I was not depressed when they got me out. I have always taken my dismissals as part of the game.

I've always been the Rodney Dangerfield of this game. Maybe it was meant to be that way, but that always drove me.

There's always areas of the game you want to improve. For me, specifically, yards after the catch, making those tough, contested catches.

I've always kinda guarded perimeter guys. I'm a little bit more comfortable guarding guys off screens. It kinda keeps me engaged in the game, locked in.

Similar to the familiarity I've always had with the ball, there's this familiarity that the game has given me over years of understanding it and living it.

I'm kind of like a perfectionist when it comes to just having a complete game. So it's always kind of difficult for me to shake off a drop or something like that.

I've always looked up to John Terry; he's a massive defender and a rock. His one-v-one defending and reading of the game have really educated me. I watch a lot of clips of him.

I think it's crucial for athletes to get plenty of fluids whether their regime is intensive or not. For me, generally, I eat and drink a lot so that I'm always at the top of my game.

I've worked with a lot of really fine actors, both on stage and on screen. The level of their game lifts me up and brings the level of my game up to theirs. Always. It's like a constant upgrade.

I always wanted to be somebody. If I made it, it's half because I was game enough to take a lot of punishment along the way and half because there were a lot of people who cared enough to help me.

I have always been small, so defenders have always been taller and tougher than me. So that's difficult for me; they foul me sometimes, but there you are - that's what the rules of the game are for.

For me, the making of exhibitions has always had to do with dialogue: a concentrated, in-depth, focused dialogue with artists, who keep teaching me that exhibitions should always invent new rules for the game.

My father loved the single-handed backhand, so to him, that was the main goal; we were always fascinated by that shot. He taught me all the technique and how to structure my game. I was really privileged to have a father like that.

I've always felt that it didn't feel right for me when a protagonist goes through a storyline where they're killing a lot of enemies, and at the very end of the story he ends up kissing the heroine and that's where you end the game.

TV critics came after me for overhyping LeBron. A lot of people don't know this, but I didn't want to do the game. I told ESPN, 'We're making this kid into something special.' I always follow orders, whatever my people want me to do.

Before I was rapping, I was always around the rap game, even though I was in the streets. I would be at all the parties and all the events, and I was pretty hard to miss. I was one of the few Spanish cats sitting there with jewelry on, Dapper Dan suits. It was pretty hard to miss me.

I played in different positions as a kid, and it helped me learn different parts of the game, but I found that I was always scoring goals, and that continued as I got older. I've always enjoyed scoring, and it seemed to come naturally. Fortunately, that has carried on into my professional career.

I played against Kobe a lot when I was in high school during the summers, even in college, just being that guy in L.A. coming up. He always gave me advice here and there, and even the smallest things stuck with me. I watched every single thing that Kobe did, every game, every move. He made me a student of the game.

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