The dream was always running ahead of me. To catch up, to live for a moment in unison with it, that was the miracle.

I still always think the greatest moment for me, as a writer, is when I press that button and send the first draft of the script.

I've become a professional failure - in order to pay the mortgage I have to remain unemployed. Luckily, a disaster always seems to befall me at exactly the right moment.

I always get carried away when I'm kissing. I just go nuts! Walking away after it is the strangest moment for me. It's embarrassing - not knowing what to say to each other.

There is nothing like a Bach fugue to remove me from a discordant moment... only Bach hold up fresh and strong after repeated playing. I can always return to Bach when the other records weary me.

At any given moment, I've always assumed that nearly everyone around me was smarter than I was, more naturally gifted, quicker-witted, and probably capable of understanding Heidegger and Derrida.

I remember as a child of five or six lying in the bath marvelling at the different languages displayed on the shampoo bottles around me. From that moment on it was always words not numbers that held a fascination for me.

I think Coran Capshaw is such a brilliant entrepreneur and he always thinks about new stuff; the biggest stuff you can imagine. I know he's working on a lot of things for me at the moment, and I think it will definitely help my career to go to the next level.

I was always very interested in the storytelling decisions that went into directing. It just held this real allure for me. You know, if we're doing a scene at a dinner table, they weren't all shot the same. 'Why was the camera here for one moment and there for another?'

At one moment, I thought that if I didn't do a picture in a certain way, then it wasn't a 'Mario Testino Picture.' And I've realized that Mario Testino is everything, Mario Testino is whatever he feels like being, because it always ends up looking like me, whatever I do.

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