I've always been loud and obnoxious and sneaking my way into things, and so I feel like I've snuck my way onto the Lollapalooza lineup, and I'm going to sneak my way into whatever else I get to do.

A lot of what's been written about me is not true: of my family history or my choices or my interests. Actually, I've never read anything written about me that was true. It's been completely crazy.

I'm making music for other people to listen to for pleasure. And hopefully, later on maybe they'll listen to it and go, "That bass line, boy, did you hear the way those drums interacted with that?"

And I think that's a singer's job. You know, to really interpret a lyric. There's an art to it, and I think some people are really great at it, like Tammy Wynette and George Jones and Tony Bennett.

I went to Paris in 1989 when the Americans didn't quite know what to do with me at first. Now, all those years later, it's kind of the same story. Not the same scenario, but kind of the same story.

I knew that because of who I am, and the situation I'm in, that I'd attract more critics than your average person, and that was a little intimidating, but I wanted to get out there and pay my dues.

The songs, if I write alone in a room, end up being a little more quiet, a little more subdued. If I play with other musicians or percussive instruments, it might end up being a little more upbeat.

I'm just the instrument for the song to do whatever it's supposed to do-heal, inspire or encourage. It's not all about me, it's about the song. I'm just the lucky girl who gets to sing these songs.

I'm a humanist. I'm an observer. I have a very scientific mind. I believe metaphysics and science absolutely blended are more the truth for me. It doesn't work just believing in what somebody says.

And I remember going to the record studio and there was a park across the street and I'd see all the children playing and I would cry because it would make me sad that I would have to work instead.

If you're inclined to dismiss L.A. as a place of unrelenting vapidity and generic 1980s architecture, then you're doing yourself and L.A. a huge disservice, and you're just not looking hard enough.

It's sometimes too easy to point fingers when circumstances dramatically go awry, but as an addict, I'm ultimately responsible for my own decisions, no matter how benign or tragic the consequences.

My dad went to jail for a long time. We lost everything, and the situation never resolved itself. My parents had this sort of passionate, disastrous desire for each other - not ideal to grow up in.

My whole life has been about working and being in the girl group and being on stage and being an actress, but now I get to really enjoy a bigger purpose, which is motherhood, so I'm really excited.

I think that if I have one hope, 1 ambition, 1 aspiration for the next 4 or 5 years it would be that I can improve as a writer and just be able to say more of what I want to say throught the music.

Being young and extremely naive and coming from a very sheltered place has been a slight disadvantage to me because in Edinburgh, if you meet someone and they're nice, they just become your friend.

I had success early on where I'm able to try to keep it fun, and I don't have to do things just for the sake of making a living, which a lot of my musician friends don't have that luxury of course.

I only became interested in clothes when I was in my mid-teens. I'd do things like spike my hair and put on a nice shirt, but I'd hardly call myself fashion-conscious. I just don't have the energy.

I come from probably many generations of singers because my grandmother had a really incredible voice and sang in church. And my mother had a gorgeous voice and was always singing around the house.

I partnered with Headstrong because they give free and fast mental health support to our veterans who are most at risk. There is no red tape, and they get help within a day or two instead of weeks.

Failure is not always a bad thing. You just have to be smart while you're in the middle of it. You're in the eye of the tornado of like disappointment to know that it's just a storm and it'll pass.

For so long, I was searching for something to be proud of. But at a certain point, I realized, 'Wait, I'm doing what I want to be doing. I'm not wanting to do it; I'm doing it.' And that's awesome.

I'm a lover of all sorts of music, which makes me a chameleon when it comes to performing anything, whether it's opera or whatever. As long as it's good and it feels good, I'm going to cling to it.

I took lessons since I was little; I used to pay for my own singing lessons and take myself. Just take the bus when I was a kid and go. But I'd been writing music for years, since the smallest age.

I think in the same way you find a song that you feel represents the way you feel on the inside, that's for me what fashion is all about. It's sort of an external expression of an internal feeling.

I'm quite drawn to women artists who use themselves in their work. There is a very feminine point of view, the use of female archetypes. I love artists who play with those kind of things genuinely.

A great epiphany: I found out that I'm totally confused and I'm good with that. I'm consistently inconsistent. I'm all of the above. I'm OK. I'm a work in progress. That's my next tattoo somewhere.

No, my step-daughter just opened a theatre school for children, I have another daughter who works in the record industry and another who is going back to collage and I have two little ones at home.

When I look back, I was so mean to myself, and I was so uncomfortable in my own skin. I still feel that very loudly sometimes, but to try and really nurture that sense that you are your own friend.

I always had a hard time communicating my emotions. I'd retreat into my bedroom and listen to music. And when you're a teenager, you're dealing with all these hormones. It's like, 'What are these?'

I don’t have a problem baring my emotions in music. That’s one of the reasons I’m glad to have music in my life. I’m pretty resilient as far as being a human being. A lot of songs write themselves.

I think a lot of artists go waving their Grammies around thanking God for their Grammy, but when it comes to a pitch battle in the street for the honor of God, none of them is anywhere to be found.

A lot of times with my more up-tempo music, I try to take the approach of a hip-hop artist, but when it comes to imaging, I've been following the pattern of Michael Jackson, Janet Jackson, Madonna.

I think, honestly, that a lot of people think I'm sad and dark all the time, because of the music I have made. But there's a huge part of my personality that's really energetic, outgoing and goofy.

One of the things I'm most proud of about myself is my ability to fail in front of the world. You have to have that attitude when you want to experiment in art, in music, in writing, or in fashion.

When you're making a singular pop song, you don't really need any subject matter. You just sort of say, "Uh, I love you." And then you try to figure out some rhyme for that, and there never is one.

I just want Aerosmith to always give me a hard-on, that's all I ever ask for, for it to be the most special thing in my life. As long as I look at it through those eyes, it will always be that way.

The only way I hear gossip is if it's big enough and loud enough for my friends to bring it up to me. Or if it's, like, a big untrue ordeal from my publicist - and she hates making that phone call!

I didn't have friends. No one talked to me. I used to go to the Wyndcroft School (nationally recognized for academic excellence) in Pottstown, and when I moved to Wyomissing, I didn't know anybody.

I think my ultimate fashion icon would have to be Gwen Stefani. I love her persona; I love what she embodies and represents. I love the fact that she was a girl fronting a band of boys in No Doubt.

The real issues I don't think most people touch. The Clinton jokes are all about Monica Lewinsky and all that stuff and not about the important things, like the fact that he wouldn't ban landmines.

I grew up in the suburbs of a small town on the south coast where the only opportunity I ever got to wear anything smart was a funeral, so I had never owned a piece of clothing worth more than £40.

I usually get myself into situations that cause sparks. I mean I'm a girl that likes the storms. I love feeling alive, I love walking out in the cold in my bare feet and feeling the ice on my toes.

You're just like, "I like doing this - it's something I have a lot of passion for." You happen to do it, you enjoy songwriting, and eventually if you're writing enough songs, then you fall into it.

Writing this record let me recapture who I am. It is summed up in the title Be Not Nobody. You need to feel comfortable in your skin and do whatever you need to do for yourself, to heal or to grow.

I'm a huge 'SK-II' person. I'm their Malaysian spokesperson. But I truly love their products - it's not just something that I endorse. I always moisturize with the SK-II Essential Power Rich Cream.

They pick all of us out, and then they decide, they computerize, decide if they like it or don't like it, and then they go home, and then they come back again because they're not sure what they saw.

I can look at the future with anticipation. And it's comforting to know that someday, as Christians, we'll be able to look back and have a little more clarity on why certain things in life happened.

I think our culture encourages all of us to always put our best foot forward. I think it's a good thing. I think it's nice to rise to the occasion, to be kind and considerate, and have self control.

But to make a holiday record that involves favorite American songs and then also get to sing about Jesus birth, it just seemed like a real easy, subtle way to combine a couple of things that I love.

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