Choreography is writing on your feet.

Dancers are the messengers of the gods.

My choreography is very classically based.

The costumes had to serve the choreography.

I was president of the choreography society.

For me, the choreography always comes from the music.

I will never leave choreography and will keep doing songs, too.

I don't think there is anything new left for me in choreography.

No one has their own identity like the Ronettes did back in the day.

The most difficult thing to pull off in a musical is the choreography.

I am interested in the complicated choreography of close relationships.

I have been into acting and direction, but choreography is my first love.

Working with a new style of choreography is always a period of adaptation.

Choreography and creativity - it's my matrix; let's see where we can move.

Yes, Carl Vine stuck around. He's now number one composer for choreography.

My dancers expect me to deliver because my choreography represents their livelihood.

I was always interested in choreography - in making people think and feel something.

The idea of directing my own movie is definitely more challenging than choreography.

There's nobody knows more about dancing and choreography than Arlene Phillips, ever.

I love getting to work with the stunt coordinator. It's like choreography, like a dance.

My method is much like choreography. I don't sit at a table. I work in a room with people.

I'm not retired, I will continue directing films and doing fight choreography. I won't stop.

What I loved most about 'Rhythm Nation' were the uniforms and the perfect group choreography.

Choreography is something that I am always going to take up, and it will be on the forefront.

Personally, I loved our performance for the 2018 MAMA's. I loved our outfits and choreography.

I wish I could blame it on the choreography, but it's not a musical. I just had a clumsy moment.

Bruce Lee has always been a hero of mine, and the choreography in 'Enter The Dragon' is amazing.

I try and create choreography that's in conversation with the music that the audience is hearing.

I think our choreography, which is easy to follow, played a huge role in achieving fame in Japan.

I watched 'Fame,' and I just love the choreography. It just gives me a place to be in another zone.

I kind of lost interest in the classical dance. I was very much interested in the modern choreography.

I totally remove myself from any costumes, wardrobe, any choreography. I could care less about that stuff.

I am very proud of the song 'More & More.' It's a great love song and has really fun choreography attached.

Composition and choreography were always very important to me and I choreographed for my earliest training.

Conductors must give unmistakable and suggestive signals to the orchestra - not choreography to the audience.

Taking up the choreography for an awards night is completely different from choreographing a song for a film.

When I finally decided to do the show, I only had two weeks to learn the choreography and the songs in French.

Shooting a fight is like shooting any other scene. You have to tell a story using a very specific choreography.

I've done some movies before when you have months, or three weeks at least, to train and to learn choreography.

Directing is very close to choreography; you deal with space, time, emotions, lighting, making beautiful images.

When The Temptations began, we wanted to be visual. So we did our own choreography and developed our own uniforms.

Choreography is mentally draining, but there's a pleasure in getting into the studio with the dancers and the music.

I'd never really shot action scenes before, but I realized early on that is very much like shooting choreography and dance.

I wanted to be a professional dancer for a period of time, and I did a lot of dancing and choreography and got paid for it.

We always do this fox sign that appears in our choreography very often. Our fans enjoy doing this sign together at our shows.

The chance to work on Broadway choreography as opposed to having to deliver Broadway choreography can be two distinct things.

I always thought martial arts was the most modern choreography we could have right now, and I always wanted to put it to music.

I said, 'I'll give myself two years. If I can't support myself as an actress within two years, then I'll go back to choreography.'

The good part is once I start directing, I can choose the songs I want to do. I'm just selective now when it comes to choreography.

Every company has its style, and that's what makes the Bolshoi so impressive: their attack on jumps or their attack on choreography.

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