Quotes of All Topics . Occasions . Authors
How a piece ends is very important to me. It's the last chance to leave an impression with the reader, the last shot at 'nailing' it. I love to write ending lines; usually, I know them first and write toward them, but if I knew how they came to me, I wouldn't tell.
Never, my dear Sir, do you take it into your head that I do not love you; you may settle yourself in full confidence both of my love and my esteem; I love you as a kind man, I value you as a worthy man, and hope in time to reverence you as a man of exemplary piety.
The chief art of learning, as Locke has observed, is to attempt but little at a time. The widest excursions of the mind are made by short flights frequently repeated; the most lofty fabrics of science are formed by the continued accumulation of single propositions.
Order is a lovely nymph, the child of Beauty and Wisdom; her attendants are Comfort, Neatness, and Activity; her abode is the valley of happiness: she is always to be found when sought for, and never appears so lovely as when contrasted with her opponent, Disorder.
The older you get, the more power you have with language as a writer, which means that you have to be extra responsible for what you say, whether it's in print or in front of a microphone, because those words can go out and kill or go out and plant seeds for peace.
You're getting like an attitude. What you get put through for just wanting something more out of life. Makes you vulnerable. Inside, that tug of desperation, trying not to be excited, maybe this is it, and it's usually freaks and you want to shout I'm not like you.
But I think, personally, that it would be worse to have been alone all that time. Sure, maybe I would have protected my heart from some things, but would that really have been better? To hold myself apart because I was too scared that something might no be forever?
The past did affect the present and the future, in ways you could see and a million ones you couldn't. Time wasn't a thing you could divide easily; there was no defined middle or beginning or end. I could pretend to leave the past behind, but it would not leave me.
At the same time, though, I was beginning to wonder if this was just how it was supposed to be for me, like perhaps I wasn't capable of having that many people in my life at any one time. My mom turned up, Nate walked away, one door opening as another clicked shut.
The practical revolutionary will understand Goethe's 'conscience is the virtue of observers and not of agents of action'; in action, one does not always enjoy the luxury of a decision that is consistent both with one's individual conscience and the good of mankind.
Now, that’s my boy you’re talking about, and I don’t want to get crossed up with you, Sasha. But you keep that tone and attitude about him, and we will.” – Sundown “Sorry. I forget you and Ash are weird enough to actually like him. No accounting for taste.” – Sasha
What? Was he raised in a barn? Didn’t he ever learn how to close a door? Amateur shape-shifters…No manners whatsoever.” – Sasha “Do we need to get you a Midol before we go?” – Sundown “I’m not that easy to soothe, cowboy. My peeves are on a cellular level.” – Sasha
What’s the gun for? (Leta) I would lie and say it’s for bears or snakes, but mostly I use it for trespassers. (Aiden) Wow, Dexter, I’m impressed. Since we’re not in Miami and you haven’t a boat to hide the hacked-up bodies at sea, where are you keeping them? (Leta)
Thinking of someone else is what got me damned. It’s a mistake I don’t want to repeat. (Xypher) You know sometimes it’s by repeating our mistakes that we realize what went wrong the first time. Knowing that, we’re able to fix the mistake and move past it. (Acheron)
They didn’t have novels back then. (Tory) History says they didn’t have books, yet what’s this thing in my hand? It’s square, bound paper that’s been written on. Looks like a book to me. (Acheron) Thank you, Captain Sarcasm. How nice of you to join us again. (Tory)
Baby, I don’t feel pain. Ever. (Talon) Really? Not even a little? (Sunshine) It’s a waste of time and energy. It also drains the mind and makes it weary. (Talon) But without pain, you can’t have joy. It’s the balance that makes us appreciate the extreme. (Sunshine)
Growing up in Asia in a particular time period - the '50s and '60s - I attended a Catholic missionary school where I was taught by nuns and where consciousness of the body was repressed. Yet at the same time, the female body was a highly visible and sensitive site.
But you cannot know a place without loving it and hating it and feeling everything in between. You cannot understand a complex people by only looking at data—something inside you has to crack to let in the light so your eyes and brain and heart can adjust properly.
It was sort of the pattern to my life - I'd never been strong enough to deal with the things outside my control, to attack the enemies or outrun them. To avoid the pain. Always human and weak, the only thing I'd ever been able to do was keep going. Endure. Survive.
Maybe it's because I'm a little naive, but I do like to think that there aren't really very many truly bad people in the world. I think that everybody has their reasons for what they do, and if you really look through their eyes, you could probably understand them.
Kids are all computer-savvy. Sit down and write to your parents on the computer. And just say, I have some questions and I'm scared. There's some stuff I don't know and I really need to talk to you about sex. Tear it off and put it on their pillow. They'll read it.
Ujda Chaman' has helped me gain more confidence in my own skills as an actor because it's such an unusual story. Several people asked me to not go for such an unconventional role at such an early stage in my career but I had a positive feeling when I saw the movie.
We know from myths and fairy tales that there are many different kinds of powers in this world. One child is given a light saber, another a wizard's education. The trick is not to amass all the different kinds of power, but to use well the kind you've been granted.
I think the shyness one feels in childhood is often overcome with time. There are children who hide behind their parents' legs, but you don't see grown-ups hiding behind people. It just doesn't happen. I mean, not that often. People develop social skills over time.
wouldn't you like to make sure all those millions you give to Uncle Sam went to schools and hospitals instead of nuclear warheads?' As a matter of fact, he would. Playgrounds for big kids, preschool programs to little ones, and mandatory LASIK surgery for NFL refs.
...to be a poet, requires a mythology of the self. The self described is the poet self, to which the daily self (and others) are often ruthlessly sacrificed. The poet self is the real self, the other one is the carrier; and when the poet self dies, the person dies.
The feminist movement has been important to me because it's made me feel less odd and also because it has made me understand some of the pressures on women which I was lucky enough to have escaped, perhaps because of my eccentricity or the oddness of my upbringing.
I send a silent thank-you to Dalton for suggesting I wash off the makeup. How ridiculous, how perverse I would feel presenting that painted Capitol mask to these people. The damage, the fatigue, the imperfections. That's how they recognize me, why I belong to them.
Unfortunately there are some trends that are changing this but you don't have for example as strict and narrow understanding of the relationship between men and women. And then there is the philosophy we have to extract in the relationship between text and culture.
Each time I caught sight of geese swooping in formation across the sky, I wondered how our life below might look from their perspective, and imagined that, were they ever to indulge in such speculation, the high-rises might seem to them like firs massed in a grove.
tried to focus on a particular aspect of this historical moment: the failure of mourning. This is something I haven't seen a great deal of in the writing around this disaster. And my view is that you write about disaster by writing around it, by writing allusively.
The original sense of the word 'influence' is 'to flow into.' For the most part, these writers that I admire... their style flows into me without my intervention, which is what explains the broad range of writers who I've been compared with; it reflects my reading.
I do not think it possible for anyone to get by in life without prejudice. However, the attempt to do so leads many people to suppose that, in order to decide any moral question, they have to find an indubitable first principle from which they can deduce an answer.
In becoming an Irishman, Patrick wedded his world to theirs, his faith to their life…Patrick found a way of swimming down to the depths of the Irish psyche and warming and transforming Irish imagination – making it more humane and more noble while keeping it Irish.
A greater poverty than that caused by lack of money is the poverty of unawareness. Men and women go about the world unaware of the beauty, the goodness, the glories in it. Their souls are poor. It is better to have a poor pocketbook than to suffer from a poor soul.
I seek to speak to you, in some way, as your own self. Who can tell what this may meanI myself do not know, but if you listen, things will be said that are perhaps not written in this book. And this will be due not to me but to the One who lives and speaks in both.
It appeared clear to me - partly because of the lies that filled my history textbooks - that the intent of formal education was to inculcate obedience to a social order that did not deserve my loyalty. Defiance seemed the only dignified response to the adult world.
Faffing is completely harmless, whereas its opposite - dynamic, purposeful activity - is often very harmful. Faffers do not tend to kill people or make them work 12-hour days or sell them shoddy merchandise or lend them vast sums of money that they cannot pay back.
Consolation has been wrongly reviled. Consolation is not apathy or inaction. It is not closing one's eyes to the evils of the world. Rather, consolation is the first step in regaining personal equilibrium and strength, which necessarily precedes the ability to act.
I don't want to approach reading from the viewpoint of that it's a pleasant adjunct to your life. I want to approach it from the idea that you have to read or you're going to suffer. There's a difference to be made - and you can make it if you read with your child.
Love one another. My final lesson of history is the same as that of Jesus. You may think that's a lot of lollipop but just try it. Love is the most practical thing in the world. If you take an attitude of love toward everybody you meet, you'll eventually get along.
As I travelled around Australia, strangers in pubs, on airplanes, in beach parking lots would bring up Gina Rinehart, not knowing I was writing about her. Everybody had something to say, some of it thoughtful, some of it poorly informed, some of it vividly obscene.
There's a difference between hot women and beautiful women. Hot women are everywhere; they abound. They are beautified, not beautiful. Beautiful women, on the other hand, are rare and a real mystery. Hotness speaks to our impulses. Beauty speaks to our imagination.
Out of the millions of people we live among, most of whom we habitually ignore and are ignored by in turn, there are always a few that hold hostage our capacity for happiness, whom we could recognize by their smell alone and whom we would rather die than be without.
We each appear to hold within ourselves a range of divergent views as to our native qualities.. And amid such uncertainty, we typically turn to the wider world to settle the question of our significance.. we seem beholden to affections of others to endure ourselves.
The Arab-Israeli conflict is also in many ways a conflict about status: it's a war between two peoples who feel deeply humiliated by the other, who want the other to respect them. Battles over status can be even more intractable than those over land or water or oil.
I believed in fictional characters as if they were a part of real life. Poetry was important, too. My parents had memorized poems from their days attending school in New York City and loved reciting them. We all enjoyed listening to these poems and to music as well.
There is a hint of despair in the cry of 'I told you so,' an element of disappointment in the apparent satisfaction when idols turn out to have clay feet. The human race, when it thinks it has proved that no one is superior, is partly gratified and partly depressed.
For better or worse, we live in possible worlds as much as actual ones. We are cursed by that characteristically human guilt and regret about what might have been in the past. But that may be the cost for our ability to hope and plan for what might be in the future.
I wanted to answer big questions about humanity, about how it is that we understand about the world, how we can know as much as we do, why human nature is the way that it is. And it always seemed to me that you find answers to those questions by looking at children.