I really consider acting a high art.

I believe in God, Mozart, and Beethoven.

High art alone is eternal and the bust outlives the city.

Insanity is a very high art form. If everyone was insane, I wouldn't be here!

I think that high art reposes on popular art, without one there cannot be another.

I am all for high art but I owe it to myself to be clever about it and do commercial things too.

Warhol had resonance because it was high art and low art. And you could argue about it endlessly.

There's a battle between what the cook thinks is high art and what the customer just wants to eat.

The leading edge in evidence presentation is in science; the leading edge in beauty is in high art.

The best stuff is done by people who love it, whether that's high art or low art, whatever that is.

I'd like to explode a few myths about what we call classical music. It's not high art for the titillation of a chosen few.

The novel is the first art form that is an honest-to-god commodity. That's what makes it different from both high art and folk art.

I'm an artist, and I love the visual. Fashion is high art sometimes and hack work other times, but it's something worthy of study and love.

Japanese people accept that art and commerce will be blended; and, in fact, they are surprised by the rigid and pretentious Western hierarchy of 'high art.'

For me, sampling is a high art. Most people don't see it that way, but it's a beautiful thing. I wouldn't know anything about music if it wasn't for samples.

I don't make a particular distinction between 'high art' and 'low art.' Music is there for everybody. It's a river we can all put our cups into and drink it and be sustained by it.

I suppose it's true that most great television, literature, and other forms of high art (and basic cable) benefit from a little hindsight. 'M.A.S.H.' comes to mind. So does 'The Iliad.'

Some people thought I was using my popularity as a singer to sell my first novel. For others, it was almost a sacrilege: a practitioner of a minor art daring to enter the field of high art.

The spectacle of a good bar fight, properly executed and healthily ended, is not merely annoying boorishness. The best of them - an admittedly minor slice - are shaded with the elements of high art.

So I was in America and I thought I'll stick around while I'm here and just see what happens. The next film I did was High Art, so I guess it started with a sort of vague idea but really just a fantasy.

But really, it was reading that led me to writing. And in particular, reading the American classics like Twain who taught me at an early age that ordinary lives of ordinary people can be made into high art.

I have loads of issues with the way classical music is presented. It has been too reverential, too 'high art' - if you're not in the club, they're not going to let you join. It's like The Turin Shroud: don't touch it because it might fall apart.

A weird thing is a strange loop, what some of us call 'an object.' Thus it is looked down on by the constructivist spokespeople of anti-art, which is also an anti-products movement - the dominant mode of high art since the inception of the Anthropocene.

When you get the high art of William Shakespeare and the greatest love story ever told, and you collision crash it with the low art of the tacky garden gnome, you're going to have lots and lots of opportunity for fun and putting your tongue very firmly in your cheek.

It may well be, of course, that America's pop culture is on balance better than our high art. I don't think so, but you can certainly make a case that the best of it aspires to a degree of aesthetic and emotional seriousness that is directly comparable to all but the very greatest works of high art.

When you're a little kid, you just like music that makes you happy and is fun. As you get older, you reach college or your 20s and you decide that music should be challenging and all art should be smart. So you start to think it makes you like high art more to put down things you consider low art. I don't even think things are low art.

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