Quotes of All Topics . Occasions . Authors
As with many other folk beliefs, 'feng-shui' undoubtedly incorporates some scientifically correct observation or received wisdom based on direct experience of natural phenomena; but it needs to be dealt with skeptically as a credible system of thought. Some feng-shui prescriptions can certainly lead to desirable results.
The one thing I want to do - and I am doing - is starting my own production company, for me to produce and direct in the future. Have a bit more say and control - become the storyteller more than just the character. I want to choose the story, plant the seed, and watch it grow. I just want to have a bit more involvement.
Intimidation is an unusual animal: it's a lot about body language and understanding the human psyche. Knowing that usually a direct stare will crush most human souls, and that's just the basic gist of it... The soul-crushing stare, the fatherly disappointment, mixed with a little bit of hate and rage - you're on your way.
No, 'F/X 2' was a job. I enjoyed doing it but that was definitely a job. I wrote that, I didn't direct it but 'Candyman' and the earlier horror movies I made, I was completely into horror and suspense and always have been. It's informed everything I've done, even the way scenes are shot in 'Kinsey and 'Gods and Monsters.'
For good or bad, there is a certain level of generalisation when it comes to my work. I want to break that perception. My decision to direct 'Bombay Talkies' or to present 'The Lunchbox' is an attempt to do that. These are the films that gel well with my sensibility, and it's unfortunate, it's not the perception out there.
Causes was founded with the mission of empowering anyone to change the world. Our model is based upon the belief that everyone has the power to have an outsized impact on the world by banding together with other like-minded individuals, taking direct action, and inspiring their friends and their friends' friends to join in.
The more you create, the more ambitious you become with your projects. Short films were a direct result of over 200 web series sketches and vlogs. After you create enough 2-minute videos, you start to wonder what else there is. Deadlines and discipline and quantity with a focus on quality have always been what keeps me going.
Now the proposal is yet again another $150 billion before we start to think about a freeze. But $150 billion spent on more government programs; monies being created to direct and what kind of jobs that Washington thinks ought to be created. Come on. I mean there is a government that can help, and the government can also hurt.
If I was to direct a movie about a super-confident guy, first of all I would hate that character. I can do a super-confident guy who crashes and burns and has to rebuild himself as somebody humble. But a super-confident guy that just gets more confident and gets the girl and the money and more success? That's not interesting.
Every dollar of SNAP benefits generates $1.84 in the economy in terms of economic activity. If people are able to buy a little more in the grocery store, someone has to stock it, package it, shelve it, process it, ship it. All of those are jobs. It's the most direct stimulus you can get in the economy during these tough times.
As a direct line to human feeling, empathic experience, genuine language and detail, poetry is everything that headline news is not. It takes us inside situations, helps us imagine life from more than one perspective, honors imagery and metaphor - those great tools of thought - and deepens our confidence in a meaningful world.
Last Friday night, I Twitted a photograph of myself that I intended to send as a direct message as part of a joke to a woman in Seattle. Once I realized I posted to Twitter I panicked, I took it down and said that I had been hacked. I then continued with that story, to stick to that story which was a hugely regrettable mistake.
Great actors are so easy to direct. It's like they're big 747s that you just have to move left and right, and I don't really need to direct. I need to put them in the right costume, with the right haircut, in the right location, and with the right actor to act with. And then my job is almost done, with a great script, obviously.
My dad discouraged me and my older sister watching too much TV. I don't want to portray them as crazy hippies, but I definitely feel like I was influenced by their creativity. But did I want to have an acting career myself? I didn't think so. I think my goal really was to direct. I really wanted to make stories in that capacity.
We are descended from a people whose government was founded on liberty; our glorious forefathers of Great Britain made liberty the foundation of everything. That country is become a great, mighty, and splendid nation; not because their government is strong and energetic, but, sir, because liberty is its direct end and foundation.
I always wanted to direct. I always saw myself as a director. I know that I've definitely found what I should be doing with my life. In my life, as far as my career goes, I always felt, as an actor, that it was something that would just be a temporary thing that would get me to what I wanted to do next. That's what my acting did.
The park lies directly downwind from a slew of coal plants. Virtually all of the major contaminants in the local air and water are direct results of coal emissions. Coal produces ozone, which kills trees. Coal produces sulfates, which kill fish. No other park in the country has more ozone or sulfates than Shenandoah National Park.
I think that horror films have a very direct relationship to the time in which they're made. The films that really strike a film with the public are very often reflecting something that everyone, consciously or unconsciously feeling - atomic age, post 9-11, post Iraq war; it's hard to predict what people are going to be afraid of.
Fracture of the patella may be produced by muscular action or by direct violence. When produced by muscular action, it occurs thus: a person in danger of falling forwards attempts to recover himself by throwing the body backwards, and the violent action of the quadriceps extensor upon the patella snaps the bone transversely across.
America is a noisy culture, unlike, say, Finland, which values silence. Individualism, dominant in the U.S. and Germany, promotes the direct, fast-paced style of communication associated with extraversion. Collectivistic societies, such as those in East Asia, value privacy and restraint, qualities more characteristic of introverts.
I believe in this being, not because I have any proper or direct knowledge of His existence, but I am at a loss to account for the existence and arrangement of the visible universe, and, being left in the wide sea of conjecture without a clue from analogy or experience, I find the conjecture of a God easy, obvious, and irresistible.
I could direct a very decent Holocaust film, but I don't have the same experience as a young boy who was rocked to sleep in the lap of a grandmother who had a tattooed number on her arm, who told him stories of the people who disappeared, the relatives she never saw again, as he drifted off with his cheek nestled next to that number.
No one goes on a direct path, even though it sometimes feels like your peers might be racing ahead. Everyone's trying to figure it out. But if you just put yourself out there, step out of your comfort zone, establish yourself in terms of skills, mentorship, but leave space for your passions, then you're going to turn out pretty well.
Writing for adults and writing for young people is really not that different. As a reporter, I have always tried to write as clearly and simply as possible. I like clean, unadorned writing. So writing for a younger audience was largely an exercise in making my prose even more clear and direct, and in avoiding complicated digressions.
No, I wouldn't direct a movie, no. I couldn't. I don't have the patience for it, I don't have the people skills. You have to be clever. I'm not really clever in that kind of way. And you have to be able to manipulate people, but at the same time allow them to feel like they are manipulating you, to get the kind of movie that you want.
With social media, you have this new kind of way to communicate with people that's very immediate, sometimes alarmingly so, sometimes painfully so. If you could just hold some objectivity, a very direct, unfiltered, raw reflection of the way something is landing in the culture without any spin, or filtration, or anything, it's very raw.
Private philanthropy is the direct expression of the great Christian principle of the brotherhood of man and the Golden Rule. Private philanthropy indeed is the only valid expression of these ethical principles; compulsory charity through 'social legislation' is the exact contrary: it is the evil imposition of force by one group on another.
When you search for Fortnite on iOS, you'll often get PUBG or Minecraft ads. Whoever bought that ad in front of us is the top result when searching for Fortnite. It's just a bad experience. Why not just make the game available direct to users, instead of having the store get between us and our customers and inject all kinds of cruft like that?
Often, farmers have difficulty finding secondary markets for their outgrades and have no choice but to leave fresh produce unharvested to rot in the field. Gleaning Network U.K. coordinates teams of volunteers with willing farmers across the U.K. to direct this fresh surplus produce to charities that redistribute it to people that need it most.
The distribution of plants in a given locality is not more marked and defined than that of the birds. Show a botanist a landscape, and he will tell you where to look for the lady's-slipper, the columbine, or the harebell. On the same principles, the ornithologist will direct you where to look for the greenlets, the wood-sparrow, or the chewink.
People who are ambitious - politicians who crave power - think that they're in control of it, but at some point, the movement that they started overtakes them, and they lose the ability to direct things anymore, and they become essentially riders on a wild stallion, and wherever the movement goes, wherever power takes them, they have to go along.
Werner Herzog, I knew him for so many years, when Fassbinder was at his highest moment. But we had a rule: An actor from Fassbinder could never work with an actor of Werner Herzog or Wim Wenders. Because if we would have done that, we would have been spies. 'Ah, you worked with Werner - how was it? How did he direct you?' I was Fassbinder's actor.
I like to direct movies, but I don't like to goof around for eight years talking about it. And it's pretty irritating to get a movie on. So to complicate it by having more irritation as a director, I don't really need it. And because I direct a great deal still, but in the theater, I kind of get that anyway. Which is not at all to say I would never do it again, or it would never happen again.
