I never saw fairy tales as an escape or a cop-out... On the contrary, speaking for myself, it is the way to understand reality.

I hope to do multiple characters throughout my life that are separate from me. I think it's a cop-out if you play yourself in everything.

An awful lot of actors shy away from the uglier aspects of the human condition. They want to be liked, which is a cop-out. You've got to go for it.

People always say that you can't please everybody. I think that's a cop-out. Why not attempt it? 'Cause think of all the people you will please if you try.

Faith is the great cop-out, the great excuse to evade the need to think and evaluate evidence. Faith is belief in spite of, even perhaps because of, the lack of evidence.

I don't know if I am cut out to playing a bad character or not - I really should give it a shot. I would like to play the voice of a baddie, but that's really just a cop-out!

Never quit. It is the easiest cop-out in the world. Set a goal and don't quit until you attain it. When you do attain it, set another goal, and don't quit until you reach it. Never quit.

People want a cop-out, listen I'm a realist and I talk about motivation, talk about all the things it takes to be greater or are important to win and people want to use excuses all the time.

I know a lot of actors talk about the importance of wardrobe, and it always seems like it's kind of a cop-out, maybe, because it seems like a minor detail to some people. But I think it's hugely important.

'Pride' is my first film with a happy ending. Before, I naively thought they were a cop-out, but now I've come to believe that happy endings and wish fulfilment are an incredibly important part of our cultural life.

Despair is a cop-out, the ultimate abdication of all responsibility, in which people feel justified in their feelings of impotence. But if, on the other hand, you feel that your work in the world does make a difference and that you do have the power to change things, the nay-sayers will turn a deaf ear.

I hate when a movie just sort of ends and is so open-ended you feel like it wasn't finished. I appreciate leaving things up to the interpretation of the audience and letting them make decisions about where things will go in the future - but the director has to make a decision; otherwise it is sort of a cop-out.

The big cop-out would be to accept popularity rather than opting to try to create potent work. It's so easy to do the popular thing, the expected thing, and that's where you start to cheat yourself - and your fans, in the end - because there's an inherent dishonesty in pandering and dishing up what everyone's expecting.

You have to be a cop-out or a wash-out or a dropout to come to our college. You have to work with your hands. You have to have a dignity of labor. You have to show that you have a skill that you can offer to the community and provide a service to the community. So we started the Barefoot College, and we redefined professionalism.

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