Quotes of All Topics . Occasions . Authors
There is an attitude that we should be able to have everything. No, you shouldn't be able to have anything. I'd like a helicopter, but I can't afford a helicopter, so I don't buy one. People are buying stuff they can't afford on credit. I bought my Ford hybrid with cash.
I'm happy to have L.A.M.B. participate in the PSP accessories show as I've always loved designing bags and accessories, It's all about creativity at the end of the day, whether you're talking about fashion, technology or music, and that's what my L.A.M.B. bags are about.
But, I enjoy music from lots of people. And you also have to also remember that I grew up in a household where people like Fats Domino, Little Richard, Johnny Cash, Jerry Lee Lewis, Earl Scruggs, and so many others were at mama's house. So, I heard everything growing up.
If you're gonna use simile, analogy, metaphor, be descriptive and have some flowery adjectives and a few odd nouns and some engaging bits of dialogue or sentiment, then you're sort of writing a novel, really. But rock lyrics are not really known for their sophistication.
With Twitter and Instagram and all of these vehicles where fans can directly interact with you and get your attention, there's a little bit of an entitlement. Like, "Why won't you follow me or write me back?" Well, if I write you back, then I have to write everyone back.
There are distractions, all around. There's so much media, for a young kid to battle against, to get to something soulful. You have to make a decision, on your own, what you can take from these people, if you can dig deeper. It's nice to be able to let people dig deeper.
The report falsely asserts that global warming is causing more extreme weather events, more droughts, more record high temperatures, more wildfires, warmer winters, etc., when each and every one of these false assertions is contradicted by objective, verifiable evidence.
I used read about Dr. King a lot as a kid. Independently, from being assigned it or being told by my parents or anything, I was just really excited about him. So I just started reading about him very young and was inspired by his legacy and looked to him as a role model.
We're still growing into that place of higher consciousness; we are becoming a global conscience. The idea is to unravel the onion and let go of the ego and evolve to that place where you perceive everything to be a beautiful experience rather than a daunting experience.
I'm always so pleased when I can get a song or be given a song that really speaks to me and I can interpret, but if given the opportunity to really write from the heart and try and bring some personality to whatever this genre would be, it was a great opportunity for me.
It's not a deliberate thing. It's not like I was rejecting the UK, which is what the papers said. It's just that when you spend a lot of time in your formative years around an accent, you're going to pick it up. I had been living in LA for a bit and that's what happened.
I never thought then I'd be doing what I'm doing now. At my high school, being on the girls soccer team was the cool thing to do, but that was definitely never going to happen for me, so I played music. Not because everyone thought it was awesome, but for the love of it.
Norway, for some reason, I find Norway really fascinating, you really feel nature in that country. And then there is somewhere like Japan, which is the most interesting culturally because their whole psychology, how they think is so different to us and how I've grown up.
There's a point where you think, 'What else will I do if I don't do music?' It becomes your identity when it never should have been. But food ignited a fire in me, and I came right back to music because it no longer felt like a job. It was a really powerful thing for me.
A poem has a certain - a different time. For instance, a poem is a very private experience, and it doesn't have a driving tempo. In other words, you know, you can go back and forward; you can comeback; you can linger. You know, it's a completely different time reference.
A friend of mine once told me that I can't screw up when I play my own music. I also take voice lessons, play other peoples' songs out of music books, and occasionally figure out how to play other people's music from records. This keeps my ears, fingers, and mind working
One of the things that's influenced me musically was my experience at Brown University. I was surrounded by musicians that I really admired, and felt challenged to come up with music, lyrics, and recordings that stood up to the expectations of those musicians and myself.
Around the middle of last year I started listening to a lot of rap, like Nicki Minaj and Drake... They all sing about such opulence, stuff that just didn’t relate to me - or anyone that I knew. I began thinking, “How are we listening to this? It’s completely irrelevant.”
Believe it or not, people went so far as to suggest that I might not be able to write songs anymore because now I am married. I tried to explain again that there are other things to write about besides boy meets girl, girl meets boy, boy breaks up with girl, girl is sad.
The fact of the matter is that you can use your beauty and use your charm and be flirtatious, and you can get people interested in your beauty. But you cannot maintain that. In the end, talent is the only thing. My work is the only thing that's going to change any minds.
But I love the idea - whether it's in my work or where I live - exploring new frontier, and I like putting myself in strange places and trying to survive and figure things out and gather up an infrastructure. I like knowing that I could figure out a way to live anywhere.
I'm constantly exploring spirituality, sexuality, different aspects of love, whether it's romantic love or the love you have for your children. And love can be as devastating and destructive as it can be rejuvenating and life-giving. I guess I try to capture all of that.
Growing up, I was obsessed with Disney movies like 'The Little Mermaid,' 'Aladdin' and 'Beauty And The Beast.' I was always singing the songs from these movies, so to find myself in the studio with Alan Menken was an amazing experience. In fact, it was a dream come true.
When you're a touring musician, you're always turning over new rocks, and there's always a certain level of tension in your life. The music business, and the travel that comes with it, is stressful, challenging, redundant, exhausting, exciting, and often very depressing.
I wanted to be heard myself, which is hard in a household of people who were very showy. It forced me to find myself and define a personality and a way of being different, and that's a thing that's going to help me to survive in a world of many people playing the guitar.
Yeah, you know, I performed occasionally. I was in such despair because I just - if I didn't have my music to connect with, I couldn't figure out what I was supposed to be doing. There was never a 'B' plan here; it was just this. So it took me a long time to find my way.
When I walk around New York now, there are so many ghosts. I find it very uncomfortable. There were many hard years, and I never really achieved any kind of comfortable financial success, so I just associate it with struggle. When I had a chance to get out, I was elated.
Sometimes life becomes a bit difficult. There are hard times and even some little things can mess up your life. Make the best out of these moments. Don’t forget to smile. You can cry as loud as you want, but smile. Just stand up and go on. You can do everything you want.
At 3 o'clock in the morning on tour when you're sober is a lot less fun than 3 a.m. when you're drunk in a bar or in a nightclub. But having said that, 9 in the morning on tour sober is immeasurably better than 9 a.m. on tour when you're hung over and feeling like death.
It was a real hand-to-mouth existence in those early days - I'd have whatever dry cereal there was in the house for breakfast, 30 cents to spend on lunch and a hot dog for dinner. I did that for years. So there was definitely a hunger in me, of various kinds, to succeed.
The cardinal rule for any performer is that they should know themselves before they enter the spotlight, and I didn't. I was just Neil and I did what I was supposed to do. I was supposed to get married, so I got married. I was supposed to get a job, so I looked for work.
Sounds like to have space sometimes. It's good to give yourself a variety, or you just fatigue your ear. Like if somebody sings in the same register all the time, or if it's got the same feel the whole way through, I just find I get fatigued, so it's nice to break it up.
I tried to be just a singer of standards when I was starting out. And there was nothing special enough about my voice to make it that far. So I feel a bit like Rod Stewart. Once you've had that rock career, people will give you that chance where otherwise they might not.
Rip Rig & Panic was a milestone for me, and I've always been really thankful that I did that when I was 16. It saved me for when I suddenly became really successful later on. So even when my head's been spinning like a banshee, my feet still feel held down to the ground.
I learned a lot from Arthur Rimbaud. People talk about how he wanted to be a seer and do that through the derangement of the senses. What they forget was that he also advocated, sternly and austerely, that one must be able to go through all that - and then articulate it.
I never had posters on my walls, and I didn't have any icons, either. I come from a small village in Wirral, and my family didn't watch TV. I wasn't exposed to people with icon status. David Bowie popped up, but I had already shaved my eyebrows off by the time I saw his.
When you're a parent, you spend time with the baby. You look at the baby's face and envision her future and what you have to do as a parent to make sure she's financially good and that she's comfortable inside of the family and that she's positive and learning every day.
I think it was probably down to the fact that we weren't together personally as a band. We weren't pulling in the same direction. I always feel if you're having a good time in the studio it actually comes across on the tape and that was a bit of a miserable album for us.
Hearing a whole entire room sing back to me, 'I guess it's true I'm not good at a one-night stand,' you know, I just can't explain the feeling. It's unreal. You feel like you've just read your diary to thousands of people and they've gone, 'It's okay. We still love you.'
You have to be careful not to make music something you don't want to do. Which happens. I've gotten off the road and been like, 'I hate it. I hate singing, I hate playing guitar.' Six days later, I'm in my bedroom singing at the top of my lungs because I love it so much.
Worst music ever sells millions. The worst music with the shittiest lyrics. The fact is that they pay radio stations to put it on the radio, then you've heard it a million times when you're driving from your shitty job to your shitty house. It's indoctrination, it's sad.
It's traumatic to meditate on the availability of information through the Internet, or the way we perceive the world as a result. People don't experience things totally or viscerally anymore. It's all through representation, be it a record on YouTube or a post on a blog.
Ambition will take you And ride you too far and Conservatism bring you to boredom once more Sit down by the river And watch the stream flow Recall all the dreams That you once used to know The things you've forgotten That took you away To pastures not greener but meaner.
Basically I got an insight into what it really was through Alcoholics Anonymous. One day the switchboard lit up and I saw where it was all going. I saw what alcohol could do to people and I saw that it wasn't a good thing anymore. Plus I wasn't a teenager anymore myself.
One thing is that I wasn't getting booked that well, and they had control over who got the awards, they had control over who sold. And they really did not want Willie or me, either one, to “have a hit record. They wanted the money, but they didn't want us to be the ones.
The kids that are different and out there and expressive and are bold with those choices, those are the people that grow up to be people we all want to hang out with, that become celebrities or become really successful in what they do because they believe in who they are.
They teach real young kids and when I was about five my Mom took me to enroll in this thing and they said I could do it. It was definitely my choice, but I would have never thought of it. There's pictures of me playing piano when I'm real, real little, that kind of stuff.
In a sense, the music business and I haven't always been the best of bedfellows. Artists often have to fight their corner. Your music goes through these filters of record labels and media, and you're hoping you'll find someone who'll help you get your work into the world.
Over the years, I was never really driven to become a solo artist, but I was curious to find out who I was as an individual creative person. It's taken some time, but now I feel I've truly paid my dues. I guess I'm at a point now where I'm more comfortable in my own skin.
There is something to be said for people who have to work hard, be creative, produce what they have with little - or no - means. Those of us from poor homes have the advantage of thinking for ourselves and of knowing that when times get hard, things could always be worse.