot about how to handle myself - but I think I was missing something.

To me, it's all about the song. Songs are what make me excited. You hear a great song and you want to record it or get a great idea and you want to write it.

We know that listening to Black Veil Brides, wearing Black Veil Bride shirts, or being in Black Veil Brides isn't always the most popular thing in the world.

Any pianist and singer/songwriter would say "Carnegie Hall." It's such a legendary place. I'd love to play at Carnegie Hall. That's definitely dream of mine.

Doing an album is like having a business card; to show people what you do. The most important thing to me is the stage. I do albums because I love the stage.

Why do we need to wait until somebody sells 10 million records to give people a show like that? What about us smaller, hungry folk? At least gimme a curtain!

I just see a lot of people who are really terrified of the "f-word." A lot of women these days, a lot of young women don't want to call themselves feminists.

When you're that successful, things have a momentum, and at a certain point you can't really tell whether you have created the momentum or it's creating you.

You know, the music business is like the Lotto. Just put your numbers down and sometimes they hit, and sometimes they don't. There's just no rhyme or reason.

I think the best cure is to stop doing the thing that you think you should be doing and go and have a bit of fun in another medium, maybe other crazy things.

My grandfather learned to swim in the Navy by getting thrown off a boat into the ocean. He had to learn fast. And I think I learn pretty well under pressure.

When I first started writing, a friend said I should be careful because I'm letting people know how to reach right in and play with my workings. And they do!

The [film] business is run by men, and they're basically interested in their own species, and they're not so interested in women belonging to the human race.

By the time I was 19, punk had occurred. It had a completely different cultural dynamic to it which rejected everything and started again from the year zero.

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