After a show, people say, 'I bet you want to just sit back and relax.' No way. First thing I want to do when I'm home is cook.

Writers, particularly poets, always feel exiled in some way - people who don't exactly feel at home, so they try to find a home in language.

When I'm not working in a professional capacity, I'm writing, and when I'm at home, it's a way of having contact with people or communicating.

The role that people think I play is not a role. When I go home, and I'm with my sisters, I'm the same way. When I'm with my boys, I'm the same way.

We need less theoretical debate and more practical application and acknowledgment of what Europe can and does do so that it is brought home to people in a relevant way.

I never really take shortcuts. I was always one of those people who, instead of cutting across someone's yard on the way home from school, I would go to the end of the block and turn.

There's a reason why a lot of models turn actors. You have to connect with people, talk to people, be able to be far from home, and you have to be aware of the camera in the same way you would be when modeling.

I like to entertain in all aspects. When you're with somebody and you're out, you want to be entertained. I like to be around entertaining people. Even if they're bored, and you're in a convalescent home, there's something entertaining about that, in a way.

Imagine if you had baseball cards that showed all the performance stats for your people: batting averages, home runs, errors, ERAs, win/loss records. You could see what they did well and poorly and call on the right people to play the right positions in a very transparent way.

London was the Olympics that I was most nervous about. From coming into the venue and stepping on to the mat, people were supporting with 'Saori' banners and waving the Japanese flag, so even though it was London, I felt much more like fighting at home that way, which was really inspiring.

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