Quotes of All Topics . Occasions . Authors
I want to make it clear that the black race did not come to the United States culturally empty-handed. The role and importance of ethnic history is in how well it teaches a people to use their own talents, take pride in their own history and love their own memories.
The White House, in advancing the agenda for a [school] "choice" plan, rests its faith on market mechanisms. What reason have the black and very poor to lend their credence to a market system that has proved so obdurate and so resistant to their pleas at every turn?
I have a feeling the writers who find screenwriting difficult are usually just not lazy enough for the job. They don't know how to stop before the task is done. I've always had a knack for leaving things unfinished, which makes screenwriting easier for me than most.
Memory was supposed to fill the time, but it made time a hole to be filled. Each second was two hundred yards, to be walked, crawled. You couldn't see the next hour, it was so far in the distance. Tomorrow was over the horizon, and would take an entire day to reach.
There's something inside you that knows when you're in the center, that knows when you're on the beam or off the beam. And if you get off the beam to earn money, you've lost your life. And if you stay in the center and don't get any money, you still have your bliss.
If you have the guts to follow the risk...if one follows what I call one's "bliss" - the thing that really gets you deep in the gut and that you feel is your life - doors will open up...if you follow your bliss, you'll have your bliss, whether you have money or not.
Those were the days in this country where H. G. Wells, Bernard Shaw and Conan Doyle could have influence, and thats gone, thats true. But I dont think we have less influence in the hearts and minds of readers. I think, if anything, we have just as much, if not more.
As a Dominican man, you're socialized to be a playboy. You spend a lot of time being taught that women are important, but without the really positive framework of why. You figure out quickly it's because of culo (ass). But there is a sense that it's not that simple.
Written and directed by French showman Georges Melies, 'Le Voyage' features one of the most indelible images in cinema history: the wounded Man in the Moon bleeding like a particularly runny Brie, grimacing in pain with a space capsule protruding from his right eye.
Life is a very orderly thing, but in fiction there is a huge liberation and freedom. I can do what I like. There's nothing that says I can't write a page of full stops. There is no 'should' involved, although you wouldn't know that from literary reviews and critics.
As I read more and more fairy tales as an adult, I found massive collusion between their 'subjects' and those in my fiction: childhood, nature, sexuality, transformation. I realized that it wasn't by accident that I was drawn to their narrative structure and motifs.
King Drowden has given his men instructions to infiltrate the town, bribe townspeople for the secrets of their neighbors, steal the neighbors’ hidden treasures. Much more subtle than Drowden’s usual smash and burn technique. We do hope Drowden isn’t growing a brain.
While the laughter of joy is in full harmony with our deeper life, the laughter of amusement should be kept apart from it. The danger is too great of thus learning to look at solemn things in a spirit of mockery, and to seek in them opportunities for exercising wit.
Harold Brodie is a louse and a lothario who cheats at cards and has a different girl in his rumble seat every week. That coupe of his is pos-i-tute-ly a petting palace. And he’s a terrible kisser to boot.” Evie’s parents stared in stunned silence. “Or so I’ve heard.
I think when you've had success, publishers and reviewers and readers are willing to let you try something new if you've already proven yourself. They're excited about what you're doing, you have people interested in it, and actually waiting for it. It's empowering.
I can no more think of my own life without thinking of wine and wines and where they grew for me and why I drank them when I did and why I picked the grapes and where I opened the oldest procurable bottles, and all that, than I can remember living before I breathed.
I think that all artists, regardless of degree of talent, are a painful, paradoxical combination of certainty and uncertainty, of arrogance and humility, constantly in need of reassurance, and yet with a stubborn streak of faith in their own validity no matter what.
Cole made a hissing sound. "Are you inside yet? God bless America and all her sons. What is taking you so long?" The front door was locked. "Here, talk to Grace" "Mommy isn't going to give a different answer than Daddy," Cole said, but I handed her the phone anyway.
There was a time in my life when election year was nothing to me, but in 1912, I joined that great army of Americans who drop a stitch in their routine every four years, and give themselves up to backing first a candidate for the nomination and afterwards a nominee.
the American family is failing in its job of turning out stable human beings. ... It is failing because Americans do not dare to cultivate in themselves those characteristics which would make family life creative and rewarding. To do so, would ruin them financially.
We know - intellectually - that confronting an issue is the only way to resolve it. But any resolution will disrupt the status quo. Given the choice between conflict and change on the one hand, and inertia on the other, the ostrich position can seem very attractive.
We've progressed well beyond the four humors in the two thousand-odd years since Hippocrates, but we still haven't satisfied the urge to discover ways of sorting people into personalities and types and, in so doing, predict how they might act in specific situations.
I mean, Iceland is Iceland. It can't do damage to anybody unless you're Icelandic. But the United States can drag down the entire western economy. And I think what we are seeing is simply a reflection of reality. This is not, I'm sorry, but this is not a AAA nation.
Man pays deference to woman instinctively, involuntarily, not because she is beautiful or truthful or wise or foolish or proper, but because she is a woman, and he cannot help it. If she descends, he will lower to her level; if she rises, he will rise to her height.
my crime books are actually novels and are written as such. One might even say that each one is really two novels, one of which is the story I tell the reader, and the other the buried story I know and let slip now and then into a clue to whet the reader's interest.
I always talk to young writers about when you make art in your room, you make art. And when you send it to New York and L.A., you have to be a professional. Of course, when you sell your book rights as an option for a movie, you have to be a professional about that.
There's an ancient saying in Japan, that life is like walking from one side of infinite darkness to another, on a bridge of dreams. They say that we're all crossing the bridge of dreams together. That there's nothing more than that. Just us, on the bridge of dreams.
Dear Leonard. To look life in the face. Always to look life in the face and to know it for what it is. At last to know it. To love it for what it is, and then, to put it away. Leonard. Always the years between us. Always the years. Always the love. Always the hours.
Like my hero Virginia Woolf, I do lack confidence. I always find that the novel I'm finishing, even if it's turned out fairly well, is not the novel I had in my mind. I think a lot of writers must negotiate this, and if they don't admit it, they're not being honest.
I have an admiration for Mr. Eastwood that borders on the kind that I have for the Grand Canyon. Like it, he is craggy, worn, awesomely impressive and unique, a living four-star tourist attraction that, in the formulaic words of the Guide Michelin, 'vaut le voyage.'
And you, Prince Elric? She attracted the albino's wandering attention. Do you know his story? Elric shook his head. I only know, he said, that he is a shape-changer and, that most cursed of souls, a person of rare goodness and sanity. Imagine such torment as is his!
Little Life Lesson 51: When selecting a member of a group to put on the Endangered Species List, it’s probably best not to pick the least popular person, because there is always a chance everyone will shrug and be like, "Um, okay. Hey, anyone want pizza?" and leave.
My father was from a secular Jewish family and my mother from a nominally Christian (Episcopalian) one. They were not religious as adults. They did, however, believe in educating their children about the Bible. They viewed this as an essential part of any education.
Spiritual growth is more than procedure, it’s a wild search for God in the midst of the tangled jungle of our souls, a search for which involves a volatile mix of messy reality, wild freedom, frustrating stuckness, increasing slowness and a healthy dose of gratitude
Elephant and Piggie have a very large input. They have a distinct aesthetic taste. They like books that are philosophical. They like books that are dialogue-driven. They like books that are about issues that they live with, in their own elephantine and porcine ways.
In Sufi terms, there are two very interesting notions of transcendence. One is to gaze out at the universe and to comprehend that what you see out there reflects what you are. The other one is to look inside yourself and recognise that the universe is present there.
Some writers are more natural public performers than others; personally I find it quite strange giving interviews. But everyone has parts of their job that they like more than others. You can't complain if you get to do what you love doing most of the time, can you?
If I keep coming back to a painting and there's a little something that bothers me, I know I'm not going to get away with it. I'm going to have to fix it, change it, whatever it is, to something that I'm comfortable with, that doesn't make me itch when I look at it.
Women in most countries have not achieved much, because they can't be liberated under the patriarchal, capitalist, imperialist and military system that determines the way we live now, and which is governed by power, not justice, by false democracy, not real freedom.
The real weakness of England lies, not in incomplete armaments or unfortified coasts, not in the poverty that creeps through sunless lanes, or the drunkenness that brawls in loathsome courts, but simply in the fact that her ideals are emotional and not intellectual.
What between the duties expected of one during one's lifetime, and the duties exacted from one after one's death, land has ceased to be either a profit or a pleasure. It gives one position, and prevents one from keeping it up. That's all that can be said about land.
People keep framing this as a religious freedom issue, but there's a difference between practising your religion - which everyone has the right to do - and rubbing your religion in people's faces as a triumphalist political statement, which is what's happening here.
Reincarnation?” He shrugged. “I’ve never seen any evidence that it’s real. But I’ve never seen anything that disproves it either. I believe the afterlife is better than what we have here—and it would take something extraordinary to make someone willing to come back.
Mendanbar took a deep breath. You could stay here. At the castle, I mean. With me. This wasn't coming out at all the way he had wanted it to, but it was too late to stop now. He hurried on, As Queen of the Enchanted Forest, if you think you would like that. I would.
Denna is a wild thing," I explained. "Like a hind or a summer storm. If a storm blows down your house, or breaks a tree, you don't say the storm was mean. It was cruel. It acted according to its nature and something unfortunately was hurt. The same is true of Denna.
It was relatively easy to write 'The Cave of Lost Souls', though, because it came to me one night in a dream. I remember waking up and having this idea for a complete story - from start to finish - in my head, so I jotted it down, then later began writing the thing.
For a scientist must indeed be freely imaginative and yet skeptical, creative and yet a critic. There is a sense in which he must be free, but another in which his thought must be very preceisely regimented; there is poetry in science, but also a lot of bookkeeping.
French is not a language that lends itself naturally to the opaque and ponderous idiom of nature-philosophy, and Teilhard has according resorted to the use of that tipsy, euphoristic prose-poetry which is one of the more tiresome manifestations of the French spirit.
I've always been interested in the Greek tragedies. A few years back, I re-read a translation of the 'The Oresteia,' and that stayed with me, and slowly this idea of using some of those old legends and plays to tell a new story about modern urban life began to form.
When I was young, I wanted to find the Great Dark Man. When I said that I realise now that people thought that by 'dark' I meant black, and that by 'great' I meant big. Whereas I only meant a strong, mysterious person; someone who would 'take me away from all this.'