Nicolas Cage is a great actor and he's done some good action movies too.

They have so many great horror movies made in the '80s. I mean, the old-school horror is so good.

There are as many great superhero movies as there are comedies and dramas and cartoons. People just want to see good movies.

I've been lucky to be educated by watching the old and the great movies, working with good filmmakers, and being educated on sets.

All those pseudo-Hollywood movies set nowhere, with everybody good looking and having great physique - that's not working any more.

Chris Nolan is great, but I've never seen any of the 'Batman' movies all the way through. I know they're good. I just have zero interest in those kinds of movies.

When I'm depressed and I feel low thinking that good movies are not made any more, then I put on his movies and I watch them. I laugh and I cry and I have great pleasure.

I've never had a movie that got great reviews. I've had movies that got different levels of good and bad reviews, but you can more or less count on plenty of bad reviews.

I sort of have open invitations from a lot of people to do TV. But it's very hard for me to do roles in sitcoms and movies because I'm not a great actor, so if the material isn't good, I'm in torment while I do it.

I know there's a great deal that Arnold Schwarzenegger could teach me about making movies. There's a great deal I could teach him about the fiscal reforms that are needed - desperately needed - to set California back in good order.

When there's a great horror movie, people are like, 'Horror's back!' And when there's a series of not so good ones, 'Horror's dead.' I think it's all about the quality. When there are one or two good horror movies in a row, people come out interested again.

The four movies I can remember seeing as a kid were 'The Elephant Man,' 'The Magnificent Seven,' 'The Good, The Bad and The Ugly' and 'Mad Max!' Two of those are westerns. So the western genre is emblazoned on my memory from childhood, and those are two great movies.

I grew up when I was 15 when I had my first opportunity in movies. I watched every great movie for a year and a half, and since then I've asked myself how I can emulate such artistry. That's really my motivation. I want to do something as good as my heroes have done.

Every film by Will Smith, Harry Belafonte, Sidney Poitier, Lena Horne, Ruby Dee, Don Cheadle will have great acting and carry good messages in the film. The films starring those actors are the films I tell young people to watch for good acting and to view for quality movies.

That transition from child to adult actor is so incredibly elusive. The roles that were coming to me as a young adult were not that great, but I was taking them anyway to pay the rent. And the more bad roles in bad movies I took, the less anybody wanted me for a good role in a good movie.

Movies are great fun and wonderful when they're good. But you never get to see them till six months after they're finished. So you never get a sense of whether they're really well liked or how good they are. And you don't really know what the finished product is going to be like, because it's a director's medium.

For Sony, owning a studio is a gamble and probably a pretty good one, now that in the broadband era having content is a great advantage when you sell devices that in a ubiquitous world of distribution can actually show programs, movies, content directly to the consumer. So that you actually create, in a digital world, real synergy.

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