My father helped me become a ballplayer and take the good with the bad.

Let me be clear. 'The Good Father' isn't a handbook on how to assassinate the president.

Emotionality is really easy for me. My father always said that Fondas can cry at a good steak.

My father always taught me to never be quiet. That's the good thing about a Bengali household.

My father was a very good Boy Scout. He was very skilled with knots, and he showed me how to tie a bow tie.

When my body, my energy is low, it's hard for me to be a good husband, hard for me to be a good father... hard for me to be a good artist.

My father has played at Celtic before. He has told me it is really intense, and it is good to grow as a footballer by playing for this club.

Elvis and I were very good friends. We were such good friends that, on the day that he passed, I was the first one his father called, to let me know what had happened.

I read my father's books growing up. I thought then and I still think now that his writing is wonderful. It delights and infuriates me in equal measure that he's still that good.

For all the good that Alok Nath had done, being perceived as a father figure, the fact that he was hitting on a girl, who was playing his daughter, made me almost want to throw up.

I always felt I was wounded. That I was no good, a piece of crap, and that I wouldn't amount to anything, because that's what my father always told me. I just felt like I didn't belong anywhere.

I was quite the spoiled brat. I have quite a temper, obviously inherited from my father, and I became very good at ordering everyone around. I was the princess; the staff were absolutely terrified of me.

My father assigned me to keep his scrapbooks. At first I was interested in reading only his rave notices, but I got interested in reading what the critics were saying about whether the play was good or not.

I could, I think, quite easily have gone to Oxford. I got four good A levels, but my father's income was such that I wouldn't have got a grant, and he wouldn't let me go to university, and that was the end of it.

My father, who was a good deal older than my mother, had basically grown up with silent films; sound didn't arrive until he was 30 years old. So he took me to see silent pictures at MoMA when I was 5 or 6 years old.

Although sometimes I might sound sometimes idealist or too optimistic but I think my father used to say to me in everything bad there's something good that is going to come out of it and there will always be a tomorrow.

I really like the story of Bardock, Goku's father. It's quite dramatic and the kind of story I absolutely wouldn't draw if it were me. It was like watching a different kind of 'Dragon Ball' in a good way, so I thought it was nice.

My father was a negative person. He actually taught me to be negative, if that makes any sense. I remember him saying: 'You know there's no point in expecting anything good to happen because it won't.' I grew up in such a negative atmosphere.

My son understands a lot and he's pushing me really hard. He always tells me 'you need to win, you need to be good.' He's happy to see that his father is racing and I think he understands step by step more about Formula One and he really likes it.

As a father, I always want my son to be perfect. When he was young, I tried to train him in martial arts, but he said, 'I don't want to become like Bruce Lee's son, with everybody telling me how good my father was.' I just think my son is too lazy.

He should write his name as Jaan Rita Bhattacharya, not Jaan Kumar Sanu because, firstly, Ritaji has done a lot for him, and secondly, people will start comparing him with me, which is not good for him as a newcomer. I'd be the happiest father to see him successful.

My parents broke up when I was six. Before, I was a very active, naughty child, but after my father left me, I stopped talking. I became very good at hiding my emotions. I felt so ashamed of telling others that I didn't have a father, because that was not common in the 1960s.

Growing up, everybody told me I was good. I was playing ping-pong with my father, and he'd say, 'That's a good shot,' but I'd mess up the next one, and I'd yell, 'Don't tell me that! I'll mess up! Just don't say anything!' You know, if someone says, 'You can't do that,' then I'm going to be, 'Yeah, you watch me.'

In pessimistic moments, when I was trudging London in search of an employer wanting to make use of such talents as I could offer, it seemed to me, almost, that my father had got to where he was by climbing upon my infant shoulders, that he had filched from me my good name and had left me with nothing but the empty fame of being his son.

In my twenties I would be skeptical of a bad haircut, but once you turn thirty it's more about whether he a nice person and does he open the door for me. Once you turn thirty-five, it's more about would he make a good father. And even if you're just liking somebody and digging on someone, I think you can't help but think in those terms.

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