I've never been the guy to go for the celebrity girl. I've always liked regular girls, regular people, because I've always viewed myself as a regular person who just happens to be gifted in music.

I just want to make stories. They don't have to have a moral or a reason. There might be some mild cautionary notes, but they're not moral. They don't impart any Judeo-Christian ethic of any kind.

For me, making music is about my whole life. The basics, the components, simple things - family, living, just going to the market and getting new fruit and veg. That's what keeps my blood flowing.

I think whenever I've thought something might go well, it hasn't, and when I've thought, 'Oh yeah, just chuck it out there,' that's when it kicks off, so now, I don't claim to understand anything.

I started resenting how much art robs from life. I'd go to a party and I couldn't enjoy myself, even sexually. All I could think was how I was going to reinvent the experience into a piece of art.

I wanted to remember the original energy; strip away all the glamour and limousines and tons of drugs. I wanted to get back to the revolutionary ideas, merging poetry and rhythm and rock and roll.

What is the impulse that drove to direct? To me, it seems so immense. Just having a rock 'n' roll band, or to go from the solitude of writing and to having to collaborate, is almost schizophrenic.

I was always trying to pick guys up. I'd ask guys out and stuff like that. I had no pride. I was the biggest lurch at dances, waiting for the ladies' choice. I'd lunge at my prey like a baby wolf.

Usually when I go to a place for the first time, unless there's something historical or spectacular that nature has to offer, the first thing I like to do is see what's on the minds of the people.

I love distracting myself, just like anyone else. But I also feel a more urgent need in myself to make an effort, to be present, and to try to be something that is in favor of life. Of human life.

You go through periods of times where bands are calling the shots, and then sometimes, you've got the record companies calling the shots. I think it has to be a bit of both to make the thing work.

So I'm writing more highly personalized and intellectual music, and I think that's good. It might take longer to find me, but I think that niche is perhaps underserved, so I'm going to serve that.

All fanmail is a bit of fun. We do get some nice letters and some fanatical mail too. There's one woman who thinks me and her are married and has asked when she can come home. That's a bit spooky.

Growing up in a multicultural family, I never really felt that I was different - even though I was from most of the kids in my school. Especially with music, I try to just approach it as an equal.

I cannot learn creation from other people; I've got to do it myself. Now, honestly, I regret not studying - I don't know about harmonies, or anything, so if I'm composing a song, it's really hard.

Growing up in the Bay Area, I played early on with these quartet groups who set guidelines for me. I remember the guys would all have the same clothes and shoes, like these uniforms. I was in awe.

What I hated then - and hate now - is the way that people say to girls like me who get pregnant young that it ruins your life. Having a child doesn't ruin your life - having a child is a blessing.

Forged in the fires of human passion, choking on the fumes of human rage, with these out hells and our heavens, so few inches apart, we must be awfully small, and not as strong as we think we are.

I'm not into this memoir craze that's been going on for 20 years now and doesn't seem to ever let up. People just indiscriminately say "memoir" now when it's a person writing about their own life.

I love early blues like Bessie Smith, Muddy Waters, and Howlin' Wolf. I listened to the way these people sang, and it was just beautiful - straight from the soul. That, for me, was an inspiration.

I've always felt that where Priest has been able to get to, it's been down to discipline, our real love and commitment to making the best music that we can make, and never forgetting our fan base.

I don't know - it's a bit of a mystery of how things come about when they do. I don't have a scientific explanation for it. Sometimes when you're writing a song, you don't know where you're going.

I feel like I'm always having to justify why I haven't kept in touch with anyone from the old days in Stoke-on-Trent, but I'm like that with anybody. I don't let anybody in. I just rely on myself.

I am the first to admit I have made a couple of mistakes: two trips to rehab, Rudebox, the album, Geri Halliwell. I should have gone for Victoria, really, shouldn't I? I'd have been really famous.

I loved the music, but the excesses of rock n' roll never really appealed to me at all. I couldn't see the point of getting up in front of a lot of people when you weren't in control of your wits.

We weren't wealthy but we definitely weren't poor. We were incredibly rich because there was a wonderful community in Shepherd's Bush, where I grew up. All my friends were into villainy and crime.

I've been a solo artist for a year now, and I think I should start thinking about the future now. Every spare time I get, I want to be in the studio and work on music for 2015. It's a lot of work.

I'll always be there I'd give anything and everything And I will always care Through weekness and strength Happiness and sorrow For better or for worse I will love you With every beat of my heart.

One in three Canadian teens are bullied. That's nearly two million young Canadians who are teased and excluded. Nearly two million who are silenced in the classroom, losing out on their education.

You know, I just don't believe that art is supposed to make sense. I really don't think it's supposed to be analyzed to death. It's left to the listener or looker to get what they can get from it.

If I hear one of my songs by anybody, it's a dream come true every time for me as a songwriter, because I want to write a song, I want to write a song that the world can sing and will always sing.

Wherever we are, God's in that moment, God's speaking to us, and if we've just got our ears open and our antennas up, there's no lack of inspiration. He's not silent. We just have to be listening.

I think if you were to really peek under the hood of what got Aerosmith back again for our second life in the Eighties, you'll find out that it's exactly this, it's the willingness to take a risk.

The album that defined my childhood was probably Ella Fitzgerald's 'Greatest Hits,' whereas my half-sister, who didn't have the same conservative upbringing, was listening to Cash Money and crunk.

I’m wearing out this new Coal Men record. I think it’s masterful start-to-finish. Dave Coleman is one of Americana music’s great songwriters, and I hope this record gets the attention it deserves.

Musically, I always allow myself to jump off of cliffs. At least that's what it feels like to me. Whether that's what it actually sounds like might depend on what the listener brings to the songs.

Left to my own devices, in the face of the climate change deniers, the madness and the greed-based decision-making, and propaganda that's been floating around, it's hard not to become pessimistic.

I guess we're all kinda searching for a connection with something that's relevant to our past and speaks to who we are, and maybe helps us make a connection to what we are, and where we come from.

But now - look, I have to take care of myself. I work out every day. I'm a dancer. I've always been an athlete, and I'm one of those people who start to go crazy if they don't run or do something.

At the end of the day, all people want to do is hear a great singer sing a great song. They don't care about what vocal changes it went through. You can't screw up a great song and a great singer.

The Hank Williams Syndrome: Come to Nashville, write some good songs, cut some hit records, make money, take all the drugs you can and drink all you can, become a wild man and all of a sudden die.

Marijuana is like sex. If I don't do it every day, I get a headache. I think marijuana should be recognized for what it is, as a medicine, an herb that grows in the ground. If you need it, use it.

I remember there was a little organ which I'd tap my fingers on all the time. My interest in the instrument was so obvious, one day I got home from school and there was a real piano in my bedroom.

The album feels like a new era for me -- emotionally, lyrically, sonically. It feels fresh, it feels new. It's still me. It's still stuff that fans know and love but it's a new chapter 100 percent.

People are going to come into your life that need you, and being there for them makes the day worth living. People are going to come into your life that you need, and that's the really crazy thing.

I think the musicians I play with solo do a certain thing that the musicians we play with with the Indigo Girls don't do. It's just a different thing. And it sort of steers my writing in some ways.

Vegemite is pretty good if you've got the right spread of butter and you spread your Vegemite light. Sometimes people spread it too thick and it's not the right consistency for it to be what it is.

Feminism is not only for women It's something everyone can participate in, and evolve together, as the first step in the right direction. I see feminism as a tool to achieve that balance and peace.

My father was a musician, so I have a bit of rock n' roll in me, but I've studied so many different styles of dance, and I have so many facets to my personality; I like to play around with fashion.

You didn't choose Christian music because it's more beneficial. It doesn't pay more. It doesn't make you more famous. There's some reason why you came to this. What changed your life at some point?

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