Quotes of All Topics . Occasions . Authors
Christine and the Queens is about not being safe.
It's been a misery for me, living with Christine Keeler.
But it took me awhile to figure out Christine at this age, you know.
Christine Bottomley and Navin Chowdhry were really fun to work with.
But do you love me? If Erik were good-looking, would you love me, Christine?
But I've always believed that Christine Cagney shouldn't be played past a certain age.
I really think that 'Christine' is one in a million in terms of independent or studio.
I enjoy this confusion. Heloise? Christine? Chris? Maybe I will be called C at some point.
Christine and the Queens is born out of a particular moment in my life where I was quite low.
I invented 'Christine' as a survival technique to deal with many things. I felt it would save me.
She is one of the nicest people I've ever met. No one is more thoughtful than Christine Bleakley.
Well what do you do with a character like Christine Cagney and you tell her she can't have things?
Everyone has a little bit of Howard and Chad in them. I think there's Christine in all men as well.
The leadership of Christine Rampone goes without saying. She is the definition of a what a leader is.
When I thought of Christine at first, I was really angry with everything that was given to me as a young girl.
We should not forget what it felt like to watch Dr. Christine Blasey Ford testify, and what it meant to so many of us.
I invented Christine as a survival technique. I was inspired by the idea that everyone could have a Christine inside to wake.
Years on, Christine and John still have a deep love for each other, as do Stevie and I - we've been working together since I was 17.
My personal style icons are Diane Von Furstenberg and Linda Fargo. For strength and their own style, Christine Lagarde and Angela Merkel.
I loved Julia Louis-Dreyfus's show 'The New Adventures of Old Christine.' That made me laugh out loud. She's like Lucille Ball. She's brilliant.
You can be very feminine and be a leader. Christine Lagarde, she's very chic and she dresses very well, and she's a woman. And she has a lot of power.
But it's a Broadway show, so even if you're Christine in Phantom, you're still a princess. All female leads are princesses whether they're Disney princesses or not.
Christine was me wanting to break free. I was tired of being prissy and shrinking and apologising all of the time, so I created a character that could be daring for me.
I think Christine and Chad are on the opposite extremes of the spectrum. Christine is a model victim, and Chad is a model perpetrator, and Howard is closer to the middle.
I think I used Christine, who is my stage character, as an excuse to finally be myself, as if I needed to say, 'Oh this character is going to be the woman I wanted to be.'
I think, from the beginning, I was healed and inspired by queer culture, and Christine and the Queens, as an idea from the beginning, is queer because it questions the norm.
The infamous political ads like Carly Fiorina's 'Demon Sheep' and Christine O'Donnell's 'I Am Not a Witch' are so confusing, it's almost like they were paid for by Democrats.
Christine O'Donnell released a commercial in which she says, 'I'm not a witch.' That's pretty good, though not as effective as her opponent's slogan, 'I'm not Christine O'Donnell.'
Since 'Christine' started screening, I'm overwhelmed by the response from women and men - that it's so rare to see something like this. We're just not given the opportunity so much.
Christine, as a stage character, is just a way for me to be more daring, to be more out of the box, to be stronger and to use everything that could weigh me down like a fuel, like an energy.
When I was on the 'Mickey Mouse Club,' there was Britney Spears, Justin Timberlake and Ryan Gosling and Christine Aguilera. But they were 12 and I was 17, so there was a bit of an age difference.
Before I created Christine, I was actually really girly. Maybe I was trying to hide something, but I was trying too hard to be a girl, and I didn't know what it meant. I was afraid of being myself.
Getting to perform at the Carlyle, following in the footsteps of women like Elaine Stritch, Barbara Cook, Christine Ebersole, Kelli O'Hara, and so many others, is nothing short of a dream come true.
I was always so jealous of a band like Fleetwood Mac, for instance, where Christine McVie would sing a whole bunch of songs even though Stevie was the obvious lead singer. It added variety to their shows.
Some of my acting heroes have built careers on playing characters who do horrendous things - they're repellent and lovable. They're not likable, but they're lovable. I think Christine is one of those characters.
Christine Keeler was not allowed a voice. There were so many men who were imposing their views and opinions onto her and they decided who she was. Christine never had the opportunity to truly give her side of the story.
In real life, I feel tiny and quite embarrassed all the time. But when people come up to me in France and want to talk to Christine, it's okay. It's cool. Because they're really talking about themselves, their own Christines.
Christine Brinkley, that's my age range of supermodels. That's on my radar. This isn't someone where I don't know who she is. She turned out to be such a bright light. She walks into a room and just lights it up. She's just that person.
Yeah, I've always been accused of having a sense of mischief and I'm very flattered that you say you can see it in the roles I play, because I think that's important, even if I do play intense characters, like especially Christine Cagney.
The worst storyline I've ever been involved in I wasn't involved in, because I was clever enough to get pregnant with my second child and they wrote me out and they replaced me with Christine Jones. And thank God - that was the worst storyline.
In 1998, the acting roles suddenly bottomed out. I was no longer getting scripts; even my agent stopped calling. When I finally got him on the phone to ask him what was going on, he paused, then said: 'Well, Christine, you're 45.' I got rid of him.
Christine Bass was my high school music teacher. She took a program on its last legs and within a few years turned into one of the best programs in the country. Our high school dominated national choir competitions all through her 20-plus year tenure.
And they were writing scripts where Christine had hit the glass ceiling. And I always thought Christine would never hit the glass ceiling. I thought her dreams would take her. Maybe her dreams wouldn't take her where she wanted, but she still had her dreams.
There's those young girls that I once was, looking up to Mia Hamm, Christine Lilly, all those players, and I know how much of an effect they had on me. Knowing that, I feel like I'm in a position where I can really help be a positive influence in girls' lives.
When Stevie and I joined the band, we were in the midst of breaking up, as were John and Christine. By the time Rumours was being recorded, things got worse in terms of psychology and drug use. It was a large exercise in denial - in order for me to get work done.
The way they were writing Christine as this older woman who got married, which she shouldn't have. Obviously got divorced right away. Reached the glass ceiling in the police precinct. So there is a part of her that died because she knows she couldn't go any farther.
I've always been afraid to do a solo show. When I go to see the great solo shows of Liz Callaway or Christine Ebersole, they have so many incredible stories to talk about, and their material and lives are so rich. I've always worried that my life was not rich enough.
Calling this 'The Trial Of Christine Keeler' is clever because it's a re-examination of Christine's life and the trials and tribulations that she went through including the court trial. We as a society are so quick to judge, and no one has been judged quite as much as she has.
The character I've created, Christine, is mainly the first attempt for me to escape all the secret injunctions we have as girls all the time. Like, be pretty but be polite. Don't take too much space. All those things that didn't mean anything to me. I just decided to turn them around with my character.
The first piece of 'long' fiction I wrote was a novella parody of Stephen King's 'Christine.' I was in high school, and my version was about a kid with a possessed locker instead of a possessed car. It was also my first attempt at humour, which fell completely flat because no one who read it realized it was a parody!