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People think, 'Oh, you're doing 'The Wiz' because 'Empire' is such a big hit.' The truth is, staging this musical has been a dream of ours since the '90s, but the rights were tied up. It's just coincidental that, this year, when we were choosing a new musical, the rights were cleared.
The 2003 invasion of Iraq by U.S. and coalition partners stands as one of the greatest blunders in American history. The Islamic State, also known as ISIL or ISIS, rose out of the the chaos, throwing the region into turmoil that hasn't been equaled since the fall of the Ottoman Empire.
I started with the book 'Boardwalk Empire' and then immersed myself in the history of Atlantic City, World War I, the temperance movement, Prohibition, pop culture. I even read the news and magazines of the period just to soak in it. That was before I even started thinking of the story.
I just watch movies I like over and over. It seems to be a lot of sci-fi stuff. My favorites are probably - besides the first two 'Alien' films, I watch '2001', I watch 'Star Wars', the first ones, because those actually had a huge effect on me as well, 'Empire Strikes Back' especially.
The Hungarians, by nature, are not extreme. They become more extreme only when they are forced to fight for their freedom, as was in the case in the uprising against the communists in 1956 or the revolution against the Austrian Empire. They will not turn extreme in the name of despotism.
We still are pestered by two parties: the aristocratic, which is panting for a counter revolution, and the factious, which aims at the division of the empire and destruction of the authority - and perhaps of the lives - of the reigning branch, both of which parties are fomenting troubles.
The movie I've seen a million times - wait, that's not possible - my favorite movie of all times is 'The Empire Strikes Back,' directed by Irvin Kershner, executive-produced by the great George Lucas and stars Harrison Ford, Mark Hamill, Carrie Fisher, Billy Dee Williams, James Earl Jones.
As I made my way through 'On Line,' the austere, stridently dogmatic, sometimes revelatory exhibition 'about line' at MoMA, I found myself thinking, 'Someone please wake me when the seventies are over!' In the empire of curators, the sun never sets on the seventies. It is the undead decade.
I think that if a United States of Europe were to be formed, it would be in our interests to fight for it, as all our old traditions would remain in such a united Europe, whereas if we were to start now as part of the Russian Empire, everything that had ever been in Germany would disappear.
Imagine a 'Mission: Impossible'-style spy or infiltration mission into the core, the very heart of the Empire's military-industrial complex, the most secure facility in the Empire. You have a small band of experts with complementary skills who, together, are able to do these amazing things.
In the past, Britons were scathing about the cruelties of the old Roman empire and the excesses of Catholic empire builders such as the Spanish and the French. They convinced themselves that their empire was different and benign because it rested on sea power and trade rather than on armies.
I grew up in India. From my childhood, I remember the great reverence that people held for our national hero, Mahatma Gandhi. He galvanized millions to march as one, disarmed the empire that had ruled his country for nearly a century, and enabled India to become a free and independent nation.
I have behind me not only the splendid traditions and the annals of more than a thousand years but the living strength and majesty of the Commonwealth and Empire; of societies old and new; of lands and races different in history and origins but all, by God's Will, united in spirit and in aim.
Why should we not form a secret society with but one object, the furtherance of the British Empire and the bringing of the whole world under British rule, for the recovery of the United States, for making the Anglo Saxon race but one Empire? What a dream, but yet it is probable; it is possible.
I don't care if Margot is a Dame of the British Empire or older than myself. For me she represents eternal youth; there is an absolute musical quality in her beautiful body and phrasing. Because we are sincere and gifted, an intense abstract love is born between us every time we dance together.
One's teachers all belonged to that generation who were imperialists, and the whole narrative throughout my adolescence was of countries leaving the empire. I find it extraordinary that this purpose which drove how we viewed the world is now considered to be something that has no effect upon us.
Realism is always subjective in film. There's no such thing as cinema verite. The only true cinema verite would be what Andy Warhol did with his film about the Empire State Building - eight hours or so from one angle, and even then it's not really cinema verite, because you aren't actually there.
Because of the long, long history of British shipping, immigration, trade, empire, missionaries, you can have a better shot at telling a worldwide story in the British Museum's collection than any other. Britain has been more connected with the rest of the world than any other country, for longer.
It's a funny thing about cities: Some have brief, bright moments of cultural and political dominance, decades- or centuries-long spells when they seem the center of their particular nation, or region, or empire... only to later fall into obscurity and disrepair, never to regain their former glory.
When a certain swathe of India's population considers the country's ancient past, it doesn't see a country fragmented into kingdoms, savaged by caste divisions, and mired in poverty; rather, what's envisioned is a vast, unified Hindu empire stretching from Kashmir to the Indian tip at Kanyakumari.
The intellectual bourgeois of the old Empire - tepid and unimaginative, mentally slow, arrogant, and incorrectly trained - has proven his incapacity to be the bearer of German culture. His benumbed world is now toppled, its spirit is overthrown, and is in the midst of being recast into a new mold.
Part of what is wrong with the view of American imperialism is that it is antithetical to our interests. We are better off when people are governing themselves. I'm sure there is some guy that will tell you that philosophy is no different from the Roman Empire's. Well, it is fundamentally different.
Postcolonial critics are, I suspect, wrong when they argue that the mass of British people still mourn the loss of empire. But Britain's politicians - and its Foreign Office - have found it hard to adjust to the loss, not so much of onetime colonies as of the global clout the colonies once afforded.
When I did 'Racing Demon' by David Hare, I worked with Paul Giamatti, who had stacks of books in his dressing room. I was offstage a lot, so I would go read in his room. He was reading a four-part series on the Byzantine Empire by Alexander A. Vasiliev. I read two of those during the run of the play.
Empire in the past was always a far harsher and much more accident-prone business than conventional history books imply. And the costs of these overseas invasions were borne not just by those on the receiving end but - frequently - by ordinary, vulnerable people among or associated with the invaders.
I think once 'Empire' hit, there was a lot of bad black TV that followed, because we work in the business of hit-seekers and copycats, so they're like, 'Oh this is a show about black people; this is about music, OK let's do a version of that.' And, of course, it doesn't work because it's not organic.
A lot of directors say, 'Do whatever you want, and I'll just change it on set.' But I love being involved in every part of production. It's very exciting. It's like an empire of creation: Everybody is working so hard to respect a vision and an idea, and it's very weird and inspiring at the same time.
Man, Dr. Dre just inspired me so much. Just him personally, outside of music, too. You know, him doing the whole Beats thing... People like him, they set the bar high for me to set the bar even higher, you know? It's more than just music when it comes to building a foundation and building your empire.
The rise of the presidency began with the Louisiana Purchase, which in 1803 doubled the land mass of the United States. History taught the framers that, just as Rome changed from republic to empire with conquest of new lands, territorial acquisition would lead to the centralization of political power.
I feel like I understand Trump's character better than the average person now, having seen all of these little interactions with charity. I wanted to keep doing something that's like that, and not just doing pure politics. So my piece of the Trump empire is the golf courses, Mar-a-Lago, and the winery.
In the 19th century, when Muslims were looking at Europe as an example, they were independent; they were more self-confident. In the early 20th century, with the fall of the Ottoman Empire, the whole Middle East was colonized. And when you have colonization, what do you have? You have anti-colonization.
How curious that such an outsize man, in physique as well as personality, should be remembered today mainly for giving his name to a small fish. For the 19th century, Bismarck was no herring but a leviathan. Between 1862 and 1890, he created Germany, seeing off first the Austrian empire and then France.
I think people respond to truth. 'Straight Outta Compton' made $60 million over the weekend, right? That's not just a black audience. 'Empire' grew every single week. That's not just a black audience. Black culture is American culture, you know what I mean? They're becoming more and more one in the same.
The history of Chechnya is one of imperialism gone terribly wrong. In the 13th and 14th centuries, Chechens were among the few peoples to fend off Mongol conquerors, but at a terrible cost. Turks, Persians, and Russians sought to seize Chechnya, and it was finally absorbed into the Russian Empire in 1859.
I've worked with a lot of gay and lesbian organizations. I sit on the board of the Empire State Pride Agenda. I've also done a lot of work for Broadway Care/Equity Fights AIDS. I think it's important because, when we can be of service to others, it only enhances our lives. I've been helped a lot in my life.
If I were able to write, I probably would. But movies have given me a part of my life where I can express feelings and bring convictions to an audience as if I could write. So I made 'Gandhi' about human relations, prejudice and the empire. In 'Cry Freedom' I expressed my horror and disgust about apartheid.
The 500 years following the fall of the Western Roman Empire were dubbed by the poet Petrarch 'dark.' Although the 14th-century Italian was referring to a literary decline, the term caught on to denote the seemingly backward turn the Western world took with regard to religious and technological developments.
The loss of the American colonies was the first time the process of British empire building had been put significantly into reverse, and became the starting point for a nostalgic yearning for lost colonies - and the wealth and global influence that came with them - that has become part of our national psyche.
'Pump Up the Volume' was a film and character that I really responded to. That was a movie about a guy trying to take down the establishment using a ham radio. I feel 'Mr. Robot' has a similar value. This show is about taking down a global empire. I was an anarchist then. I'm getting to be an anarchist again.
After the success of 'Empire' and 'How to Get Away with Murder' and 'Scandal' and 'Power' and 'Black-ish', which all had characters that were genuine, authentic, and had the language of real people, I found myself coming into pilot season and every network just wanted to have their version of one of those shows.
My obsessions stay the same - historical memory and historical erasure. I am particularly interested in the Americas and how a history that is rooted in colonialism, the language and iconography of empire, disenfranchisement, the enslavement of peoples, and the way that people were sectioned off because of blood.
I am no historian, but Hungary is a country which has never known democracy - and by that, I mean not a democratic political system, but an organic process which has mobilised the entire country's society. In the case of Hungary, this development was blocked by the growth of the Ottoman empire in the 16th century.
Once conscription was introduced during the First World War, and once Britain's wars ceased being confined to the empire or to continental Europe and began seriously threatening our own shores and safety, it became much easier to denounce any anti-war agitation and argument as inherently irresponsible and unpatriotic.
When I went to college - when I read Shakespeare or Dickens or Scott - I just felt that, as a citizen of England, a British citizen, this was as much my heritage as any schoolboy's. That is one of the things the Empire taught, that apart from citizenship, the synonymous inheritance of the citizenship was the literature.
I would say that nobody is going to work harder for your career than yourself - the one with the vision. No matter how many people you hire, nobody is going to get is as much as yourself does. So it's really important to be your own leader at all times and not hand it all off, otherwise the whole empire will fall apart.
When I first came to New York City, what I was thrilled about was not the Empire State Building, or the Statue of Liberty; it was the fireplugs in the street. These things that Jack Kirby had drawn. Or these cylindrical water towers on top of buildings that Steve Ditko's 'Spider-Man' fights used to happen in and around.
Sometimes I like to watch TV, though I never get to watch any of the shows in real time. I'm a fan of 'Downton Abbey,' 'Boardwalk Empire,' and 'Boss.' There's a British series called 'Luther,' but in England, they think a series means four episodes. And I like 'Mad Men.' Otherwise, it's always good to unwind with a book.
For hundreds of millions of people, the fall of the Berlin Wall was a great triumph: The moment marked the end of hated dictatorships and the beginning of a better era. But for the KGB officers stationed in Dresden, the political revolutions of 1989 marked the end of their empire and the beginning of an era of humiliation.
The Kurds had always had a bad time. They were oppressed by the Ottoman empire. Then, at the end of the First World War, they were promised a homeland, but the new Turkish state refused to give them any land, while the British went and created the new state of Iraq and sent aircraft to bomb the Kurds there into submission.
The games I'm playing have much more to do with using the language of power and the vocabulary of power to construct new sentences. It's about pointing to empire and control and domination and misogyny and all those social ills in the work, but it's not necessarily taking a position. Oftentimes, it's actually embodying it.