Clear eyes, full hearts, can't lose.

'Friday Night Lights' was an incredible show.

If you've seen 'Friday Night Lights' - that was just like my town.

When 'Friday Night Lights' finished, I cried for a day. I have a problem.

Right after 'Friday Night Lights' ended, I was in sort of an existential crisis.

Right here, right now, God has placed you to do what you do best. Go all the way.

'Friday Night Lights' was never a break-out hit; I'll never regret doing that show.

I played with a band in Austin when I was doing 'Friday Night Lights.' It was a blast.

I don't watch TV series, but I watched 'Friday Night Lights' because I'm a sports head.

With 'Friday Night Lights,' we were encouraged to make it our own and improvise as much as we wanted.

The frustrating thing about 'Friday Night Lights' is I know a lot more people would respond to the show if they saw it.

I need to have something else going on. I'm able to write a lot if I have an episode of 'Friday Night Lights' going on my computer.

'Beatriz' has been a slow burn; people are still finding the movie. It's actually similar to the first few years of 'Friday Night Lights.'

I am a late discoverer of 'Friday Night Lights.' I cry every episode at least once. I love to cry - happy, emotional tears. I just love it.

Just growing up on 'Friday Night Lights,' other dramas, that kind of shaped my childhood. The fact that I can have one talking about my life - it's insane.

The most frustrating thing to me is when I tell people I work on 'Friday Night Lights,' they'll say, 'Oh, I hear that's a really good show.' They never watched it.

I remember just weeping my way through the 'Friday Night Lights' finale with my best friend and just being so happy all the way through because it was so beautiful.

The great thing about 'Friday Night Lights,' unlike so many other shows and movies, is that it doesn't take the obvious beats to pull your heartstrings or manipulate you.

'True Blood' is amazing. I have to give a shout out to 'Melrose Place' because I do watch. I love 'Entourage.' One of my favorite shows back in the day was 'Friday Night Lights.'

In 'Friday Night Lights,' the relationship between the coach and his wife, that marriage was something that you couldn't really understand until you actually saw it exist on film.

Something that I learned from 'Friday Night Lights,' sometimes if you have four or five scenes in an episode, it's not having less than having 10. It's what you do with those scenes.

Every man at some point in his life is gonna lose a battle. He's gonna fight and he's gonna lose. But what makes him a man is that in the midst of that battle, he does not lose himself.

With film, there's a consistency to it, but what I like about the TV shows that I've been fortunate to do, like 'Friday Night Lights' and 'True Blood,' is that it feels like you're doing a film.

I remember driving the tractor on our farm, and Tim McGraw would be on the radio. I'd find myself walking out of class, singing his songs. And then Tim ended up playing my father in 'Friday Night Lights.' It was surreal.

I loved the idea of playing quarterback on Friday Night Lights in high school, that whole experience. I wanted to be a Division I quarterback, that became my goal growing up, other than being a professional hockey player.

I loved 'Friday Night Lights' because it was totally committed to every facet of its storytelling. Incredible actors, story lines that weren't easy or predictable. It made me laugh, and it broke my heart over and over again.

I grew up in San Antonio, Texas, and went to a big high school called Douglas McArthur where there was a lot of track and a lot of football. It was a bit like 'Friday Night Lights.' I used to spend a lot of time at the track.

I had great luck with Tim McGraw twice in 'Friday Night Lights' and 'The Kingdom.' I love finding off-beat casting and finding someone you know in one way and you reinvent them in another way. I like doing that as a director.

What's great is that I keep hearing from people who are discovering 'Friday Night Lights' because of streaming and Netflix and Hulu and all of these things. Somehow... things don't get old as fast as they used to. They stay vibrant.

For myself, anyway, I think that recurring has been such a gift, because I've been able to work on a lot of shows that I've really had a lot of respect for before I went in, shows like 'Friday Night Lights' and 'Nip/Tuck,' for example.

The shows I've been working on, especially 'Parenthood' and 'Friday Night Lights,' I think are completely character-driven stories. I think, for most writers, that's a privilege to be telling those kinds of stories. It's erroneous to me.

TV kind of worked out naturally for me. I was fortunate to do a show like 'Breaking Bad' and then go straight into something like 'Friday Night Lights.' It's not something I focus on, but when they're great projects, I can't pass them up.

In terms of 'American Horror Story' and 'Nashville,' what attracted me to those, and 'Friday Night Lights,' for that matter, is that they felt like something innovative and something that we hadn't seen before. As an actor, that's exciting.

In the past I'd always felt like 'the girl' in the show or the movie. On 'Friday Night Lights' there were a bunch of girls, and I was the woman. Initially there was a little struggle with my identity around that. But now there's a sense of ease.

I look at 'Friday Night Lights' as one of my all-time favorite series finales, and that is what you want. After all the roads you've traveled with these people, you just want to know that they're going to be happy. I'm a big believer in shows that make that choice.

We're trying to tell a very full story of 'Nashville' and these characters in Nashville, and I'm really hopeful that we're going to be able to do something as innovative as 'American Horror Story' and 'Friday Night Lights.' And I think so far, we're on the right path for that.

As much as I thought the end of 'Friday Night Lights' was a really great ending, I was one of those people who wanted to make it into a movie. Even though it ultimately didn't work to do that movie, I did work with some of the other writers and by myself writing a script for that.

There's a lot of progress happening in TV. You have amazing shows like 'How to Get Away With Murder.' You have people like Shonda Rhimes, Lee Daniels with 'Empire,' and Jason Katims with 'Friday Night Lights' and 'Parenthood.' You have people behind the scenes writing complex women.

We got spoiled with 'Friday Night Lights.' Not every show is like that, and on other shows, if you try to bring that same truth or that same approach, the system of television doesn't always allow for that level of collaboration, which is unfortunate because the work would be richer.

I started shooting 'The Defenders' two days after I wrapped' Friday Night Lights.' I was doing research for 'The Defenders' throughout - interviewing lawyers and sitting in courtrooms just to watch - but there's something fun about throwing yourself in the water and learning by doing.

I sort of was inspired by 'Friday Night Lights,' where it was a very different show, but similar in that they were both large ensemble dramas where you had many stories going on at once. I wanted to do a show that shared that element, and that's really why I wanted to develop 'Parenthood' as a series.

I grew up in a very 'Friday Night Lights,' sports-focused town. I did not play the sports. I was never bullied physically, but I was called names. I was also an overweight kid. I knew what it's like to feel like the other, to feel written off for things that were not in my control - my appearance, my interests.

Speaking only for myself, the ideal finale to me is 'Friday Night Lights,' where you have loved and worshipped a show for all these years, you get to come back, celebrate the characters, finish up their journeys, and send everyone out with a feeling of, 'My God, I'm so grateful that I got to know these people.'

I came to NBC on 'Friday Night Lights' and they have supported that show and found ways - unprecedented ways - to keep it on the air for a long time. And when I came to them with the idea of doing 'Parenthood,' they not only supported me in doing it but also got behind it in such a way that we were able to put together this incredible cast.

'Friday Night Lights' was kind of like my college years because I did four seasons of that. It was my first series. It was the most time I had with one character, and kind of growing and evolving with the character over that long of a span of time, it just allows you to sort of learn in a completely different way that I had never experienced.

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