Quotes of All Topics . Occasions . Authors
I couldn't possibly explain why the common person would be against something like that. It's all rooted in sexual hang-ups. The whole institution of marriage itself really has no place in a progressive society. I don't know why anyone would want to get married heterosexually, so why they'd be against homosexual marriage is flummoxing. I only use that word when I'm talking to someone from the British press.
I have this thing built into my contract that the club has to put up a sign that says my act "contains the strongest language and material content imaginable," but, believe it or not, I still get complaints. People want you to be what they want you to be. If they see you on TV and that's what they like, they want you to be EXACTLY like that when they see you live. And if you're not, some of them get upset.
The beautiful thing about podcasting is it's just talking. It can be funny, or it can be terrifying. It can be sweet. It can be obnoxious. It almost has no definitive form. In that sense it's one of the best ways to explore an idea, and certainly much less limiting than trying to express the same idea in stand up comedy. For some ideas stand up is best, but it's really, really nice to have podcasts as well.
All you do as a performer is keep doing it. If you keep doing it, then it depends on why you're doing it. If you're doing something for superficial, monumental reasons and if you're doing it for female attention, or if you're doing it for money, it's like being upset. Only way you can get upset is when you expecting something. If you don't get this award or don't get that award, that because you expect something.
I brought something back from those experiences [with drugs] which made me softer, open to other ideas. And I've learned from listening to other people talk about their experiences, from listening to Bill Hicks or reading Terrence McKenna or Aldous Huxley and Timothy Leary. But there's always some dumb cop out there who says "We don't need another legal drug and there's psychological addiction and blah blah blah."
Comedy is a funny thing, and it's really not like any other art form in that it's very specialized and varied in it's content, but generic in it's title. You would never go to a club just to see "Live music," you would go to a jazz club to see jazz, a blues club to see blues, etc. But when you go to see "standup comedy," if you don't know the performers material, you really don't have any idea what you're gonna get.
I want a room that I can definitely pack out. I don't want to sweat that part, "Am I gonna have enough people?" So I usually pick like a hundred, a relatively small room. Also, I'm looser in a small room. I don't want to record an album in front of a thousand people, not that I could draw a thousand, but I just want a room that I can really work back to front. That's just a very comfortable place for me to be loose.
The reputation of generosity is to be purchased pretty cheap; it does not depend so much upon a man's general expense, as it does upon his giving handsomely where it is proper to give at all. A man, for instance, who should give a servant four shillings, would pass for covetous, while he who gave him a crown, would be reckoned generous; so that the difference of those two opposite characters, turns upon one shilling.
he ones that bother me the most are the media saying, "He's like the next Bill Hicks." It's supposed to be complimentary, but then all these Bill Hicks fans show up thinking you're going to be like him, and then go, "You're no Bill Hicks." And I'm like, "I never wanted to try to be like him, I don't think I'm anything like him at all, and now you're mad at me for not being him because a journalist didn't have a better reference."
We must not suppose that, because a man is a rational animal, he will, therefore, always act rationally; or, because he has such or such a predominant passion, that he will act invariably and consequentially in pursuit of it. No, we are complicated machines; and though we have one main spring that gives motion to the whole, we have an infinity of little wheels, which, in their turns, retard, precipitate, and sometime stop that motion.
I'm one of those passengers who arrives at the airport five or six hours early so I can throw back a few drinks and muster up the courage to board the plane. Apparently I'm not alone because I've never been in an empty airport bar. I don't care what time you get there. Even at 8:00 a.m. you have to fight your way to the bar. At that hour, everyone drinks Bloody Marys so no one can tell it's booze- at least until they fall off their chair.
I always get a little bit pissed off when stand-up comedy is not recognised as being as good a craft as being an actor. We give Oscars to people and it's like, 'Aw, this person is the greatest person on earth', but being an actor is pretty easy in comparison to stand-up comedy. It's no surprise that several stand-up comics have gone on to become great actors. I don't know any great actors that have gone on to become great stand-up comics.
The internet was supposed to liberate knowledge, but in fact it buried it, first under a vast sewer of ignorance, laziness, bigotry, superstition and filth and then beneath the cloak of political surveillance. Now...cyberspace exists exclusively to promote commerce, gossip and pornography. And of course to hunt down sedition. Only paper is safe. Books are the key. A book cannot be accessed from afar, you have to hold it, you have to read it.
Everybody thought that Titanic was the most romantic movie ever. A story about two teenagers who knew each other for three days. Try to make that movie with a couple that's been together for a few years. 'Get in the goddamn boat, Rose!' 'I don't wanna get in the boat!' 'Get in, come on, I'm freezing my ass off out here! I wanted to go to Jamaica, but no, we had to go on a cruise in the middle of the winter!' 'You never draw me naked anymore'
The fact is that really no comedian sets out to offend you. Some comics enjoy the challenge of taking a subject that is likely to be found offensive and trying to make it funny‚ but the object is still to make you laugh. Offense is only a calculated risk. It's highly unlikely that a comedian whose only goal was to repulse you would ever make it past an open-mic stage, far less build a long career of touring theatres and television appearances.
In the stand-up comedy top, there's room for everyone - if you're good, there's room for everyone. You'll put on your own show - no one casts you. You cast your own show as a stand-up comedian. When you get good at stand-up comedy you book a theater and if people show up, people show up. If people don't show up, people don't show up. You don't have a director or a casting agent or anybody saying if you're good enough - the audience will decide.
Now obviously popularity isn't everything when it comes to stand up comedy, but the art form itself is better today than it ever has before. I think there are more great comics. I think the standard is higher. The critical analysis is a little harsher, but that is also good. Maybe people have a higher standard than before, maybe they are a little more judgmental, a little more brutal, that makes people work harder. It makes the stand up better.
Let's call cheating what it is: a complete betrayal of trust. Cheaters are people who have a lot of stuff to work out and they're working it out on your time and with your heart. Some cheaters might give you an excuse, some might not have one at all, some might even blame you. No one can tell you exactly what to do when faced with this very complicated and painful situation. But the bottom line is, is this what you had hoped for in a relationship?
It's so much worse to regret something you never did. It's often worth running through your fears to their logical conclusion to help disperse them. One footnote - if life has taught me anything it's to trust the shy people. Popularity means a lot of people like you a bit, you have broad appeal. But who wants broad appeal? Interesting people are always a bit niche. Remember what Steven Patrick Morrissey said: "It takes guts to be gentle and kind.".
I think people are lonely and desperate for attention and unemployed and bored. I don't mean that these are losers that live with their mom, although that is true for many of these people. I think people in general are literally underemployed and lonely and bored in this country because of the economic downturn, and because of the isolation that's available because of the internet. The internet has both freed people up to connect with each other and isolated them.
I was like, "This is a new thing that the gay people have decided? That's the gayest thing I've ever heard in my life." You can't do that. You can't decide that a word is forbidden now collectively amongst your group of human beings, that the word is a slanderous evil nasty word about homosexuals. It's not, the word doesn't mean that. And sometimes it's a good word to use in comedy. That's what your friend has to realize when he's at a bar just yelling out the word.
I've had shows where you think, "Is this going well? I can't tell," and then you say goodnight and you get this ovation. They're sorta like a theater audience. I've learned that much; that they're not always going to be doing backflips - but I'll never figure it out. Because sometimes you walk up there, and they're so excited, and then other times, it's just... But sometimes an audience is bad, and you can tell them they're bad, and that sort of breaks the ice a bit.
The arresting officer, who I had literally known, all my life. You know what I mean? This guy lived four doors down the street me, in a town of less than four hundred people. *We've met.* Now, he takes me to jail, and he asks me if I have any aliases. And I was just being a smartass, and I said, "Yeah. They call me, "Tater Salad!" Seventeen years later, I'm handcuffed on a bench in New York with blood coming out of my nose, and this cop goes, "Are you Ron 'Tater Salad' White?"
But what I can do is paint you a picture of what you’ll never see when you’re with a guy who’s really into you: You’ll never see you staring maniacally at your phone, willing it to ring. You’ll never see you ruining an evening with friends because you’re calling for your messages every fifteen seconds. You’ll never see you hating yourself for calling him when you know you shouldn’t have. What you will see is you being treated so well that no phone antics will be necessary. You’ll be too busy being adored.
I don't know much about the music business, but for just general advice for someone trying to create things, as simple as this sounds, I think the best thing you can do is constantly try to improve upon your work. Always focus on that first and foremost, and leave everything else (marketing, image) completely secondary. Obviously, easier said than done when you're trying to make a living, but if you can move along those lines and earnestly try to make things that you really enjoy it can only benefit you in the long run.
I have no statistics to prove it, but I'm sure the American workplace will be adversely affected on Monday, the day after XXIV. The game will be the focus of conversation, and distractions happy and sad will be the order of the day, not to mention millions of hangovers. I wouldn't buy a toaster or a parachute manufactured the day after Super Bowl XXIV. You cannot engender such torrid anticipation for an event so great that it requires Roman numerals as a suffix, then expect there to be no social repercussions at its end.
For those that have said I seemed dickish to some of the nuttier guests on Joe Rogan Questions Everything - guilty as charged. As the season wore on I lost my patience with some of those folks unfortunately. I think I overdosed on ridiculous/likely fake stories. I certainly learned a lot about the kind of people that invest a large portion of their life on fringe subjects - they're all white. I think there's something interesting about the subjects, (UFOS, etc) but the study of them has often been overrun by silly thinking.
According to one account of the New York City schools during the 1950s: The teacher could not technically hit the child, but the old crones found ways of skirting the rules. The push-probe-pull method was popular, in which the teacher would not hit you, but would poke you with her gnarled, witch-like fingers and grab your face like a taffy pull until you screamed. ... The pull-and-choke was also a favorite. It was executed by pulling the compulsory necktie up like a noose, until the errant boy's face turned the school colors.
Things may not go to plan, but the unexpected throws up experiences and opportunities you had never dreamed of. I didn't get into Oxford the first time. I was absolutely heartbroken. Instead of going anywhere else I took a year out and reapplied. I wish I'd had some kind of framework for that year out, instead I worked in a Virgin Megastore. But looking back it taught me a lot, and meant my university experience was different, not worse. In the end, your grades aren't as important as the people you meet, and you can meet them anywhere.
Some street jokes are just timeless. There's an old street joke about comedians. The joke is that a beautiful girl comes up to a comedian at the end of the night and says, "I saw your show tonight, and I just loved it. I want to go home with you, and I'll do anything you want." And the comedian says, "Were you at the 7 or the 9?" That's just a perfect joke, because it points out how egomaniacal and obsessive comedians are. Even though I'm not waiting for a groupie, I can completely understand it. It just defines how comedians are driven.
I want to quit. Not performing, but being a woman altogether. I want to throw my hands in the air, after reading a mean Twitter comment, and say, 'All right! You got it. You figured me out. I'm not pretty. I'm not thin. I do not deserve to use my voice. I'll start wearing a burqa and start waiting tables at a pancake house. All my self-worth is based on what you can see.' But then I think, F*** that ... I am a woman with thoughts and questions and s*** to say. I say if I'm beautiful. I say if I'm strong. You will not determine my story - I will.
When I first started comedy, before I kind of gained any national prominence, I - in a weird way - went back to that. Marc Maron had me on WTF making fun of me about that when I first opened for him. I had this very kind of hip-hop bravado to me, and I realized that now I've let some of that go in my stage presence, that maybe that was because I had dropped that completely from my life, and when I got onstage I sort of rekindled it. And I think now that it was perhaps a defense mechanism that was left over from those days, which I think is kind of interesting.
There's a lot of people that I disagree with that I think I could have interesting conversations with. What I don't want to get into is manufactured conflict. I would much rather talk to someone like Dr. Rhonda Patrick or Randall Carlson and be mesmerized by information. I guess in a way that's selfish, or maybe not objective of me. The older (and hopefully wiser) I get the less interested I am in conflict. I don't mind disagreeing with people in a civil way, but I definitely don't want to go out of my way to have an argument unless it's a really important subject.
I think people have this "It can't hurt to ask" mentality, which is true on some level. I get comics like, "Hey, will you look at these videos of me on MySpace?" I was like, "Well, who's gonna benefit from that? What if I don't like you?" No, I'm gonna write to a stranger and say, "Hi. You like me, and I don't like you. And now I feel bad when I didn't need to feel bad, because you put me on the spot." Or like, "Can I open for you?" Well, I've never seen you work, so no. I certainly made awkward mistakes when I was starting out, and they're just trying to have a career.
There are certain things that are probably too mean. I don't particularly like fat jokes. Those kind of bother me. But I guess what I was trying to say is, if I said I would never laugh at this, you could probably dig around and find a situation where I did laugh. I try not to be a hypocrite with that one. I find when there's a controversy about someone saying something offensive, I usually take the angle of, "Well, I don't know if that was offensive; it just wasn't funny." I generally don't gasp, "Oh my God!" I think people have been getting raked over the coals lately.
I think the role of comedy in your life should supersede anything and everything negative. Just by virtue of the fact that you have to be funny, you can't afford to focus on the negative. As a comedian, your challenge is to turn negative stuff into positive energy. You should be able to hear anything that sounds bad, that people normally wouldn't laugh at, and make it feel funny to you. No one should be able to deter you, once you have your mind set on comedy. Your survival as a comedian should be as natural as breathing. I need to breathe and I consider my career my air.
The problem with a lot of comedy clubs is not that they are a comedy club; it's just the cheesy way they're presenting themselves. That's why a lot of people have a problem with them. If you're a relatively unknown comedian, you can play at a comedy club, you might play to hundreds of people every night. But if you try to make a concert event out of it, and try to play a rock club or something, where you might play to 10 people or no people. And the flipside of that is, that's also a great thing, to play to people who are your fans. Some people are too hard on the comedy clubs.
Beyond love, beyond unrequited love, perhaps even beyond any other passion known to humanity, deep, deep in the depths of the turgid, clinging, swamplike pit of despair that lies dormant within every soul, lurks JEALOUSY. Jealousy, that most demeaning and debilitating of emotions. Jealousy, which can double the strength of the love upon which it is based, but whilst doubling it, warp and pervert it, untill it is no longer recognizable as the thing of beauty it once was. Jealous love is no more like true love than Mr Hyde was like Dr Jekyll or a stagnant swamp is like a freshwater lake.